Naked Yoga for Autofellatio and Autocunnilingus – Joining Ancient Practices With Modern Science


Naked Yoga is a form of erotic Yoga that originally implied that the participants would perform Yoga sans clothing. This type of Yoga was presented in a “class” structure, not unlike other forms of the art, where numerous people would perform their positions in the nude.

This artistic endeavor became most noticeable in the 1960s with the “flower power” movement; at this time, too, an interest in “naturism,” or nudist camps, also became increasing popular in the Western world.

This was the second time that Yogic practices became popular in the West. The first time was in the 1920s and 1930s and was of major interest and exploration to the occultists. Not so much for the exercise/stretching forms of the art, but more for occult-power enhancement and enlightenment through meditation. To this day, one of the best books on the subject is from Aleister Crowley entitled, Eight Lectures on Yoga, from 1939. It is an especially interesting book for the beginner, as it simplifies many of the concepts and procedures. For example, this is the only example I have seen, in book form, that acknowledges that people can use a chair for meditation. This approach is clearly helpful for men and women who have spinal problems which would shy them away from typical Yogic postures due to pain. Many of Crowley’s other manuscripts deal with other forms of this art form, too.

Now the third resurgence of these ancient practices has, once again, crept into the West. Places to practice Yoga seem to be popping up all over the place these days. Everything from Power-Yoga to Naked-Yoga to just about anything that strikes your interest. The “naked” form seems to have become more popular than ever before, with people all over the Western world taking part in these gatherings of self-expressive nudity, exercise, and relaxation.

This leads us to autofellatio and autocunnilingus, as they are inevitable extensions of Yogic practice. It’s doubtful that any Yogi has failed to ponder the possibility of self-sex through oral stimulation of his own penis (auto-fellatio) or oral stimulation of her own vulva (auto-cunnilingus). Nor have people who have witnessed these extensive, seemingly near-impossible, and highly exotic body positions, failed to wonder if these forms of auto-sexuality could, indeed, be performed.

The answer to the curious on-looker, is that these forms of stretches can certainly help men and women perform these intimate sexual acts. Not only that, but other technical applications, using modern-day physical therapeutics and understanding proper stretching techniques and procedures, can help people more than ever before accomplish these wondrous abilities. Thanks to modern science and ancient practices, people now have the opportunity to explore this form of self-gratification much easier than the generations before them.

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Source by Kimi Kalfino

The Relationship Between Language and Art – Art is Structured Like a Language


Art is structured like a language. It is simultaneously a conscious and intentional mental activity and a more irrational, unconscious form of expression. Art can involve a sense of sudden exhilaration and liberation and also contain a mass of intellectual and emotional reactions. Art has the power to evoke emotions and the power to shock, confuse, repel and enlighten. Language has very similar characteristics. Language is a tool we use to communicate with one another and to express our emotions and thoughts. Through the language of art we can also communicate and evoke response within the viewer.

Does artistic meaning lie beyond the sayable and therefore cannot be captured in language or does form in art function as a determinant if its expressive or emotional content is beyond the reach of language?

The nature and identity of the work of art is examined. If an object is created in the imagination; does it rest on a theory of linguistic expression? When we use language, it functions to communicate cognitive meaning and art functions to communicate emotive meaning.

In the case of deaf visual artists, is their art structured like a language? Language is not only verbal it can also be sign language and symbols. For a deaf person symbols and sign language give meaning and mental form from which he relies on to create his art.

Ideas alone can be works of art; they are in a mental chain of development that might find some form. Ideas are based on language, so through language and symbols we can create art. Conceptual art is based on ideas; it is made to engage the mind of the viewer rather than his eye or emotions.

The more you study this topic the more you realize that you can not separate art from language. Art is language and language is art.

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Source by Annette Labedzki

Forbidden Images of Homosexual and Lesbian Sex in Shunga


Shunga, literally “Images of Spring”, is the generic term used to describe erotic prints, books, scrolls and paintings of Japan.

Prudery

Only recently (1990s) the study of shunga images depicting homosexual (male-male sex) and lesbian (female-female sex) acts of love have been commenced. This belated research of this “hidden domain” was caused by the official censorship in Japan and also because of the unease and prudery concerning the specific subject-matter in the past.

Male-male

Homosexuality, in Japanese called nansoku meaning ‘male love’, was not an uncommon phenomenon during the Edo (today’s Tokyo) period in Japan. In the early years of the Tokugawa regime (early 17th century) men greatly outnumbered women in Edo. There were very strict rules imposed by the government inspired by the loyal standards of Confucianism which excluded women to participate in any kind of work with the exception of household tasks. These regulations and the shortage of women can be seen as deciding factors for the huge amount of homosexual activities. The most characteristic feature of the depictions in shunga of male-male sex is the relation between the two involved “lovers”. The leading and dominant male with his shaven head is always the older one, this on the basis of seniority or higher social status, while the subjected passive partner was a pre-pubescent or pubescent boy or a young man depicted with a unshaven forelock. These young boys are often shown in female cloths and therefore easily mistaken for girls. They served as pages to high ranking samurai’s, monks, wealthy merchants or older servants and were most desired during their adolesence especially between the age of 15 and 17 years when the anus was still without hair. There are also several shunga designs on the theme of threesome sex depicting one man (always a young male) in the midst of sexual intercourse with a female partner while being taken from behind by an intruder. In most shunga images representing man/youth anal intercourse, the genitalia of the young man are often concealed focusing the attention of the viewer on the garment and elegant lines of the body.

Female Secrets

While there was a Japanese term for male-male (nanshoku) and male-female sex, joshoku or nyoshoku meaning ‘female love’, there was no such word to describe female-female sex or lesbianism. Most of the shunga’s I have come across as a dealer in the past 15 years regarding explicitly female concentrated designs (approx. 20 !) depicted either isolated women masturbating using her fingers or a harigata (artificial phallus/dildo) or two intimate women using this same sexual device. Hokusai (1760-1849), the most famous Ukiyo-e master designed two lesbian ehon (book) prints including one with two awabi (abalone) divers using a sea cucumber. Up to now the only shunga featuring this subject that has been described in literature is Eiri’s famous design from his oban sized series ‘Models of Calligraphy’ (Fumi no kiyogaki) published in 1801. In their book ‘Shunga, the Art of Love in Japan’ (1975) Tom and Mary Evans make an interesting comparison with Eiri’s (they attribute it to Eisho) shunga design and the paintings of the influential post-impressionist Henri de Toulouse-Lautrec:

“Whereas Toulouse-Lautrec concentrated on the emotional bond between the girls, and the sad emptiness of the way of life which thrust them into each other’s arms, Eisho (Eiri) was concerned with the physical details of their relationship. And while even such an open-minded artist as Lautrec felt that such details were more than could be reasonably presented to his public, for the Japanese they were the central feature of the design”. (Evans – ‘Shunga, the Art of Love in Japan’)

It must be emphasized that these images of lesbianism in shunga were the result of male fantasies, designed by men and intended for a male audience.

Profound View

Notwithstanding the embarrassment the Japanese at first felt for the representation of these suppressed themes within the shunga genre it’s exactly these particular images that provide a profound view into the cultural and historical background of their country during the Edo period.

Recommended Literature

‘Shunga, the Art of Love in Japan’ (1975) – Tom and Mary Evans

‘Sex and the Floating World’ (1999) – Timon Screech

‘Japanese Erotic Prints’ (2002) – Inge Klompmakers

‘Japanese Erotic Fantasies’ (2005) – C. Uhlenbeck and M. Winkel

Important Shunga Artists

Hishikawa Moronobu (? -1694)

Suzuki Harunobu (c.1725-1770)

Isoda Koryusai (1735-90)

Chokyosai Eiri (act. c.1789-1801)

Kitagawa Utamaro (1753 -1806)

Torii Kiyonaga (1752-1815)

Katsukawa Shuncho (act. c.1780s-early 1800s)

Katsushika Hokusai (1760-1849)

Yanagawa Shigenobu (1787-1833)

Keisai Eisen (1790-1848)

Kikugawa Eizan (1787-1867)

Utagawa Kuniyoshi (1797-1861)

Utagawa Kunisada (1786-1865)

Kawanabe Kyosai (1831-89)

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Source by Marijn Kruijff

Facts and Care for White Ink Tattoos


When you hear people talking about getting a white ink tattoo, they usually mean a design which is in all white ink with no other colours. These tats are typically more subtle than the blaringly loud designs you would get with black ink or coloured marks. A white ink tattoo will more often than not, look more like a scar/brand. It is a great way to get inked in a more private way. These marks are usually only really visible when you deliberately show it someone. It is the best of both worlds. You can have your very personal art, without getting any kind of negative attention at formal gatherings or at work.

Simplicity is key when it comes to white ink tattoos. Keep in mind that your tattoo artist will be working with ink which is a little bit trickier to see. Simplistic art has a solid shot at showing up more clearly than a complicated one. Trendy selections include shooting star tattoos, dragons, writing, key tattoos, Kanji symbols, hearts, and basic tribal patterns. These are so much easier to ink and way less likely to end up as a confusing and disappointing blur. All white tattoos will require to be inked over a few times to make sure the finished pattern is as noticeable as possible. Also, darker coloured skin tends to dampen the brightness of white ink.

With a typical tattoo, the design is usually stenciled in before shading begins. The outlines are done with a dark ink, usually black. This provides a very noticeable pattern the artist uses to keep on track. Tats without any dark ink tend to be a bit more blurred. It is more difficult to follow what you have inked when using only white ink. If a different coloured ink is used with the white, it can result in blended mess.

The ink used is completely different from base white inks which tint other colours. When used as the primary ink, you get a much thicker, top quality mixture which is created solely to stand out as much as it can.

White ink tattoos will lose a portion of their brightness and clarity if they are constantly in the sunshine. If you get this type of design, be sure to keep it out of the sun as much as possible. The easiest way to do this is to get inked in an area which you normally cover up. Your back or chest make for ideal areas. If you normally wear clothes with a bit more cover in the summer, you could also try using your shoulder or just below the ankle. (Keep in mind – any tattoo applied near a bone will hurt more than one that is put on muscle).

If a stencil is used on your white ink tattoo, the artist can either make the outline in your own blood or with purple dye. As a warning, your blood can sometimes tint the ink pink, and the purple can also mix. Your best bet is to have a pro do a simple design without a stencil. Ask your tattoo artist if he or she has much experience with white ink before you let them draw on your skin.

Sometimes people have some bad reactions to white ink. Reactions can also happen with black ink, but they are happen more often with white. Reactions include itching and swelling. In some cases the ink can also turn yellow if it mixes with sweat. As a prevention method, there is nothing wrong with asking for a small sample ink in the area you are aiming to have the full design. This way you be more confident that you will be left with a great tattoo instead of an ugly scar.

As with any ink, if you do not put in the effort to take special care of your new tattoo, you might end up with something that only barely resembles the art you wanted. Don’t scratch or touch the area. Always keep the gauze on for the minimum of 2 hours. Never ever cover up a new tattoo with plastic/saran wrap. Use only lukewarm water, mild liquid antibacterial soap, and your own hands to clean the area. Lightly dab with paper towel to dry it off. Do not put anything like sunscreen or Neosporin over the area. Lastly – take extra care to not let your new tattoo to get too much sunlight until it heals.

Just follow these steps and you will have the best chance of having a clear yet subtle design you can show of to your friends.

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Source by Jessica G Moore

Learn Ninjutsu – The 3 Key Elements For Mastering the Art of Japan’s Ancient Ninja Shadow Warrior


When you think of the Ninja’s martial art, what comes to mind? For many, it’s the image of the black-clad warrior himself. For others, it’s the sword, throwing stars, and other exotics weapons attributed to the Ninja’s art.

But, at the core of the Ninja’s combat method, the secret to mastery lies in a core set of principles and concepts that are universal, and critically important if you want to learn ninjutsu – the art of the Ninja!

This article focuses on 3 of these elements which are extremely important to your understanding of this powerful system of self protection and personal safety. Without these principles, it’s difficult to see any difference between the art of Ninjutsu and any other so-called “style” – even for students and teachers involved in the art today!

And there-in lies a secret if you really want to learn ninjutsu, or Ninpo – as the art is known, in its higher, philosophical and life-mastery aspect. Knowing this secret allows you to be able to see through the scams and false claims of conventional martial artists posing as authentic teachers of Ninjutsu.

But, it’s not just the fakes and posers that can distract you from mastery. Often, our own illusions, delusions, and lack of understanding can do even more to hamper our quest for mastery.

As long as a student focuses on the kata, examples or ‘fight scenarios’ that are used to teach the art – rather than the principles and concepts that make the Ninja’s art what it is – a dynamic, adaptable, composite system which is made up of many different arts or skills sets – true mastery in this art can never be had.

No matter how many techniques or skills a student ever learns!

Here are the 3 keys to “seeing beyond” the forms or kata models that are used to teach the art. Rather than seeing these examples as “holy things” that are to be held on to, each technique that you are given should be seen more as a vehicle carrying the real lessons which put the Ninja at the top of the martial arts “food chain.”

The 3 Core Elements For Mastering The Ninja’s Combat Arts are:

  • 1) Nagare Literally translated as “flow,” nagare is both the graceful, relaxed movement of the parts of your body, and the shifting with, and melding with, the movement of your assailant’s own body. Rather than moving with the start-stop, almost robotic style of many of the conventional martial arts available today, the Ninja’s taijutsu (“body art”) strings the warrior’s individual movements together as one continuous flow.
  • 2) Ritsudo This is the timing or “rhythm” of the fight. There are three aspects or “faces” of how this principle manifests within a self defense scenario. On the personal level, this is the timing of the individual parts of your body as each moves in time, relative to the other parts being used to produce the overall movement. It is also both the speed-of-response that you take to either match or break your opponent’s timing, and the grander view or the fight as a back-and-forth, attack-and-defense movement of energy that will play itself out until peace is restored.
  • 3) Kotsu At the root of any authentically viable technique or model for effective response to danger, there is a core strategy, or “essential nature,” that makes it what it is. When training, try to see past the punches, kicks, joint locks, and throws to answer the question: “What is this move doing to him?” Rather than limit your understanding to the beginner’s mind which only sees a strike as a way to damage, or a joint lock as a way to capture a particular joint – the Ninja sees how each technique or skill application serves to limit his opponent’s options, ability to cause damage, and willingness to continue!

Then, and only then, can you see how the physical techniques are models for much more than mere physical self defense. In the mind and eyes of the truly Enlightened Warrior, they become the lessons to unleashing our potential for greatness, and allowing us to be successful in all areas of life!

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Source by Jeffrey Miller

Painting an Ice Cream Truck: The Do’s and the Don’ts


Q: Why is owning an ice cream truck vending company like owning a modeling agency?

A: Because looks count for A LOT.

There is nothing that is going to lose you more customers in less time than a truck which has a paint job which makes it look sketchy, trashy or just plain boring. So I’ve created a list of 5 do’s and 5 don’ts you should be aware of when making the crucial decision about how to paint your truck:

DO’S:

  1. DO use bright colors which make your truck standout – after all you want to be noticed!
  2. DO use your writing and text which will advertise you by drawing the eye and which is appealing to both children and adults.
  3. DO keep your design simple – don’t bombard your customers with distracting colors and images.
  4. DO go for a retro design. For many people, ice cream trucks conjure up treasured memories from their youth so you can never be too old-fashioned!
  5. DO you know your customer! Certain designs will work better in different locations and with people from different backgrounds and income brackets. An ice cream truck selling along Venice Beach is going to have a very different look and feel than a truck selling in downtown Manhattan!

DON’T:

  1. DON’T use brown, grey or other colors which make you appear to blend into the background or worse, appear boring.
  2. DON’T overdo it with decals and decorations. Doing too much visually can be almost as bad as doing too little.
  3. DON’T use color schemes which may be associated with drugs or other illegal activity. Some ice cream vendors have given the industry a bad name by dealing more than ice cream from their trucks!
  4. DON’T place decals and other signage too high or too low. Make sure that all writing can be seen by both children and adults.
  5. DON”T spoil your amazing design by forgetting that a window may have to go in the middle of it! Make sure that you take into account the practicalities of your vehicle and make a sketch before you start painting.

At the end of the day the design of your ice cream truck will be a major component in how people view your business. When in doubt keep it simple, it is better to have a well executed simple design then trying to get fancying and having an amateur paint job. The easiest things to do are also the most effective, add some color to your bumpers, wheels, mirrors, and your rooftop speaker. Customers will notice the little things like uneven paint, uncentered decals and lettering or crooked lines so make sure everything is done right, especially on the side of your truck that has the serving window.

And remember, just because you painted your truck doesn’t mean you can neglect it; make sure you spray it down with water every few days and whenever it rains, because the dirt the accumulates on your roof will bleed down onto the sides of your truck.

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Source by Tim Meyers

Types of Electrical Appliances We Use Daily


The significant role played by a number of electrical appliances in our daily lives is quite undeniable. Man is undoubtedly dependent on different types of home and kitchen appliances like air conditioners, LCD TVs, heaters, vacuum cleaners, coolers and so forth.

All these gadgets are known to lessen our burden and make life easier. The hectic lifestyles of these days deplete our energy levels and thereby increase our dependence on these gadgets. Today millions of people all over the world depend on various kinds of electrical appliances.

Some of the Commonly Used Electrical Appliances

The different types of electrical appliances used in our daily lives include tube light, refrigerators, water heaters, room heaters, air conditioners, coolers, fans, geysers, CFL lamps, LED lights and so forth.

There are innumerable appliances which help man to make his life better. In addition to different kinds of home appliances, you can easily find kitchen appliances too at affordable rates. Kitchen appliances include mixer grinder, juicers, toasters, bun warmers, electric hot plate and so forth. All these appliances are available in the online markets at reasonable rates. Let us understand some of the appliances in detail.

Tube light: one of the most commonly and widely used electrical appliance includes the tube light. It is available in different sizes and varieties. The CFL lights, fluorescent lights, LED lights are some of the most important varieties of lights.

The CFL tube light is used in homes as well as commercial buildings and is quite popular for its unique qualities. There are different types of CFL lights available in the markets. These lights are compact in size yet powerful which makes it distinctive. The Dulux bulbs, the Triple Biax CFL, the quad tube CFL, and the spiral CFL are some of the known varieties of CFL tube light. The spiral CFL is widely used in homes and offices in fixtures. Circular CFL is another variety which is also used in reading lamps.

The Fluorescent lights are quite common these days. It is usually used in commercial areas. Since it is energy efficient it is used in places where bright light is required for a longer period. Compared to the incandescent bulbs, this variety of tube light is much better and durable.

Another variety of tube light is the LED lights which are long lasting and efficient. It is used for a number of applications including LED rope lights. These lights are used for decorations during weddings and festivals as it requires less energy. It is also used in street lamps.

A variety of mixer grinder is also available in the online stores today. These grinders are used for grinding coconut, spices, making vegetable and fruit juices and so forth.

Other Useful Appliances

Apart from essential appliances like tube light and grinders, there are many more electrical appliances that are considered vital for any home. Appliances like iron holders, emergency lights, bread toaster, hot and cold water dispenser, mini fridge, electrical stove, microwave oven and so forth. All these equipments and appliances are available in the online stores at realistic prices.

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Source by Jenney Dicousta

The HUMINT Side of Competitive Intelligence


One of the oldest documented professions in the world is not only considered a profession but is considered an art as well. The art of espionage has been documented in the Bible, manuscripts of the Byzantine Empire, and the Art of War by Sun Tzu. This profession has developed over centuries, ranging from a myriad of clandestine collection, subtle debriefings through skillful elicitation, and internet based spy-tech. Collection activities focused on both tactical and strategic operations providing the world renowned chess game of cloak and dagger activities pitting one intelligence service against another. Yet as capitalism began to flourish, there was no surprise that intelligence collection had begun to intermingle amongst the corporate world. As corporate espionage became a taboo term, the suggestion of competitive intelligence, competitor intelligence and business intelligence began to find mild acceptance throughout the battlefields of the boardrooms, industrial complexes, and social networking events.

Before exploring the true essence of Human Intelligence (HUMINT) in correlation to Competitive Intelligence (CI), one must gain an understanding of the various forms of business related information collection and how each may be related. The most widely referred explanation of competitive intelligence, is the acquisition of publicly available information of the competitors of an individuals company to gain a distinct advantage in business. The acquisition of a competitors critical information such as strategic decisions, financial performance, and productivity to name a few, is referred to as competitor intelligence. Additional information acquired which is not considered competitive in nature is referred to as business intelligence. The information acquired, no matter the title given, has strategic implications in the business environment and is considered a strategic necessity in the corporate world.

The acquisition of the information in the realm of competitive intelligence is often acquired from publicly available resources. Often, many individuals believe that competitive intelligence is collected solely from journals, articles, employment notices, internet pages, and other written publications which may provide data points for analysis. What many fail to realize, is that although collection from written publications may occur, this collection may only equal 10%-20% of the information which exists. The other 80%-90% is acquired through spoken communication. From interviews, lectures, webinars, and even conversations at the local coffee shop. Yes, the local coffee shop near the company headquarters is a prime collection opportunity for the HUMINT Competitive Intelligence collector. Whether the information is derived from written publication or HUMINT collection, the data points or information acquired is only one piece of the larger puzzle.

The analysis of the information collected and that which is unknown, may often be deduced in an effort to develop an overall picture of the situation. But to understand truly how competitive intelligence works, and how HUMINT may be interwoven, one must recognize the elements of the intelligence cycle. Though controversy may exist in some circles regarding how many steps or elements may exist in the intelligence cycle, for this article we will use the following five as our accepted measure:

1. Planning

2. Data Collection

3. Analysis

4. Communication

5. Decision/Feedback

No matter the type of collection, the initial Planning stage must be developed to guide the collection emphasis to place one ahead of his or her competition. During the planning phase, a business or organization must identify the intelligence needs and requirements one directly has of his or her competition. These intelligence gaps an organization has, in turn develops the collection emphasis which will assist in guiding the remaining elements of the intelligence cycle. To ensure success, one may desire to outline the specific requirement in detail to ensure the collection effort has the potential for success.

As the planning stage is the initial development of requirements, the data collection element is often considered the most interesting and challenging of the group. Often an individual who is collecting the information, will find the necessary information in print or through electronic media. These collectors may range from professional researchers, executives, sales, and independent information research specialists. All individuals who have a vested interest in collecting the competition’s information and using the information to surpass their competition. As society becomes more technological dependent, collectors are able to explore the vulnerabilities of technology and collect raw data needed for the next element of analysis.

The collection of raw information may develop piece meal, therefore, the element of analysis is essential in understanding how the information may benefit one’s business or organization. The analysis phase is able to disect information in to financial, economic, trend, risk, pattern, event, and opportunity analysis which will assist in the strategic decision-making process. Once the information is analyzed, the information is shared with the appropriate decision makers which will allow one to move ahead of his or her competition.

The communication of the processed or analyzed information must be packaged in a clear and concise manner which will allow the decision makers to process the data quickly. The flow of information, the manner to which it may be presented, and the intended audience all must be considering factors while communicating the competition’s information. This information will then allow the appropriate decision makers to determine the next step an organization or business must take to remain one step ahead of the competition. But one question may still remain, one question which may be asked by those in the corporate world, the tactical battlefield, or the strategic political realms. The question remaining, is how does one know the information or the analysis of the information is truly accurate. This question, opens the door for the element of HUMINT collection of competitive intelligence.

When one begins to think of competitive intelligence, an individual first thinks to rush out and attempt to acquire as much information as they can about their rival or competition. This is the first true misconception many managers have regarding the purpose of competitive intelligence. Competitive intelligence requires the collector to know their sources and to develop accurate assessments of both the sources and the information shared. Interesting enough is the fact that those two requirements are the same that exists for HUMINT collectors when dealing with tactical and strategic collection to support the actions and polices of a country. Just as a true intelligence professional considers two specific factors, so must a HUMINT competitive intelligence collector consider the same two factors.

In intelligence collection, time and focus are two key ingredients which must be considered before conducting or even accepting any collection operation. True intelligence officers do not appear as the cinema may portray. Intelligence officers use time honed techniques to develop and acquire sources who will provide the desired raw data which becomes analyzed and eventually turns into intelligence. In competitive intelligence one must determine how much time they are willing to spend on a project. When considering the time, a collector must identify how they will spend their time collecting raw data, how much time will be spent developing an assessment of the source and data, and how they will justify their time to the appropriate managers. In order for an individual to effectively use their time appropriately, the collector must develop a focused approach to the operation. While developing focus, the collector identifies exactly what they desire to collect. The focus allows the collector to ask the right questions while attempting to collect the raw data. The focus further allows an individual to focus on the correct sources, so that the time is used appropriately. Information collected remains raw data until the information is analyzed and is validated by another means or source. The validation of the information collected and analyzed may be reverified through the careful art of elicitation of individuals who have either direct or indirect access to the desired information.

HUMINT Collector

Once question which develops when discussing the collection of information from another individual or from an organization, is the difference between a HUMINT collector and a spy. The misnomer exists that an individual engaged in competitive intelligence is spying. This concept happens to be extremely far from the truth. In the world of HUMINT collection, a HUMINT collector is an individual who acquires information by locating an individual who has or has access to the desired information a collector may desire. The collector establishes rapport, and through a pre-planned agenda develops a series of suggestions and questions which allows an individual to answer with little to concern to what has been said. Millions of books have been written about conducting this activity in the sales industry, in personal relationships, dating, and management. Though the skill set has been identified time again, the idea often appears new to many individuals once identified in the appropriate manner. The question soon develops if the skills of HUMINT collection are readily available and easy to learn, where does the trench coats and the cloak and dagger mysticism exist. The majority of the mysticism may be found in the old spy novels and movies which has attempted to glamorize the art of collection. This coupled with the modern day action figures found in the cinema who jump from twenty story buildings unscathed, romance beautiful women, and have the most lavish of accessories and accommodations at their disposal. These cinematic hero’s are often referred or classified by the term of spy. Interesting is the fact that those who engage in the art of intelligence collection are really known by the term of HUMINT Collector, Case Officer, or even the illustrious Spy Master; but never do they refer to themselves as a spy. The spy is the individual whom the collector has recruited and has tasked to collect a specific amount of information from their country, company, or organization. When an individual whom the collector meets intentionally returns to his or her place of business, and removes data with the intention of selling or providing the material under malicious intent, the individual may be considered a spy. The ethical HUMINT competitive collector does not task their source; but rather acquires the information through the well-crafted conversation using basic and advanced elicitation techniques.

Those who are or have been involved in HUMINT collection, may have recently discovered the advances of technology have opened vast opportunities for the HUMINT collector. Just as the aforementioned intelligence cycle had a number of elements which explain the intelligence process, the HUMINT cycle has similar elements.

1. Spot

2. Assess

3. Develop

4. Recruit

5. Manage

6. Dismiss

To best describe these steps, one must look at why this is the greatest time for the HUMINT collector. On any given day, one may find a secretary, personal assistant, office manager, or information technology professional who may go the majority of the day with little to no true human interaction. Individuals in today’s society find that communication through e-mail, internet chat, internet dating, text messaging, and even the telephone have replaced previous face-to-face personal communication. These individuals could go to the gas pump and never have to interact with another human being, they can go to the grocery store and use self-checkout to avoid interaction with a sales associate, and they can either do their banking online or through the automatic teller machine. The avoidance of the personal interaction leaves an unrealized psychological desire which allows the HUMINT collector an advantage against their unwitting subject.

Previously mentioned was the fact that the majority of information to be collected was accessible through spoken communication. At every exchange of information, or every transaction which occurs some type of information is exchanged. Although one may not consider to acquire information during this specific time, the HUMINT collector realizes that this will soon be the environment which he or she has been patiently waiting. The HUMINT Collector will latch on every word stated, and each networking opportunity as an opportunity to acquire additional sources. As the HUMINTer begins adding names and numbers to his or her rolodex, this individual must return to identify the precise requirements to choose the correct source to invest time.

The HUMINTer begins by identifying the intelligence requirements which an organization may be lacking against their competition. As with the planning phase, the individual must plan and identify the specific individual whom may have the placement and access to the obtain the desired information. Once an individual is identified as to having the proper placement and access, the HUMINTer may now use a myriad of techniques to meet and elicit a desired response from the intended target. Those involved with HUMINT understand that most individuals have a unique desire for human interaction, especially when the individual is able to speak about themselves or able to speak about a subject which they have a distinct interest. As the relationship develops, so does the freedom of information through skillful elicitation of conversational gates which lead the individual into sharing information either wittingly or unwittingly. Often people consider this a form of treachery, especially because true elicitation is a serious activity that is considered a professional activity by those who understand how to employ this activity in their occupational duties. Many unsuspecting individuals find talking about themselves is self gratifying as they feel a sense of pride or accomplishment. Others feel they are subject matter experts in their respected fields and wish to impart their knowledge onto others. And yet, there are still those who find the necessity to share information with others and gossip about situations they may not be actively involved.

Once the HUMINTer is able to engage a person in conversation, the HUMINTer is able to begin developing an assessment to what makes the individual tick. This assessment explores the motivations and vulnerabilities of an individual, as well as further exploring their placement and access to the desired information which one is attempting to acquire. Though many desire to place a specific profile or scientific equation to how long or what measures should be used to develop assessment, the time honored tradition of developing a friendship has continued to work throughout the world. Other techniques such as bribery or coercion push the collector into the realms of corporate espionage, and should avoid the use of those particular techniques.

The use of human intelligence techniques to acquire information is considered a fine line to walk by those who misinterpret the actions as corporate espionage. Corporate espionage crosses both the legal and ethical boundaries which exist in the world of competitive intelligence. For this reason, many individuals believe that HUMINT collection is the same as corporate espionage. Corporate or industrial espionage refers to the stealing of trade secrets or information, blackmail activities, bribery, and even surveillance of equipment and computer media through various technological surveillance and collection activities. As one can obviously identify, the differences between industrial espionage and HUMINT collection are often misconstrued since a well defined line exists between these two disciplines. As a result of the blurred lanes in the road and the misinterpreted definition, many collectors have steered clear from the HUMINT collection in Competitive Intelligence. What one must remember is that a collector is only having what some may consider as an innocent conversation, and is not asking the individual to do any activity which may be construed as illegal.

As corporate espionage has become a taboo term amongst the business community, the suggestion of competitive intelligence, competitor intelligence and business intelligence has found acceptance throughout the battlefields of the boardrooms, industrial complexes, and social networking events. This acceptance has further led to a path of Human Intelligence collection of Competitive Intelligence amongst our modern technologically advanced society. The time has arrived again for HUMINT collectors to use their distinct skills, their art, their unique trade to answer the intelligence gaps and or requirements which are unknown and will place their organization ahead of their competition.

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Makler Heidelberg


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Source by Wayne Taylor

Why Are Fossil Watches Are So Popular?


Fossil Watches are classic, yet contemporary, simple and warm – this is the modern vintage – This modern vintage is the exclusive style perspective that defines the Fossil brand and its many products. It successfully translates the mid-century modern art and architecture design impression into forms and fashions that are distinctively relevant for today’s shopper. These watches are very nice to wear, and will not cost you a bundle. Most of my favorites run from $65 to $85, well within most people’s budget for a quality watch. These watches are available in both digital and analog mechanisms and with leather or metal bands.

Fossil watches are easily found online or at local department stores. It is one of the most sought-after names in popular watch brands. These watches are made for both men and women and are offered in an array of sizes, styles and materials. Watches with charm bracelet links to watches with leather bands and everything in between can be found both in Fossil men’s and ladies watch line!

These watches are found in a variety of ranges. The men’s line has casual, dress, chronograph, titanium, motion dial, midsize and pocket watch ranges. The ladies watches are made in gold, silver, leather and designer styles that are fully functional with interchangeable dials and special adjust-o-matic features, which make it fit perfectly on any size wrist.

Fossil watch tins were introduced in 1989 to reflect the company’s 1950’s Americana style of branding that has made the company so popular. Every new watch is packaged in one of these distinctive tins and you can find collectors actually buying and selling the tins alone on eBay and at flea markets.

To this very day, Fossil has kept true to its philosophy of testing the limits of design, innovation and technology, as evident in all their products. Truly inspired, that’s the heart and soul of Fossil watches. The uniqueness of Fossil watches, lies in the brand’s aim of changing timepieces from time reading devices, into a style statement. Fossil was the pioneering American brand to make the banal looking wristwatch metamorphose into an item of vogue. With a look that’s all on its own, Fossil provides sports, casual, and fashion style watches that go great for any occasion.

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Makler Heidelberg


Immobilienmakler Heidelberg

Makler Heidelberg


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Source by Jeff Glasser

The Impact of the Internet on Contemporary Literature


Literature basically is everything that has ever been written. Anything from the earliest poems of Homer, to today’s web pages, can be considered literature. But for a specific sense, there are various kinds of literature. Literature can be written in a specific language, like English Literature or be written by a specific culture, such as African Literature. But literature really means more than printed words and the internet certainly is a part of literature. I should note that the word literature comes from the French phrase belles-lettres, which means “beautiful writing”. When a piece of work is called literature, it is usually considered a great work of art. The internet literature does not necessarily have to be this way for the fact that no one controls the internet literature. In the following essay I am going to speak about the impact of the internet on literature of nowadays.

There are two main classes of literature which are also present on the internet: fiction and nonfiction. Fiction is writing that an author creates from the imagination. Authors may include personal experience, or facts about real people or events, but they combine these facts with imagined situations (Moran, 45). In non-internet literature the project undergoes at least some sort of censorship in terms of what words can be used, yet the internet allows the authors to put anything they desire on the web site and enjoy it. Most fiction is narrative writing, such as novels and short stories. Fiction also includes drama and poetry. Nonfiction is factual writing about real-life situations. The principal forms of nonfiction include the essay, biography, autobiography, and diary (Browner, 90). The internet presents a new forms–internet pages, or internet books.

People read literature for a variety of reasons. The most common reason for reading is pleasure. People read to pass the time, or for information and knowledge. Through literature, people meet characters they can identify with, and sometimes find solutions for their own problems. With literature, a person can often understand situations they could not otherwise understand in real life (Koehler, 28). Often, just the arrangement of the words can be enjoyable, just as a child likes the sound of “Ring Around the Rosie”, even though they might not understand what the words mean. There are four elements of literature: characters, plot, theme, and style. A good author has the ability to balance these elements, creating a unified work of art. The characters make up the central interest of many dramas and novels, as well as biographies and autobiographies. A writer must know each character thoroughly and have a clear idea about each ones look, speech, and thoughts. The internet literature is not difficult to create for the fact that unlike “traditional” literature the internet literature requires minimal start up costs (Moran, 47). And because reading usually involves convenience, at some point of time one would not be surprised to see convenient electronic devices that could be transported anywhere and would download books from the internet and present them in digital format.

Motivation is the reason for characters actions. A good writer will be sure that the motives of a character are clear and logical. The internet writers do not have to be this way, they are not controlled and they hardly risky anything by publishing online. Setting is where a character’s story takes place. The plot is built around a series of events that take place within a definite period. It is what happens to the characters. No rules exist for the order in which the events are presented. A unified plot has a beginning, middle, and an end. In literary terms, a unified plot includes an exposition, a rising action, a climax, and a denouement, or outcome. The exposition gives the background and situation of the story (Browner, 93). The rising action builds upon the exposition. It creates suspense, or a reader’s desire to find out what happens next. The climax is the highest point of interest, also a turning point of a story. The denouement is the conclusion. The theme is the basic idea expressed by a work of literature. It develops from the interplay of character and plot. A theme may contain morals, to warn the reader to lead a better life or a different kind of life. The internet literature does not have to be this way at all because no one controls it. The write take minimal risk in terms of investment, yet possibly can find readers from all over the world, which can pay for the e-book and download it to their own computers, is very high (Moran, 49).

A serious writer strives to make his work an honest expression of sentiment, or true emotion. They avoid sentimentality, which means giving too much emphasis to emotion or pretending to feel an emotion. A writer of honest emotion does not have to tell the reader what to think about a story. A good story will direct the reader to the author’s conclusion. Style is the way a writer uses words to create literature. It is difficult to enjoy a story’s characters or plot without enjoying the author’s style (Browner, 98). The style of an author is as important as what he is trying to say. Point of view, or the way a story is presented, is another part of style. A writer may tell a story in the first person, using the pronoun I, as though the narrator were a major or minor character in it. Or, the writer may use the third person method, in which the narrator stands apart from the characters and describes the action using such pronouns as he and she. There are two types of third person views: limited and omniscient. In the third person limited point of view, the narrator describes the events as seen by a single character. In the third person omniscient, or all knowing, point of view, the narrator reports on what several characters are thinking and feeling. Reading is an intently personal art. There are no final rules for judging a piece of writing. Often, people’s judgment of a work can change as taste and fashion change. Yet the classics continue to challenge readers’ imaginations and give ageless advice. Shakespeare will most likely be as popular a hundred years from now as he is today. That is power of literature. Literature is timeless (Moran, 53).

It should be noted that literature can have many and different values on a person and it is the internet that allows literary values to be delivered to the audience without any barriers. It is all depending on the story and the value or moral issue the author wants, you, the reader to get out of it. The value literature had on me was actually hard to put into words. But to understand the value of literature you must know the definition of value and literature. Value has many meanings but there is two that relate (Browner, 102). Worth in usefulness or importance to the possessor and a principle, standard, or quality considered worthwhile or desirable. Literature is a body of writings in prose or verse. Literature produces value because it is basically an analysis of an experience or situation (Koehler, 30). I got a different value out of each story. With Mark Twain’s The Adventure of Huckleberry Finn it showed me that one does not have to be civilized or conform to the ideas of society to become cultured or mature. With Huck Finn he ran away from everything that was considered civilized (Moran, 58). He had nothing and really did not want anything. But at the same time he experienced and matured living dangerously. This made me value Huck’s adventure and take it as my own. Huck proves his maturity when he comments on how the king and duke dupe the villagers into believing that they are the dead man’s brothers, and Huck says, “I never see anything so disgusting.”(Twain 163) Even though the king and duke commit an awful act on the villagers he still feels sorry for them when they get tarred. Huck comments, “Human beings can be awful cruel to one another.”(Twain 225) In William Faulkner’s Barn Burning it told of a man named Abner Snopes who burned barns when upset or mad. This was his way of getting back at them. “Barn Burning” has two very evident struggles (Browner, 105). Abner oppresses his family just as the upper class has oppressed him. “Barn Burning” to me is based on misdirected anger. Which is basically happening in these days. For example, a teenager and his parents have it out, he leaves, and now his anger is directed toward anything in his pathway. “Barn Burning” has a value in that it shows in life that people actually misdirect their anger. Such as in the school shootings and bomb threats that have occurred in the past couple of years (Koehler, 33). Just like Abner Snopes felt like an outsider to the upper class, so did the students who committed these violent acts. In “The Swimmer”, it made me value life and what it brings. Because if your not careful or you do not watch out it will past you up without notice (Browner, 109). As with “Everyday Use”, one of the daughters did not value who she was or whom she was because she was going out looking for her history. Which she already had at her fingertips.

Conclusion:

In conclusion I would like to note that reading all of the literature which colleges and universities assign to their students involves very high costs to the society in terms of paper consumption and time wasting (that involves going to the library, or to the book shop, etc). The internet and the ability to download the books from online to one portable device would reduce the costs, save the trees, and will make people more efficient. I realize that there are a lot of things that we as people in this society take for granted. Literature has made me value a lot of experiences and situations so far and I enjoy holding the paper book in the evening preparing for the next day, yet I do not protest against the use of the digital technology to create digital books that would contribute not only to the efficiency but also to the reduced costs to the whole society.

Immobilienmakler Heidelberg

Makler Heidelberg


Immobilienmakler Heidelberg

Makler Heidelberg


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Source by Holly Odom