Feather Artist Club Professional Blade

Feather Artist Club Professional Blade

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Feather professional blades will fit any of the artist club razors. Manufactured to the highest quality standards, and designed for professional use, you can expect them to provide the closest and smoothest shave possible. Blade performance is equal to that of a 4/8 or 5/8 size traditional straight razor. The thinner blade allows greater edge flexibility to better conform to facial contours. If you want the closeness of a barbershop straight razor shave, the feather professional blade is a great option.Please read all label information on delivery
Country of origin: Japan
20 blades



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ArtToFrames 18×24 inch Weathered Barnwood in Saturated Pimento Wood Picture Frame, WOMSM-ECO150-PIM-18×24

ArtToFrames 18x24 inch Weathered Barnwood in Saturated Pimento Wood Picture Frame, WOMSM-ECO150-PIM-18x24

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This is a brand new 18×24 picture, photo, diploma, poster frame (meaning a 18 ” x 24 ” or a 24 ” x 18 ” print will fit just right). This 18 x 24 Weathered Barnwood in Saturated Pimento frame is made of Wood, measuring 1.5” wide, and 0.69” deep, with a .42 ” deep rabbet (the space below the lip to the bottom of the frame). It is carefully made to the highest quality industry standards. This frame comes with Plexi Glass. This .Discounted designer frame is a unique frame that you will not find in most frame shops. The frame is perfect to lighten up your most cherished picture, photo, art gallery, poster, photograph, painting, diploma, artwork, craft project, needle-point or more, yet modest enough to match just about any environment. This Weathered Barnwood in Saturated Pimento frame works perfectly with black-and-white , and color pictures or paintings. Makes a nice Christmas gift! Please don’t hesitate to browse through our policies and feedback. If you’re not sure this is exactly the frame you’d like, feel free to use the search at the top of this page and search ArtToFrames to view our huge selection of wood picture frames, metal picture frames, and premade picture frames. Don’t forget to add us to favorites, so you don’t have to search for us again next time you need a picture frame!~~~~~~~~~~~~~~~~~Product SKU # – – WOMSM-ECO150-PIM-18×24~~~~~~~~~~~~~~~~~Comes with Plexi Glass and a wire hanging set for wall mounting!
Made of Wood – this one of a kind custom picture frame will enhance any piece of art you put in it!
For other colors and non-standard sizes in this frame style search ‘2WOMSM-ECO150-PIM-4×4’ on amazon.com
Fits 18×24 inch Photos! Actual Frame size (finished size) is 20.5×26.5 inches and the frame is 1.5 inches wide. Please Note: Actual color and wood grain may vary depending on the cut of wood and wood color.
Vivid rustic finish in pimento on solid distressed barnwood



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Instrument Transformer


The instrument transformer are special type of transformers these transformers are defined as the transformer intended to supply measuring instruments, meters, relay and other similar apparatus.

In the measuring large current in a do circuit current and voltage is measured by using low range ammeter with a suitable shunt. For measuring high voltage high resistance is used in parallel.

For AC circuit measurements specially for high voltage measuriment the simple instruments are not suitable as these are designed for low voltage. Also a high rating instrument are not suitable on the economic point of view.

The measurement of these quantities is done with special device known as instrument transformers. These transformers steps down current and voltage in definite proportion. This reduced quantity is measured with the help of low range ammeters and voltmeters and are then changed to actual value by knowing the transformation ratio of the transformer.

Advantages Of Instrument Transformers:

The following are the advantages of instrument transformers over the shunts and multipliers etc.

1. The readings of instrument transformers does not depends upon their constants such as resistance, capacitance and inductance etc.

2. The secondary winding of CT &VT shows a current and voltage respectively of such a low value which falls in the range of measuring instrument can be done easily.

3. With the use of instrument transformer the measuring circuit is isolated from power circuit.

4. With the standardization of CT & PT’s secondary winding it is possible to standardize instrument around the rating and so it becomes easy for manufacture to have a great reduction in costs of instrument transformer.

Types of instrument transformer:

Two types of instrument transformer are there.

1. current transformer (CT)

2. pottential transformer (PT/VT)

CURRENT TRANSFORMER:

Current transformer is an instrument transformer in which the secondary current in normal conditions of use is substantially proportional to thee primary current and differs in phase from it by an angle which is approximately zero for an appropriate direction of connections. It should be noted that in case of CT and PT that if one stteped down the another will get stteped up.

All current transformers operate on the principal of ampere turn balance in a closed magnetic circuit. The CT consists of a primary winding of Np turns and secondary of Ns turns carrying current Ip and Is respectively. A component of the primary ampere turns is utilized in magnetising the core with the result that ampere turns available for transformation is the vector differ of primary and exciting ampere turns the exciting ampere turns give rise to error in CT.

CT CORES:

CT cores are of two types:

* LAMINATED CORE

* SPIRAL WOUND CORE

Laminated core:

The laminated cores are made from T, U, L, E and I stampings. The strips of such a shape are cut and arranged in a struck to form complete core cruciform core is not popular in case of CT’s.

The laminated cores are convenient for making CT’s of the type in which primaries are also wound.

Spiral wound core:

The CT’s of high grade are having spiral wound core. The core is made by ring shapeings stacked in cylindrical form. The secondary winding is wound on the core. The conductor carrying the current acts like primary winding and is made passing through the hole.

The spiral wound cores may be of two different types one so to have a stack of ring shaped stamping and another is to use stamping of spiral form. The cores of such a type are called torodial cores. These cores are most popular these days because it ensures that the flux path is always along the grains of grain oriented material and so minimum reluctance is there.

Core Material:

The requirements of core material for CT’s are

1. Low reluctance

2. Low core loss

3. Highly permeable

4. Small retentively

5. Easy availability

6. Low cost

The high permeability nickel iron cores are used for high precision CT’s.

The materials used for making CT cores are.

1. Mumetal (70% Ni)

2. Permandur (50% Co, 50% Fe)

3. Hipernik (50% Ni, 50% Fe)

All the materials have their own advantages and disadvantages. The material is chosen on the basic of the requirement of CT’s.

TYPE OF CT:

Irrespective of the types of CT due to core material some more types of CT’s are popular on the basic of their use and winding.

1. CT Wound Type:

It is type of CT in which the primary winding of more than one full turns wound on the core. The wound types CT’s are used for measuring current in a circuit of high voltage where a very precise measurement is not essential.

2. CT Bar Type:

It is CT in which the primary winding consists of a bar of suitable size and material forming an integral part of the CT. the current line on which we have to measure current is connected to the bar. This type of CT is suitable to measure high currents.

3. CT Liquid Immersed:

Ordinary CT’S are of dry type they do not require and oil or cooling medium other than natural air for its operation.

But a special class of C’s has been developed which require use of oil or other suitable liquid of suitable characteristics as insulating and closing medium.

These types of CT’s are used in switchyards and substations for the purpose of measurement and for connecting relays etc. for protection of the device.

4. Hermetically sealed CT:

It is a liquid immersed CT which is sealed and does not communicate with atmospheric air. A casing of suitable material is made which does not allowed the air to be in touch with CT.

5. Ring type CT:

It is type of CT which has an opening in the center to accommodate a primary conductor through it. In these types of CT’s the core is wound only for secondary winding. The conductor passing through CT itself acts as primary winding. These are the most popular type of CT’s. Because of their easy availability and ready to use property.

6. Multicore CT:

It is CT having more than one secondary core and winding with a common primary winding.

The different cores of such a CT are used to connect different relays and protective devises with it. Such as one core is used for measuring current other is connected with differential protection relay.

7. Multi Ratio CT:

It is type of CT in which more than one ratio is obtainable by reconnection, tappings etc. in primary or secondary winding. This is the advantage of this type of CT on others. It can be used for measuring a wide range of currents according to the measuring conditions. Ordinary CT’s are manufactories to measure a particular value of current and for a higher value of current they are not suitable. But the multi ratio CT’s can be used for measuring a long rang of current by changing the turn’s ratio.

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Source by Lalit Bansal

Gardman 8422 Poppy Wall Art, Three Pieces: Large 17″ Wide, Medium 12″ Wide, Small 8″ Wide

Gardman 8422 Poppy Wall Art, Three Pieces: Large 17

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Gardman 8422 Poppy Wall Art. Three Pieces – Large: 17″ Long x 17″ Wide, Medium: 12″ long x 12″ wide, Small: 8″ long x 8″ wide. Enjoy delicate blooms in your house or garden throughout the year with this Poppy Wall Art. Set of three differently sized poppies lend a beautiful delicate look to home or garden wall. Petal shapes are crafted from solid round metal rods and overlap each other for a very realistic three dimensional effect. Additional straight rods extend from the center and angle outward. The brown hue of each flower matches virtually any setting. The three blooms may be organized as you desire for a custom look. Hidden keyhole mounting bracket on back of each allows it to be placed alone, grouped together as a bouquet, or in a line for a modern look. Durable steel construction makes this perfect for use indoors or out. Poppy measurements – Large: 17″ long x 17″ wide, Medium: 12″ long x 12″ wide, Small: 8″ long x 8″ wide. Gardman “Bring your garden to life”Set of three differently sized poppies lend a beautiful delicate look to home or garden wall
Place alone, grouped together as a bouquet, or in a line for a modern look
Durable steel construction will provide years of use
May be hung indoors or out
Poppy measurements – Large: 17″ long x 17″ wide, Medium: 12″ long x 12″ wide, Small: 8″ long x 8″ wide



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Bashing Art Critics


The other evening I was reading a blog post written by Jonathan Jones, the art critic for the Guardian. His jumping-off point was how art critics get bashed for saying “I like this” and “I don’t like that”. Jonathan points to a recent interview with Lucien Freud where the artist himself is listing artists he likes and doesn’t. So, artists do it, too – have gut reactions, off the cuff, intuitive responses to artwork. It would appear that we all start off at like and dislike. It’s called taste.

So why do critics get to print their opinions in the New York Times and such? And why do people pay attention? It’s because critics put their visual and emotional reactions to art into words. The thoughtful process of verbalizing what may have been a gut feeling hones our tastes and is essential to the development of judgment. And reading the thoughtful opinion of someone else can cause us to vehemently disagree, and therefore bash.

Freud goes on to dump Delacroix from his likes list, and Jones admits to changing his mind on Delaroche. Critics see a lot of art, and although comparison of better to best does knock good work out of the top spot (i.e. Delacroix), exposure to a large number of paintings is imperative for the maturity of judgment.

So what does this matter to you and me? Whether you are an artist or a collector – or both, recognizing quality in art is key to knowing when to stop working on a painting and when to purchase one. We all start with “I like this” and I don’t like that”. It’s when we start delving into the “Why?” that the true riches of art begin revealing themselves. Look at a lot of art and take the time to know, in words, what you think of it. But, once you articulate your opinion, prepare to be bashed.

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Source by Nancy D Marshall

How to Read Contemporary Art

How to Read Contemporary Art

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Today’s artists create work that’s challenging, complicated, and often perplexing, and this book offers a guide to understanding—and enjoying—the wide range of works on display in museums and galleries worldwide. How to Read Contemporary Art provides a thoughtful, accessible, and lavishly illustrated look at the ever-changing world of art at the beginning of the 21st century. Organized alphabetically, the book encompasses photography, installation, sculpture, painting, video art, performance, and more. Author Michael Wilson explores the impact of a broad selection of the most prominent artists at work around the world today, including Francis Alÿs, Allora & Calzadilla, Luc Tuymans, and Marina Abramović.Used Book in Good Condition



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buyartforless IF EBN1026 14×11 glass Professionally Framed Bullfinch & Cherry Tree by Katsushika Hokusai 14X11 Art Poster Print Famous Japanese Artist Great Art

buyartforless IF EBN1026 14x11 glass Professionally Framed Bullfinch & Cherry Tree by Katsushika Hokusai 14X11 Art Poster Print Famous Japanese Artist Great Art

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Professionally framed Bullfinch and Cherry tree by Katsushika Hokusai 14×11 art poster print famous Japanese artist great art. Buy art for less is a great way to get beautiful quality artwork for very reasonable pricesFramed in sturdy 1.25′ Black hardwood composite molding
Framed using gallery grade glass – double Matted white on Black
Packed to arrive in perfect condition
Image size: 10X8 – glass size: 14X10 – finished Framed size: 16.5X13. 5



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Morris Graves, Northwest Mystic Painter


Despite a prodigious creative output spanning six decades and being universally celebrated as one of the most important American painters of 20th century modern art, Morris Graves, who died in 2001, not only remains an enigma but is relatively unknown, especially to younger generations. In part, this is attributable to the fact that Graves himself retreated from the public stage; he eschewed fame. He believed that his artistic contribution had significance only as part of a larger vessel of creative visionary expression.

So it is not surprising that throughout his life he chose not to attend the openings of his exhibitions. Even as Graves continued to retreat into his beloved privacy, constructing his homes and gardens and making art, the extraverted world of abstract expressionism exploded in New York with bolder, brighter, and bigger images and their celebrity-seeking creators, all antipodal to the contemplative, visionary world Graves inhabited.

Graves was a true visionary, a painter who sought that which is eternal. But the search, however, was not without conflict. The burgeoning encroachment of industry and the machines and mentality of human conflict continued to invade Graves’ habitats. He continually sought out places of solitude, both in the United States and in Ireland, finally establishing a remote habitat hidden in the ancient forests of Northern California. His path as a “solitary romantic” from which he breathed in the communion of life’s extraordinary essence was one of natural wonder. From within his gardens, the universe spoke. The inhabitants-small animals, birds, and flora-fed his emplastic powers of cognition, the unifying gift of the imagination.

Recently, I was conversing with an artist who, a decade earlier, had received her bachelor’s degree in art from a credible New York university. When I mentioned the name Morris Graves, she appeared perplexed. She thought the name vaguely familiar, but she had no idea when or where he had lived and knew nothing about his work. Morris Cole Graves, who was born in Fox Valley, Oregon in 1910, was a self-taught artist who became, next to Mark Tobey, the most important visionary artist of the Northwest School. In the early 1940s, Graves’ work was selected to be exhibited as part of the New York Museum of Modern Art’s “Americas 1942”. This event catapulted him to international recognition. Even so, Graves continued to retreat into his beloved privacy, constructing his homes and gardens and making art, while the extraverted world of abstract expressionism exploded in New York with bolder, brighter, and bigger images and their celebrity-seeking creators, all antipodal to the contemplative, visionary world Graves inhabited.

During the Second World War, Graves spent time in a military prison as a conscientious objector. From these early anti-war sentiments evolved his deep interest in and exploration of the philosophies of the Far East, an amalgam of Hinduism, Taoism, and Zen Buddhism-all human constructs, nonetheless reflective of his personal thoughts on the universality and the singularity of nature, the wondrousness of the Way. The imagery that Graves produced was considered unique, but his reasons for making the art were not. They were ancient. For Graves, his animals and flowers represented inner visions of the unconscious, the Atman, symbolic of the potential “self.”

When Morris Graves began his flower paintings of the early seventies, a few critics suggested he had lost his great visual power. They accused him of painting only ‘pretty flowers.’ It no doubt amused him that that is all they saw. Graves’ ability to make palpable the unity of spirit through paint is clearly present in these later works. His form relationships and the inherent interstices, the subtle migration of hues within a single blossom, are things we can and do talk about. The “pneuma” of the art we cannot talk about. We cannot explain. We refer to the painting the way a title refers to the painting, and in fact, I believe, the way the painting itself merely refers to a generative and immutable, creative spirit. The gift is not the painting but the accrued love and generosity of the artist in making the painting and thus it is the act itself that holds the true value. The painting is simply a map for the soul.

2010 marks the centennial year of this remarkable artist. He is no longer here, but, through his paintings, his great longing and love for the ineffable still resonate, binding us one to another.

Galen Garwood

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Source by Galen Garwood

Dixon Ticonderoga Wood-Cased #2 HB Pencils, Box of 96, Yellow (13872)

Dixon Ticonderoga Wood-Cased #2 HB Pencils, Box of 96, Yellow (13872)

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With a rich heritage, and origins dating back to 1795, the Dixon Ticonderoga Company throughout history has made its mark through quality, integrity, respect and perseverance. Today Dixon Ticonderoga continues to make its mark manufacturing and marketing writing instruments, art supplies and tools for self-expression. The Ticonderoga is the world’s best pencil. A satin smooth finish enhances writing comfort while an exclusive graphite core formula gives you extra smooth performance. PMA certified non-toxic and crafted with premium wood from well managed forests, these top quality pencils feature latex-free erasers to provide easy, clean corrections. More than a writing and art products company, Dixon Ticonderoga empowers people to take conscious and subliminal thoughts, facts, ideas and dreams, and preserve them using tools that are simply extensions of themselves.Exclusive #2 HB graphite core formula provides extra smooth performance
Crafted from reforested quality cedar wood
Satin smooth finish enhances writing comfort
Top quality latex-free eraser provides easy, clean corrections
Includes 96 pencils comprised of 8 cases of 12 pencils each



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Digital Fantasy Art – Is It an Advantage or Disadvantage?


Digital fantasy art is becoming more popular, more skilled and more advanced than ever before. Is this relatively new art form worth learning or is it just a pain? Are you better learning it or better staying with traditional mediums?

The answer lies in several areas and depends a lot on you and your outlook to knew technology. Also it depends on whether you see this new medium as an actual art form or simply a technical way of painting by numbers. There are many ways to use this new medium. You can use it as an addition to your traditional art to enhance it in some form. You can use it to create something from scratch. You can use it with the many backgrounds, lighting and models available to you.

The advantages are that it can be used to create true 3D form, something not available in traditional painting mediums which are static forms. The biggest advantages to beginners is it is very forgiving. You can create something and remove it with ease making the creation of something worthwhile much more likely. You can also start with models and backgrounds to aid you in your creation, although you can choose to create your own. This is much more advanced and should be left until you are familiar with all the tools and techniques.

The disadvantages come in part from the advantages. The models can limit your creative process, at least until you have either enough knowledge or enough tools to change them to your liking. The fact that it is very forgiving means that you may over tweak your work or not really know when it is finished or what angles to choose. There are also a lot of avenues to choose from. Just as with traditional mediums you may not know if you want to use oils or watercolour, with digital fantasy art you may not know what equipment to use. As some of this can be expensive to buy it is not a mistake you want to make. Although some people do offer refunds or lite packages which at least gives you the chance to try things out before making a final purchase. Of course you will also need to be proficient on the computer and not worry about using new things. This can be a problem for many people who are at least in part technophobes.

It is possible to create great digital fantasy art with digital technology. Like anything it takes time, patience and a willingness to be open to and to learn new things.

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Source by Fay Swan