Make a Small Room Look Larger With Art Wall Decals


If you have a small place there is no reason to stare at plain white walls. Decorating the walls in a smaller living space is often challenging but makes all the difference when creating a cozy space. No matter how small the room is, if it is warm and inviting, it will make friends and family feel right at home. Here are a few tips to make a room look larger with art wall decals.

Choose the right pattern or theme to create the illusion of a bigger space. There are literally a multitude of themes and designs to choose from when decorating the walls in your place. Choose light-colored backgrounds that match with colors in your decals to coordinate the room colors. For example, nature designs with earth colors of green and brown would look good on a wall painted in tan or butterscotch. Match accessory colors to accent colors in the design to complete the look.

Keep the space open by careful furniture placement. Placing furniture in an open design makes a room look bigger. A simple couch and chair in a matching solid color with an accent rug or small table makes a cozy living area for sitting and relaxing with friends.

Choose a pattern or design of art wall decals to match the color and furnishings of the room. Some people like a nature theme with trees and or a modern Art Deco look with odd shapes or bold designs. Large patterns are fine with minimal furnishings and can become the focal point of the room. Place a couple of lovely decorative mirrors where they will reflect the wall scenes to make it appear as if the scene continues into another room adding to the illusion of more space.

Additional decorating tips:

Let functional spaces do double duty if possible. A bookshelf placed in a corner can double as a place to store small trinkets and knick-knacks without cluttering up the space. The right light fixtures can add depth to a room when placed close to a mirror or other reflective surface, the brighter the light the larger the room looks.

Reasons to decorate with decals:

· Decals are not only stylish and attractive, but create a look that is all your own.

· Economical way to decorate because the designs can be removed when you decide it’s time for a change.

· Create a focal point to draw attention away from problem areas such as uneven walls or oddly-shaped corners.

Wall decorations such as decals, stickers or stencils make a space unique and express the owner’s personal style. They are suitable for just about any room in your home, from bedroom to kitchen; decals are a great way to decorate the way you like. Even if your landlord will not let you paint, there is no reason to have boring white walls when art wall decals are so easy to use and remove when you move to a new place.

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Source by Lisa Musser

Sleeve Tattoo Designs – Tribal, Japanese and Dragon Tattoos Around Your Arms Or Legs


Sleeve tattoos are pieces of body art that’s performed on the limbs of the body and tend to wrap around the limb in a sleeve-like fashion. Done in 3 different ways: quarter sleeve, half sleeve and full sleeve, this type of tattoo is now one of the most popular types of body art performed.

Sleeve tattoos, like every other type of tattoo tend to have their most prominent and most common types of designs. For example: Tribal, Japanese and Dragon sleeve tattoos are constantly requested in tattoo parlours throughout the world.

Tribal, Japanese and Dragon tattoo designs generally have a very artistic and spiritual look and appeal to the tattoo and are therefore very popular among male tattoo enthusiasts. Females who enjoy getting tattoos rendered tend to go for more feminine artwork, such as flowers and animal sleeve tattoos.

As with any piece of permanent body art, sleeve tattoos cannot be removed without using an extremely invasive procedure that will damage the skin for the rest of your life, leaving ugly scars. This is why I advise spending as long as you possibly can, looking and considering different and original tattoo designs. The best piece of advice I can give you is to not go for a generic design that you know thousands of other people already have.

There are a few really good tattoo galleries on the internet that contain thousands of different pieces of original artwork that you probably haven’t ever seen before. The beauty of these websites, is that you can simply print out the design you like the most and take it straight to your tattooist.

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Source by Todd Jarvis

Home Martial Arts Tips DIY – Make Your Own Martial Arts Punching and Kicking Bags and Targets


I work with a lot of students that study martial arts on their own at home. Many follow my video training series, while others use our online dojo to add more value to their own fitness martial arts program. Some of these home study martial artists have their own training strategies and are just looking for an additional edge to add more value to their own efforts. These students are all in need of training gear, ideas, tips, tools – you name it. Anything that will help them to improve their martial arts skills while training at home.

Whether you want to save money or just add some unique training tools to your home dojo, the best multi-use (discount, do it yourself) martial arts training item to date are TIRES.

Why? Because there are so many things you can do with tires. Here are a few ways to put them to use:

TIRE MAN DUMMY

Get yourself a bunch of car tires and stack them up on top of each other. You will want between 5-10 for each stack that you make. Just stacking them up will already give you a great punching and kicking tool. Because the tires are made of a very hard rubber, they can take a lot of beating with little or no wear and tear.

If you want to keep the tire stack from falling over, you can devise a way to keep them on top of each other. One simple way is to just put them on top of a pole type device – for example, take one tire and fill it with cement, in the middle of the cement place a wooden or metal pole. Then, simply stack the tires up over the pole. Another way to keep them together would be to drill holes in the rim of each tire and then thread long bolts or tie them up. If you cut through the tire (breaking the circle), you can pull it open and wrap it around a solid beam, tree or other structure that won’t allow the tire to fit over the top. Street light poles and telephone poles are great if you live in an area that offers such a freedom.

These tire dummies are amazing. Here are just a few of the benefits:

* You can attack them with shoes on – for a more realistic training practice

* You can hit them with sticks and wooden swords without fear of damaging the dummy

* You can use them for protection against dangerous surfaces in your training area

* They take up some of the shock and different tire styles offer various levels of flexibility

* Tie them up for swinging targets

With some creativity you can create a very realistic training dummy. You can even place wooden poles through the tires to resemble limbs and for something that is closer to a Wing Chun Dummy.

You can usually pick up tires for FREE at a local tire shop. We were able to gather a few truck loads of tires in only a day for our martial arts camp in California. We used them for paintball obstacles, fitness tools for the martial arts training course and stunt protection as well as training dummies.

Whether you hang them, half burry them, wrap them around trees or stack them up to knock over – tires of various sizes can offer a world of amazing training possibilities. Take a look the areas where you have the option of training in and consider what you can do to improve your home dojo.

Though making your own tire man dummy will cover most of your training, you can consider other ways to put them to good use.

Visit NinjaGym.com – NinjaGym™ Martial Arts & Fitness Blog: Health Tips for Mind, Body & Spirit, Ninja Training, Ninja Weapons and Gear.

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Source by Rick Tew

Various Types Of Bonsai Trees


Some people believe Bonsai trees are a particular species, but any kinds of plants, shrubs or trees can be grown using Bonsai growing techniques. Bonsai is an Oriental-based art form that involves miniaturizing any species, but trees and shrubs are favorite choices. Various types of Bonsai trees may include elms, oaks, maples and cedars or pines, and junipers are interesting when miniaturized.

Growing Bonsai trees started as a Japanese art, but it spread to the Chinese, making these two countries some of the largest exporters of Bonsai soil, planters and tools. There really aren’t many secrets to be learned, because growing various types of Bonsai trees has become popular, throughout the world. The key is properly pruning, training branches and of course confining roots is important, to miniaturizing any species.

You can select fruit bearing trees, like a lemon tree or a flowering shrub, such as an azalea. They will still produce flowers and fruit, once they have matured, but they will be miniature in size, when using these growing techniques, properly. Some people choose to start a Bonsai orange tree or grapefruit tree, from seeds of their store-bought fruits. Since a Bonsai tree can grow for 100 years, you may find these trees will flower, bear fruit and dropped seeds may start an offspring of your flowering or fruit bearing Bonsai tree.

It isn’t unusual to find Gingko, Fichus, Jade, Mimosa or other types of ornamental species and Oriental miniature species are used in Bonsai gardening. Since this artistically expressive method of growing and training miniature trees has been practiced for centuries in Asian cultures, it is not unusual to find Chinese Elms, Japanese Maples or Bamboo. Traditional Japanese plantings included plum, cherry and pine trees.

Various types of Bonsai trees can include popular shrubs, such as boxwood, yews and even, lilacs or hibiscus can be grown with these methods. While some people prefer evergreen species, such as Juniper, Cedars or Pines, you aren’t limited by the species of plants you select. In fact, you can turn a giant species, like a California Redwood or Sequoia, into a Bonsai tree!

It is possible to get Bonsai starter kits, but you can nurture your own saplings from starts found in your own backyard. Growing various types of Bonsai trees is a matter of personal preference, but you can attempt to miniaturize any species found in your local nursery or your neighbor’s backyard garden.

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Source by Judy Jenkinson

How to Deal With the Annoying Problem of Peeling Paint


If your home or property has peeling paint on woodwork, concrete, steel etc you will know all too well the frustration of having your home repainted only to see that paint blistering and peeling off again in a few short months.

This problem can have many causes and is usually not that easy to solve after it occurs.

What are the causes of paint peeling? Sometimes paint blisters and peels or flakes of due to inadequate cleaning or surface preparation prior to application of the paint. Perhaps the incorrect primer is used, maybe no primer is used. Paint applied to previously poorly prepared surfaces is virtually certain to become loose and come away from the substrate / peel off.

Some of the most common substrates that ‘throw paint off’ in buildings are as follows: concrete window sills, wall cappings, precast concrete panels, wooden window frames, fascia boards, gates, galvanised steel gates and railings, shop fronts, painted brickwork, to mention a few. Shiny surfaces like aluminium, uPVC, glass etc are also well known problems for peeling paint.

Let’s take paint peeling off concrete first. Window sills and wall cappings are two of the biggest offenders for this problem. One of the reasons that happens is because those precast concrete sections are usually produced in moulds and those moulds are normally sprayed with a mould releasing oil to make removal of the concrete from the moulds easier after it sets etc. When those concrete sections are installed, most people are unaware that there is oil contaminating the pores of the concrete and continue to apply paint.

Avoiding or curing the problem. New precast concrete should be thoroughly cleaned with a solvent to get rid of the oil and allowed to dry prior to application of the primer coat. When surface is dry, an appropriate primer should be applied to ensure adhesion to the concrete. The latest developments in this area are known as stir-in bonding primers such as E-B or Bonzit etc which you add into the first coat of any water based paint thereby saving an extra application. If concrete has been painted already and has a history of peeling, you should remove all traces of loose material with a wire brush or even a power washer used at a very sharp ‘scraping’ angle.

In the case of wood such as fascia boards etc, the peeling problem occurs usually due to inadequate priming in the first instance or adequate time was not allowed on newly planned wood prior to painting. As with concrete above, you should remove all traces of blistering or peeling paint by sanding or chemical remover if appropriate. When wood has been prepared, apply a good quality primer or if you have a good paint stockist nearby you might be able to obtain one of those stir in oil bonding primers which can save you additional time and work.

If you need to paint shiny surfaces like glass, tiles, melamine, plastics etc you need to take great care and select a primer or an easy surface prep specially developed to provide a grip on such surfaces.

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Source by Brendan Igoe

Have You Got a Spiralizer in Your Kitchen?


As summer fast approaches we will begin to start to take advantage at the large amounts of seasonal fresh fruit, vegetables and salads that become available. Eat these healthy foods in a natural raw state provides your body with huge amounts of living nutrients which would normally be ruined through cooking. Therefore if there is anything one can do that makes raw food more exciting and palatable is going to help you get more of these benefits into your diet.

There are communities of healthy people today known as “Raw Fooders” and whose first specialist purchase for their raw food kitchen will be a Spiralizer. This is a simple gadget that allows one to create spaghetti and other spiral shapes from vegetables and fruits. It may sound simple but you will be amazed how this particular gadget can transform completely the presentation, balance of flavors and texture quickly and easily of any summer salads you create.

How Does A Spiralizer Work?

When processing food with a spiralizer there are three very quick and easy stages you need to complete. Firstly take the right size piece of vegetable. Then you place it and make sure it is secure on the spiralizer. Now after securing the vegetable in position you just turn the spiralizer handle to cut the vegetable into the desired shape.

Spiralizers are available in two basic formats; the horizontal or vertical ones. What this refers to is the direction in which the item that you spiralize will travel. Some people find that the vertical type with gravity assisting the shaping process is easier to use but the horizontal type is by far the most popular. When looking for a spiralizer the good quality ones are those that have several interchangeable blade cartridges allowing you the chance to make spaghetti, spirals or other shaped slices when used.

What Is So Good About This Method Of Food Preparation?

Using a spiralizer with raw foods allows shapes and textures to be created that are more interesting visually and allow you to mix these textures and shapes that create new possibilities and experiences for one’s palate. When it comes to making salads and stir fries you will find that because of the number of different ways the food can be prepared and presented has been dramatically increased. This in turn will help to ensure that your meals remain fresh and exciting. Also as the various shapes that you can produce quickly take up sauces and dressings in different ways you will never be stuck for ideas and experimenting with food in the kitchen is not only easy but much more fun.

Even those men who don’t like salads may be enticed into to giving some healthy food a try because of a spiralizer. Plus getting your kids to consume their recommended five a day is going to be a lot easier if you get them involved in the task of making different shapes. Don’t forget to allow them time to admire what they have created before they eat it. A great many chefs will love how versatile the spiralizer is. Not only will it allow them to prepare entire delicious raw food meals but the spiralizer will allow them to create perfect attractive garnishes and other decorations for their meals.

What Things Can I Spiralize?

With these vegetable spiral cutters you can process most firm fleshed fruits and vegetables, including courgettes, potatoes, carrots, radish, squash, cucumber and apple the list goes on. For most raw food enthusiasts by far the most popular way to use a spiralizer is to make raw spaghetti. Courgette spaghetti is not only wonderfully nutritious but the delicate texture is a great addition to your creative menu repertoire and works perfectly well with various sauces. Just by swapping the blade in your spiralizer you can instantly switch to making spirals rather than spaghetti and is the ideal way to liven up your salads through adding cucumber or radish spirals to them.

What Brand Of Spiralizer Should I Choose?

Just like most things you buy today you get what you pay for so at all costs avoid the more flimsy cheaper versions. The well known brands which perform quite well are the Joyce Chen Saladacco or the Benriner Spiralizer.

Lurch (a German company) have three different types of Spiralizers available. Along with the Lurch Spirali being a well constructed spiralizer you are provided with good quality stainless steel blade cartridges. Also the suction feet on the Lurch Spiralizers provides a stable platform and assembling and storing them is intuitive, easy and slick because of their design features.

If you would like a gravity assisted model then the Lurch Spiralo which is their vertical spiral vegetable cutter is available. Of which there is a limited edition sponsored by renowned German TV chef Johann Lafer and called the “Lafer Spirali”. Every Lurch spiralizer is made to high German manufacturing standards so not only are the good value but come very highly recommended.

Where Can I Get One?

A few cookware stores may carry some spiralizers but the best place by far to look for such items is online. A quick simple search on Google will provide you with a number of different choices. As for the UK you will be provided with a good fast service from the health enthusiast’s friend, UK Juicers. They stock a large range of exiting products for those leading a more healthy lifestyle. When thinking of “going raw” there is much involved with this kind of lifestyle and at this great online store you will everything you need from juicers to dehydrators for your raw food kitchen.

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Source by Paul Jaggs

How to Draw a Woman Without Clothes


Drawing a cloth-less woman has been a favourite subject. Pencil drawing is a basic source. Taking the help of this source, an artist would build a pencil portrait. The final painting could be in water colour, oil colour or acrylic; but the pencil art is basic necessity. While drawing with graphite pencil or charcoal, an artist would consider certain aspects to make his or her artwork aesthetically sound.

Anatomy: While drawing a human figure, the most important factor to be kept in mind is the anatomy. As an artist you should take care about the anatomy of a woman who has a symmetrical physical appearance. Your drawing should look well-grounded and not very imaginative. Keeping careful attention in shading and lining work, you can do it very well.

Those artists who still learn drawing of figures can take a leaf out of the books of great painters. It may happen that while drawing a woman in her natural beauty, especially from the front side, the artist might be allured to make his or her drawing much sensual. He or she would be tempted making it physically attractive. But a real artist would always try maintaining aesthetic balance of beauty and art.

The Posture: After knowing about anatomy, the factor of posture becomes important. While drawing a female figure wearing no clothes, an artist should request the model woman to sit in a specific posture. Posture of the model is very crucial. Every artist would try showing beauty of a female body from front side. It is because that would make the whole drawing more sensual. Though the drawing of curvy parts of body of a lady sitting without cover of clothes would be a sensual depiction, her mood could be shown as settled in modesty. That would make the artwork looking more serious.

In such type of drawings, an experienced artist would carefully show the light falling on her subtle parts of body. It can be done with precise shading work. The shading done for the limbs like hands and shoulders should be extremely adept and accurate. That would create a feel of realistic appearance in the eyes of viewers.

An artist can position the body of a model in more artistic manner. If one leg is put on another, that could make the drawing extra sensual. Such a position of thighs and legs would create a sense of good proportion and feeling of ease. Moreover the viewers would respond to such an artwork with more curiosity.

For reading similar articles with beautiful images, visit he following links.

DRAWING WOMEN CLOTH-LESS

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Q&A – Neiman Marcus Curator Julie Kronick Remains Focused on Company Goals


In 1951, Alexander Calder (1898-1976) was bursting onto the international art scene. Two years earlier, the Philadelphia native constructed his largest mobile, “International Mobile,” for the Philadelphia Museum of Art’s Third International Exhibition of Sculpture. His works were featured in the best galleries and a retrospective was mounted at the Museum of Modern Art in New York. Shows in Paris followed.

But before he began focusing on large-scale commissioned works — such as “.125” at John F. Kennedy Airport in New York and “El Sol Rojo” in Mexico City — Calder met Stanley Marcus (1905-2002). At the time, Marcus had just assumed the CEO post at Neiman Marcus, the department store founded by his father and aunt.

Impressed with the artist’s work, Marcus purchased a Calder mobile in 1951. “Today, it’s the most prized piece in the Neiman Marcus Collection,” says Julie Kronick, corporate art curator at the Dallas-based luxury retailer. “We like to say that’s when the collection officially started.”

“Stanley Marcus had impeccable taste,” adds Greg Rohan, president of Dallas-based Heritage Auction Galleries, “and that extended to his art collection.”

The Neiman Marcus Collection today includes more than 2,500 pieces spanning all mediums, including paintings, drawings, sculptures, mobiles and even ancient artifacts and textiles from across the world. Works range from Mexican artist Rufino Tamayo (1899-1991) to French artist and sculptor Jean Dubuffet (1901-1985). Unlike most corporate collections, pieces from the Neiman Marcus Collection are spread across the country, displayed at the company’s 41 full-line Neiman Marcus stores. “Most of the pieces are not housed in a warehouse or in the executive offices,” Kronick says. “The majority of the work is in our stores, on view for customers and associates to enjoy.”

Q: You first came to Neiman Marcus as a private consultant in 1990, correct?

A: I was initially hired on contract to work for four months. I had worked at the Whitney Museum of American Art in New York, and then at one of Leo Castelli’s galleries. I came to Neiman’s as a consultant to work on new store openings. Mr. Marcus had already left the company by then.

Q: How has the acquisitions process changed since Stanley Marcus left?

A: There are two big changes. First, while Mr. Marcus was at the helm, he made most of the decisions regarding art acquisitions. Mr. Marcus had an appreciation for all types of fine art, from textiles to sculptures to mixed media. He was at liberty to buy what moved him, and he made some significant purchases. I could never acquire a Jean Dubuffet today or an Alexander Calder. When I first came to Neiman’s, I thought it would be more wise to acquire three to four important pieces a year and really highlight them within the company and for our customers. But I soon recognized that we have so many spaces and so many stores that it’s better to buy more work and cover more ground. The second big change is that Mr. Marcus bought art without particular spaces in mind. That is why I found a lot of artwork housed in a warehouse, awaiting the appropriate space to be installed. On the other hand, I buy art for site-specific locations.

Q: What is your annual acquisitions budget?

A: I am not at liberty to tell you. The budget does vary, and when we open a new store, the art budget generally is based on the square footage of the store.

Q: What is the most you’ve spent on one piece of art?

A: It would probably be an outdoor piece, something that is much larger in scale. We do not always have the space to accommodate these monumental pieces, but when we do, they make quite a statement.

Q: How many pieces do you acquire each year?

A: It depends if we are opening a new store or working on a major remodel. An average per store is approximately 100 to 150 works. We may acquire several pieces by the same artist, so we may have 25 to 30 artists represented in a given store.

Q: So explain how you go about looking for pieces to fill a particular store.

A: Generally, about a year before a store opens, I begin the process of networking in a particular region. I sometimes start with the gallery guide for a given city and call on galleries from those listings. I also approach art dealers who live in various parts of the country. The ones who I work with understand our parameters, as far as taste level, style and price point. Sometimes I contact the curator at a local museum and inquire about some of the younger local artists who are doing exciting work. In addition to the above sources, I visit artist and gallery Web sites. All of this legwork is done before I make my first trip to the area.

Q: So when do the artists start fitting into your store layout?

A: When I have artists in mind, I look at the scope of their work. I take that information and work hours upon hours on my floor plans, looking at wall elevations and different options. It is similar to fitting puzzle pieces together. Adjacencies are extremely important. For example, if the presence of designer shops create several walls which are seen in the same view, it is crucial that the art pieces are complimentary. The works of art in any given store need to flow. Once I’m comfortable with the fit, I then approach the artist and commission him or her to produce a piece of a specific size. Approximately 85 percent of all the artwork purchased is commissioned.

Q: Most artists must be happy to work with you to achieve your goals.

A: They are usually quite pleased. Neiman Marcus is honored to have their work included in the collection and they, likewise, feel fortunate to have their work featured.

Q: What about artists who don’t want to cooperate?

A: There have been times, yes. Several artists have declined, most likely, because they would rather have their work purchased by a museum or private collector rather than a retailer. We respect their wishes and move onward. There are so many artists doing interesting, sophisticated work in abstraction who are pleased to be a part of who we are and what we do. As for the others, if it’s not a right fit, it would not be a successful project.

Q: You must receive unsolicited portfolios from artists all the time.

A: I get hundreds of portfolios. If an artist sends a package or directs us to his or her Web site and it is not what we are interested in, they are at least owed a response. I typically explain that we work with regional artists, local to where we are opening a new store. We also focus primarily on non-representational work. If someone insists on presenting images of their Western art pieces or traditional botanicals, we politely reply that the work is not in our scope or focus.

Q: So you must get lots of artwork featuring pricey bags and shoes?

A: Occasionally we do. Generally, we don’t mix fashion with art. The more recent acquisitions certainly reflect my taste. If someone else came on board as curator, his or her stamp would be left on this collection, too. But I am not interested in fashion as the subject matter for the art. It is important that the works in our collection stand on their own integrity. They should have the same strong presence and validity, whether they are installed in a retail environment or any other environment.

Q: Are any other themes off limits when you look for art?

A: We focus on abstract, non-representational work. If someone brought you into our Hawaii store, and then 15 minutes later blindfolded you and took you to our San Antonio store, you would see a consistency. Nothing is cookie-cutter in our stores, especially the art. The high level of taste and sophistication are the consistent factors. While we want the work to be interesting and thought-provoking, we believe it can be beautiful and entertaining as well.

Q: But that doesn’t mean you don’t push artists. There have been times you’ve asked artists to do things they don’t normally do, right?

A: I think we sometimes stretch an artist in a way that he or she may not have been stretched before. About eight years ago we asked artist Richard Beckman to create a large sculpture for one of our focal spaces. He had never worked in this large scale before. After some hesitancy, he took on the task, conquering several engineering challenges. The finished piece is dynamic and quite breathtaking. Sometimes, as in this case, we believe that if we can stretch an artist and open them up to something they haven’t considered, the end result can be an exciting step into another phase of their work. If we can encourage an artist to reach beyond his or her potential, it’s a win-win.

Q: Who are some of the artists you’ve acquired whose pieces have now skyrocketed in value?

A: Of course the most noticed price escalations are seen with our larger sculptures, such as our Alexander Calder, Jean Dubuffet, Alexander Liberman and Harry Bertoia sculptures. Some of our limited edition prints have also increased in value over the years. A lot of our artists have certainly received national and international attention.

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Source by Hector Cantu

Crystal Productions CP6086 Take 5-Interdisciplinary/Art & Science

Crystal Productions CP6086 Take 5-Interdisciplinary/Art & Science

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Take 5–interdisciplinary connections: art & science. Take 5 is a Series of fine art prints published in sets of five large reproductions by well–known artists, grouped around different themes, including cityscapes, self–portraits, and sculpture. The backs of the prints include information about the artist, the art, and a guided analysis for critiquing, understanding, and interpreting the art. This set includes the artists heade, Thomas moran, hiroshige, grandma moses, and John steuart curry. Teachers guide included.Large, full-color reproductions of major artworks that have impacted the art world and our culture
Includes teacher’s guide featuring lesson preparation, additional information, and related activities
Set of 5 18×24 posters printed on heavy cardstock and laminated



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Marc Chagall – The Russian-Jewish Artist, a European Modernist Painter


The 20th century European Modernist, Figurative artist, Mark Zakharovich Shagal, or Marc Chagall was born Moshe Shagal on July 7, 1887 in Vitebsk, Belarus, the then part of the Russian Federation. The eldest of nine children, Marc hailed from a Russian-Jewish family. His father, Khatskl (Zakhar) Shagal, worked for a herring merchant and his mother, Feige-Ite, ran a small grocery store. During his early years, Chagall was not allowed to attend a local community school because of his Jewish descent. His mother had to bribe the head master fifty rubles to allow him in.

Chagall started drawing as a schoolchild. He copied portraits and other famous drawings. Jewish-Belarusian artist-painter Yehuda Pen tutored him on painting in 1906. In 1907, Marc joined the School of the Society of Art Supporters, at St. Petersburg. He was taught there by the Russian painter, Nikolai Roerich. During 1908-10, Marc Chagall studied at the Zvantseva School of Drawing and Painting. In 1909, at the age of twenty, on one of his journeys back home, Marc met his future wife, Bella Rosenfeld.

On the professional front, Chagall gradually attained fame as an artist. Soon after, he moved to Paris, the then considered center for the artistic community. He befriended Guillaume Apollinaire, Robert Delaunay, and Fernand Léger there. In 1914, Marc was back home and married Bella in 1915. They had one daughter from the marriage in 1916, when the World War I also began.

The artist dabbled in every possible medium of art, ranging from his paintings to his book illustrations, stage sets, ceramics, stained glass windows, tapestries, and print-making. ‘Cubism,’ ‘Symbolism,’ ‘Fauvism,’ and ‘Surrealism,’ all were his forte. Bella posed as a model for many of Chagall’s works. The artist achieved recognition for several of his works, such as “Me and My Village (1911),” “Self-Portrait with Seven Fingers (1912-13),” “Red Jew (1915),” “Above the City (1914-1918),” and “The Fall of the Angel (1923-1947).” Upon his return to Russia, Marc Chagall joined the Russian Revolution of 1917. He was also made the Fine Arts Commissar of Vitebsk.

In 1920, Chagall, his wife, and their daughter shifted to Moscow and to Paris in 1923. In 1937, Marc gained French citizenship. Owing to World War II, however, the family had to flee to Madrid. During 1941-1948, they resided in the United States. Jewish martyrs and Jewish refugees were mostly depicted in most of Chagall’s works of this time. Meanwhile, on September 02, 1944, his wife passed away. The artist did not paint anything for the next nine months. In 1945, however, Chagall struck a romantic relationship with his thirty years old housekeeper, Virginia Haggard McNeil, with whom he even had a son. The couple moved to Paris in 1950. The same year, Marc began with Graphics, coupled with “Cubism” and “Fauvism” influences. Here, Virginia left him for another man in 1952. Later, Chagall married Valentina Brodsky, who was 25 years younger to him. Valentina encouraged him to undertake large artistic projects, for example, the “Cycle Biblical Message,” which was later installed in the National Museum of the Marc Chagall Biblical Message in Nice, France.

Marc’s visits to Greece and Israel in 1957 helped him evolve the complete concept of Color Symbolism and Figurative Art. This was when he started with sculpturing, ceramics, and stained glass painting. Mark Chagall traveled extensively throughout the world and produced immense bodies of work throughout his career. ‘Russian Expressionism’ and ‘French Cubism’ influenced Mark’s style of painting. Chagall died on March 28, 1985, at the age of 97, at Saint Paul, France.

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Source by Annette Labedzki