How to Write a Motion Graphics Design Or Animation Treatment

Kostenlose Immobilienbewertung

Give Yourself the best chance of winning the Design or Animation project with these guidelines

The Title & Introduction

The very first thing you will write on any treatment is the name of the project, so it is highly advisable to make sure you get this part correct. When taking a brief it is always a good idea to take as detailed notes as possible about all aspects of the project including the people involved, key words, reference material, technical aspects or limitations, audio preferences and project working titles. These notes will assist when putting the basics into a treatment, and showing your fullest understanding of the brief, like the correct title, or key words that the client was at pains to describe the project with.

Once you have a clean leading page with the clients name, the name of the project, and any subtitle, you are ready to add the first and most important body of text, the introduction or approach.

The introduction, outline, premise or approach to a treatment is a vital and concise 2 or 3 line paragraph, clearly telling the reader what it is they are about to read, and the reason for reading it. Ideally this paragraph will ‘grab’ the reader immediately and tweak their interest, wanting to read the rest of the document.

The Writing Style

The use of descriptive language is an important part of the art of all writing, no less with treatments, where you ideally need to squeeze all the information into one or two sides of a4 paper to paint a clear picture in the readers mind’s eye of exactly what they can expect the final film or animation to look like.

When describing your concept, try and use flowing and elegant phrasing while being descriptive and to the point. A wide use of vocabulary will keep the reader interested and their brain visualising the result.

For example, The brief is for a television crime drama title sequence, and the Director wants the style of the title sequence to reflect the period, atmosphere and subject matter of the script. The Director may use quite descriptive words in a brief like, dark or chilling, ensure to re-use these words in your treatment and add some of your own to further embellish. For example; dark foreboding blackness, or chilling, spine jarring finale.

Try not to repeat the same word too many times, and think of alternative ways to describe the same or similar part of the project. For example; when mentioning a transitional effect in the animation or film, try and find new ways to write about that effect.

Your Branding

Ensure that your business, company or studio logo and branding is clearly marked on the front of the treatment, as well as the body of the treatment to ensure that all who read it will know where it is from and who wrote it. It will also help ensure your ideas stay as your own and are not borrowed by someone else. Another consideration is to flatten your document to ensure that the logo and graphics are displayed correctly and no one is able to edit your treatment or take paragraphs for re purposing into another document. Saving your MS Word or other word processor document as an Adobe Acrobat PDF file is an ideal way of achieving this.

The Concept

This is the main body of text where you can flesh out the idea in more detail. It is important to ensure that this paragraph is easy to read and to the point. Use this part of the treatment as a way of quickly describing the rest of the information that you eloquently touched on in your Introduction. Try and keep the sentences brief with enough space around them to be absorbed easily. Allow the sentences to flow together easily to ensure the reader does not get lost partway through, it is vital that your idea makes sense from start to finish giving your reader the chance of constructing the piece in their own minds eye.

Imagery

Consider including images to assist your concept.

You will probably be producing a storyboard separately to your treatment, but using additional reference images, character illustrations, environment and backgrounds or mood board images in your treatment can really help the reader to grasp what you are saying. Positioning the images is also important, breaking up the paragraphs can lose the readers flow, so try adding an image or series of images under a paragraph.

Using a large image under the Introduction can act as a real eye grabber for the rest of the document.

Reference Material

Reference material is key to helping sell your idea, especially if you can reference your own past work. It is another chance to showcase your work and give the client every confidence in your ability to deliver what you are writing about. References can be web links, embedded links, images, sounds, music tracks, illustration or video. If possible, try and collate it all into one place, an ftp location, a website, a file share location or as zipped attachments to make it easy for the client to explore your references and not have to go to many different internet sites. Again, keeping the treatment easy to read, follow and absorb is paramount.

The Technical Breakdown

The technical section of a treatment should be very factual, very brief and very clear. The clarity will, once again, illustrate to the reader that you have carefully thought the process through and understand exactly what it will take to achieve the finished result. You will always be able to change your thinking with kit later, but at least at this early stage you have approached the idea with a way of technically creating your masterpiece. This paragraph will also illustrate your ability to handle both aspects of any motion graphics project, creativity and technical knowhow, the core components to any motion graphics designer.

Think about outlining what and how many computers you will need, how much disk storage space and backup will be required, which software packages will you be using and are there any specific plug-ins or presets that are relevant. Also take into account the amount of rendering time and hardware that will be needed, archiving considerations, and final delivery formats and other delivery aspects.

Music and Audio

As we all know, music and sound effects can really bring animation and video to life and is a major part of any visual experience. Touch on ideas you have for the music and sound design, include references to other similarly styled videos and describe the tone and atmosphere that the music will evoke with your visuals.

The Budget & Estimated Costs

Costs and quotes are also a huge factor in whether you will succeed in getting the project you desire, but refrain from including any mention of money in the treatment. Instead provide a separate quotation document including any reference to technical or creative specifics in the treatment.

The Conclusion / Summary

The final part of your treatment should act in a similar way to the introduction.

It is a short paragraph that allows you to quickly remind the reader of the key points you discussed in the rest of the document. It is also a chance to use good language to leave the reader wanting to see what you have described, wanting to explore further, wanting to make it come to life.

List of Components

INTRODUCTION – short and sweet

CONCEPT – main descriptive body of text

IMAGES – reference material

TECHNICAL – geeky but essential breakdown

AUDIO – style and reference guide

SUMMARY – the final roundup

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Darren Marshall

Create Unique and Beautiful Art on Canvas With Raised Stenciling

Kostenlose Immobilienbewertung

Stencils have been around since the 8th century and thought to be first introduced by the Chinese. They have shown to be a proven and long reaching method of adding ornate decoration for centuries in all areas of design.

From Arts and Crafts styling to highly ornamental and detailed Victorian designs, stencils have held their own while other methods of decoration have come and gone throughout the decades.

Being used to decorate walls, ceilings, furniture and even exterior concrete to add beauty and detail, stenciling has gained in popularity in recent years in even the wealthiest of homes and businesses.

Raised stencils are a unique twist on standard stenciling simply because you apply joint compound through the stencil openings to create a raised pattern instead of using paint. The material of these specialty stencils is much thicker than standard painting stencils which allows a significant profile to be achieved. Ordinary craft or painting stencils usually don’t work well for this application.

Raised stenciling, combined with ornamental plaster from molds was featured in our beloved “White House” at the turn of the 20th century when it graced the walls of the Red Room before Eleanor Roosevelt decided to re-decorate.

There is not much further information as to the history of Raised Stenciling and no indication as to why it did not become a popular method of decorating walls, but re-introduction of this lost art in 2004 took the country by surprise and has now become on of the most popular and interesting wall treatments of our time.

Raised Stenciling is not limited to walls and ceilings however. It finds its way in to art forms of all kinds! Used with wood putty or “Wood Icing” on furniture, it creates the look of hand carved designs that fool even the most experienced carpenter! Used on concrete, it appears that the design has been hand carved as a raised element.

Creating fabulous artwork on canvas using plaster stencils is easy and inexpensive.

To plaster stencil on canvas, choose canvas that is mounted to board rather than canvases that are stretched over wooden frames. You need that hard surface to plaster on.

Prime the canvas just as you would a wall before painting it.

An interesting, textured background could be achieved by spreading a thin coat of joint compound or plaster of paris over the primer with a trowel, allowing a skip textured effect by letting the trowel or scraper create natural dents and slight ridges. Allowing the flaws of naturally spreading the compound will give a more detail to the surface.

Allow it to dry completely.

Seal the plaster with a wash of 1/2 white glue and 1/2 water. This will allow any paint finish you do on the surface to go on smoothly. Joint compound or plaster and is very porous and will not absorb paint easily. The glue wash makes the surface consistent and non-porous.

I’ve used three different materials when creating raised designs on canvas: Plaster of paris, joint compound and molding paste (found in art stores).

Situate your Raised Plaster Stencil on the canvas as desired and tape in to place. You can choose to pre-tint the joint compound with deeply pigmented craft or artists paints prior to adding the design to the canvas.

Apply the compounds using a small trowel or plastic scraper by simply smoothing it over the openings of the stencil. By scraping the stencil smooth, the material will be forced in to all the nooks and crannies of the design so that the image is crisp and clear. Without removing the stencil, you can now add more mixture up to ½” thick. Note that the thicker the material is applied, the more cracks you may have in the dried product. In some cases, this can actually be a quite desirable effect.

Un-tape the stencil and gently peel it back from the canvas to reveal the design and allow to dry. Seal the design with the same glue and water mixture to minimize the porosity or use artist’s varnish.

Any number of methods of coloration can now be used to finish the canvas art, from faux finish techniques, to color washing by mixing translucent wall glaze with craft paints, to airbrushing.

There are lots of stencil designs that are perfect for creating a Plaster Painting but also consider cast plaster pieces as well. A combination of both would be spectacular! Consider a background of Raised Plaster Branches from a stencil and then applying Ornamental Plaster Leaves from a mold. Talk about 3-D art!

Cast plaster pieces can also form a natural frame by gluing them to the outer most edge of the canvas. © Victoria Larsen 2012

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Victoria Larsen

The Late Colin David

Kostenlose Immobilienbewertung

Colin David's mortal body left this world on 25 Feb 2008, but his soul breathes in his art and people. Colin was one of those good adroit painters who fashion human anatomy with their skill and imagination. Just like Ustad Allah Baksh, Sadqain, Shakir Ali, Saeed Akhtar, Colin depicted women figure as a special element in his painting. He was a superb draftsman with a technical perfection that is all too rare. According to an art critic Marjorie Husain, Colin used to paint non traditional style in the restricted ambiance of Ziaul Haq era which consolidated his position as most popular artists in time.

Colin was born in Karachi in 1937; he began his art education at the University of Punjab when the fine arts departments opened his door to male students in 1956. According to Niilofer Farrukh he once ran away from home because his father, a journalist, did not allow him to take up Art as a profession. Colin David was among the first group of three young men who were taught by Khalid Iqbal, and by Anna Molka Ahmed who was hugely pleased by the talented trio. She included them in many of the Department projects and in later years, spoken of their success with pride. After doing masters Colin got opportunity to study in UCL where he was guided by sir William Cold Stream, an artist who painted in "Euston Road" group style. There Colin got opportunity to paint from life and found his artistic meter. It was a time when Naz Ikramullah was taking a course of Lithography at the Slade, and Colin mentioned meeting her in letters home.

Returning to Pakistan in 1962 Colin rejoined the faculty of Fine arts department of Punjab University, and remained there until 1964, but differences with Anna Molka Ahmed caused him to leave the department and join the National College of Arts, where Shakir Ali was the Principal. Colin remained there, an integral part of the college for 25 years.

In those times of experimentation Colin developed a unique, distinct style which showed his own inclination. His first solo exhibition, a collection of figure studies in oils painted with great luminosity was held in Karachi in 1970 at "The Gallery" where Colin hailed great appreciation. His work in the genre of the nude inspired new art collectors. The element of design in a form of "figure" always creates balance and harmony in its compositions. Sense of space was an important subject in his paintings. Colin explored the female figure as a symbol of beauty and presented "women as a women"

Colin successfully described the sensitive studies of children at play. In one of his painting he depicted a child while eating toffee while un wrapping it, chubby fingers persevering, and an expression of total single mindedness on the child's face. It increased the UNICEF interest in his art. Many of his art pieces went to foreign art collectors.

It was ironic that in his life many times he was obliged to hold exhibition in his home and unnamed spots for selected audience since he was unable to show his work publicly. Once he said "In the earlier stages of my career when figure painting was artistically acceptable, my exhibitions were always highly successful.

In last days of Coulin, despite of bad health he continued to work and exhibited his art work in Karachi and remained popular.

Time goes, you say? Ah, no! Alas, time stays, we go.
– Henry Austin Dobson

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Sehrish Ch

Lathi – The Indian Secret Form of Defense

Kostenlose Immobilienbewertung

Lathi is not an activity to use a bamboo stick or cane to hit others randomly. It is a form of martial arts. Lathi means bamboo stick in Hindi. This type of martial arts often uses a 6 to 8 foot long bamboo stick or cane with an optional metal blunt. Lathi has been used by Indian Police or authority to control crowd. In fact, Lathi has also considered as one of the oldest weapon in the world.

History

For many years, Lathi has been popular among India villages and rural areas, typically in the eastern and southern area of India. It is not only used for fighting against others but also for controlling animals in certain region.

Lathi was used for many different things but the owners of land used it to demonstrate their strength and to help them rule others. They raised large groups of people who were then trained in Lathi, which they used to demonstrate their power over others. Instead of being used as self defense, they were used as an aggressive force that tried to dominate others.

Lathi also has been used for sport around the same time as landlords used it for security purposes. Lathi tournaments often took place between different Indian villages, where landlords could demonstrate to others their power through Lathi tournaments.

Before India was ruled by the British government, the Zamindari system was introduced. The Zamindar trained and hired Lathial armies for many purposes. One of the purposes of using Lathial armies was to forcefully collect taxes from Indian citizens. It was also used by the Indian Riot Police as their primary weapon to disperse rioters, and they only used firearms when the Lathi could not efficiently be used. The system had continued during the British reign over India, and the British government authorized and introduced Lathi as one of the weapons for police and army force in India. At the time, Lathi often used for controlling riots, fights, and crowds against the British government.

After India became independent, the Zamindari system became abolished. This caused the decline of Lathial armies and Lathi transformed into a form of martial art. On the other hand, urbanization also was a reason that caused the decline of this form of martial art.

Although it has been declining, many wealthy landlords and farmers today still train and hire Lathial for security purpose in rural or villages in India. They see Lathi, still, as a form or a way to show their power. Yet, Lathi battles between villages are still happening today, and it remains a famous sport in many villages and rural area in India.

In modern day, Lathi is still one of the primary weapons for Indian police to control riots. All Indian police officers and some security guards today have training in Lathi charge because of its efficiency.

Heart-centered

Lathi is a form of martial arts, but like other forms it has many things which set it apart from the rest. There will be some similarities, but most people will be able to recognize the differences. The dan-tien is the energy center, as it is in other martial arts. This energy center in martial arts is what is behind the distinctive stance that its users take.

Lathi shares many commons aspects with other martial arts, but it is different from other ones. First, it is different from other martial arts in terms of its energy center. In Lathi, the energy center is found at the heart while in others it is lower in the body. It might not seem like a big difference but it does affect the ability of the users of Lathi to perform their movements. It is similar to the difference as the center of gravity of a woman. The woman has a lower center of gravity and it changes the way that she balances the body as she moves. The higher center of gravity is also supposed to impact the body’s ability to heal itself.

One of the most important parts of any martial arts is the breathing techniques that are used. Since the energy center of Lathi is higher; the place that the breathing is concentrated through is also higher. This breathing technique of Lathi is also a reason behind the movements of its practitioners and is said to help with the healing of the body as well.

Spiritual Practice

Lathi is not only a powerful healing therapeutic tool, but it is also a good spiritual practice for individuals. It is a physical practice for the whole-body and it harmonizes the body and mind by moving energy. Its continuous and repetitive movements provide balance and subsequently organize the body. When it moves energy through the body, it also connects our physical body to a deep internal meditative state. On the one hand, it is a very active sport or practice that harmonizes our body and clams our mind and spirit at the same time.

Martial Art

Of course, Lathi is a martial art, but it can be a dangerous one. It is not a game for gentleman and you cannot make any mistake. It is like fighting on the street. The aim of this martial art is to win. Historically Lathi is for security purposes, so it is a gentle, elegant way to move the body, and it is an effective system to bust a body up based on the cane-fighting at the same time.

Training

Individuals practicing Lathi must be able to fight with a stick, which can come with different lengths and thicknesses. Generally speaking, matches are one-on-one but the martial art can also include routine matches for fighting different opponents. Since Lathi uses the heart chakraas their energy centre, practitioners fight mostly in an upright position.

Self defence

Interestingly, Lathi recently has been used by a group of Indian women in the Bundelkhand region who have demanded justice against abusive men, husbands, and fathers. While domestic violence, child marriages, and demands for dowry are still very common in the rural areas of India, a group of women, the Gulabi Gang, have been taught to use Lathi for their self defense, and when needed, they can use Lathi against the harassers.

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Yogita Soneji

How Photography Has Changed Over the Past 200 Years

Kostenlose Immobilienbewertung

Taking pictures throughout one’s life has been a part of American culture for over a hundred years now. The camera was first introduced in the United States in the early 1800s and was commercialized later in the century. From the time it was first put into the American market until now, the camera and the technology of the camera has changed significantly. Also, with the camera, the items that hold the photographs have changed significantly as well. For example, picture frame lighting is now available to highlight the photographs they hold and there is also such thing as a led picture light which really emphasizes the photograph. The art light is something which has most certainly changed with the technology that came with the modern day camera. However, it is the camera that has dictated these changes in the frames.

The first official camera was invented in 1814. The big, clunky machine was used to take still life pictures in black and white. The photographs almost always came out scratchy and faded looking, but for the time, this machine was very impressive. No one probably could have imagined how photography would have changed over the next 200 years.

The next big accomplishment in photography came with the introduction of color to the photographs in 1861. In fact, some photographs from the American Civil War can be found in color. It took awhile for color cameras to be readily available to the public, so for the next thirty years, color photographs were still a relatively new, revolutionary technology.

A change in the way photography was done happened when the disposable camera was invented. This camera enabled travelers to take inexpensive cameras on vacations without carrying a big, expensive one with them instead. Also, many of these disposable cameras were made to be waterproof, so people could take photographs underwater on a snorkeling or scuba diving trip.

Next in the photography world came the introduction of the digital camera. This made it so that photographs could be taken and then loaded into the computer to be sent to people via the internet or they could be sent to most drug stores to be developed at a specific time, usually set by the customer. This new technology revolutionized the way people stored and used their photographs.

Finally, today there have been many new additions to the camera technology. Cell phones now have a picture-taking capability to them. Also, there is such thing as high definition photographs, which makes the photograph even clearer than it already was before this digital technique. Probably the newest thing to the world of photography is the camera that has a view on both sides of it for those who do not want to have to rely on strangers to take a picture for them and their friends. With all of these advancements coming in shorter and shorter amounts of time, it will be interesting, in the upcoming decade, to see what other changes will be made in this market.

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Connor R Sullivan

History and Clothing in Ancient Japan

Kostenlose Immobilienbewertung

Japanese history includes alternating periods of isolation and revolutionary influences from the rest of the world. As early as the Jomon period from about 14000BC to 300 BC, Japan had a hunter-gatherer lifestyle; wooden stilt houses, pit dwelling, and agriculture. Weaving was still unknown and the ancient Japanese clothing consisted of fur. However, some of the world’s oldest pottery is found in Japan, along with daggers, jade, combs made form shell and clay figures.

The period thereafter to 250 BC saw the influx of new practices like weaving, rice sowing, iron and bronze making influenced by china and Korea. Chinese travelers describe the men ‘with braided hair, tattooing and women with large, single-piece clothing.’ Initially ancient Japanese clothing consisted of single piece clothing. The ancient and classical Japan begins from the middle of the 3rd century to 710. An advanced agricultural and militaristic culture defines this period. By 645, Japan rapidly adopted Chinese practices and reorganized its penal code.

The peak period of ancient Japan and its imperial court is from 794 to 1185. Art, poetry, literature and trade expeditions continued with vigor. Warlords and powerful regional families ruled ancient Japan from 1185 to 1333 and the emperor was just a figure head. By the Japanese Middle Ages, Portugal had introduced firearms by a chance landing of their ship at Japanese coast; samurai charging ranks were cut down; trade with Netherlands, England and Spain had opened up new avenues. Several missionaries had entered Japan as well.

Distinct features of the lifestyle, ancient Japanese clothing and women is difficult to decipher for the simple reason that it is super-imposed by the Chinese culture. Ancient Japan readily adopted other cultures and practices and most of its own culture is lost among these adaptations.

Ancient Japanese clothing was mostly unisex, with differences being in colors, length and sleeves. A Kimono tied with an Obi or a sash around the waist was the general clothing and with the advent of western clothing are now mostly worn at home or special occasions. Women’s obi in ancient Japanese clothing would mostly be elaborate and decorative. Some would be as long as 4meters and tied as a flower or a butterfly. Though a Yukata means a ‘bath clothing’, these were often worn in the summers as morning and evening gowns. Ancient Japanese clothing consisted of mena and women wearing Haori or narrow paneled jacket for special occasions such as marriages and feasts. These are worn over a kimono and tied with strings at the breast level.

The most interesting piece of ancient Japanese clothing is the ju-ni-hitoe or the ‘twelve layers’ adorned by ladies at the imperial court. It is multi-layered and very heavy and worn on a daily basis for centuries! The only change would be the thickness of the fabric and the number of layers depending on the season. Princesses still wear these on weddings.

Since the Japanese people don’t wear footwear inside their homes, tabi is still worn. These are split -toe socks woven out of non-stretch materials with thick soles. Clogs have been worn for centuries in ancient Japan and were known as Geta. These were made of wood with two straps and were unisexual. Zori was footwear made of softer materials like straw and fabric with a flat sole.

Ancient Japanese clothes, culture and footwear are slowly regaining their popularity with the western world. There is an honest curiosity in knowing more, wearing kimonos or using silk fabrics with beautiful floral prints from the ‘land of the rising sun’.

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Christopher Schwebius

Fabric Painting As A Career

Kostenlose Immobilienbewertung

Fabric painting is not the most conventional of careers to choose from; in fact most would relegate it to the hobbies listing, an obscure craft. Some would ask, “Who would want to spend their career with fabric paint?” But think about it; if the career were not a significant one, we would all be sitting on bland, colorless and design free furniture, we would probably all be dressed up in flour sacks and staring at blank walls. Of course that’s a slight exaggeration, but you get the point, I’m sure.

As a career fabric painter, you have the opportunity to add creative and sometimes colorful value to the world we live in. Although fabric painting can be a laborious pursuit it has become thousands of times easier to reproduce fabric painting on numerous mediums. With the advent of digital art, reproduction artwork can be placed on cups, plates, textiles, shoes, wood and more.

The prospects are actually quite exciting when you think about it. Rather than designers buying that blase fabric for their fashion accessories project, you can now offer them custom fabrics, specially created for their specific use; something unique to their collection. Designers can now say bye, bye to boring; and hello to happy. Their clients will love you for it.

Artists can now create their masterpieces and have them duplicated for short run reproduction just as easy as or perhaps easier than it would have been to process the art through the traditional fabric mills. This is great but there are still some major manufacturing companies that hire artists to create hand painted designs for their new collections. They then take the artists designs and produce them on various types of fabrics.

One career that is easily integrated and is an offshoot of fabric painting is, screen printing, which in itself is a vast field. Traditionally, screen printing has been viewed as the answer to producing tee shirts for schools and casual wear. Today the screen printing industry is booming as artists are getting even more creative and adding flair to their designs.

The sizes of screens have grown from a little bitty square on the front of your shirt to a large format screen designed for all over tee shirt design. Still there are others who use this screen printing method to create custom yardage for sale and for creating their own line of goods.

Such artwork was initially painted on fabric and later printed on garments for toddlers and adults alike. Just as the original was embellished with studs, stones, sequins and glitter, so too are the creations of the silk screen artist. The beauty of course is once the original design has been developed on fabric and screens created, the design can be produced in unlimited colors, sizes and of course quantities.

On the flip side of the screen printing issue are the embellishers who are also fabric painters in their own right. These artists take a generally basic design and customize it, giving it the oomph it may have needed. This is done many times with fabric paint, rhinestones, mirrors, ribbons and a host of other accessories.

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Teri M Bethel

What is the Difference Between CD and DVD Media?

Kostenlose Immobilienbewertung

Although both CD and DVD have the same media size and shape, the similarity ends there. There are numerous points of difference between the two, as listed below:

Data pits and lasers

A disc has microscopic grooves that move along in a spiral around the disc. Both CDs and DVDs have these grooves. Laser beams are applied to scan these grooves. As you may be aware, digital information is represented in ones and zeroes. In these discs, very tiny reflective bumps (called 'lands') and non-reflective holes (called 'pits'), which are found along the grooves, reflect the ones and zeros of digital information.

Here lies the difference – by reducing the wavelength of the laser (from the 780mm infrared light used in the CD) to 625mm or more infrared light, DVD technology has managed to write in smaller 'pits' as compared to the standard CD. This allows for a greater amount of data per track. The minimum length of a pit in a single layer DVD-RAM [http://computer-information.info] is 0.4 micron, as compared to 0.834 micron for a CD.

Also, the tracks of DVDs are narrower, allowing for more tracks per disc, which again translates into more capacity than a CD.

Layers

As explained above, DVDs have smaller 'pits' and the lasers have to focus on them. This is done by using a thinner plastic substrate than in a CD, which means that the laser has to pass through a thinner layer, with less depth to reach the pits. It was this reduction in thickness which was responsible for discs that were only 0.6mm thick – half that of a CD.

Data access speeds

DVDs access data at a much faster rate that do CDs. Here is a comparison – a 32X CD-ROM drive reads data at 4M bytes per second while a 1x DVD drive reads at 1.38M bytes per second. That's even faster than an 8x CD drive!

UDF (Universal Data Format)

Recording formats of CDs and DVDs are quite different. DVDs use UDF (Universal Data Format [http://pda-devices.info]). This allows data, video, audio or a combination of all three, to be stored in a single file structure. The advantage of this is that any file can be accessed by any drive, computer or consumer video. CDs, however, are not compatible with this format.

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Logan Rokwild

A Tourist's Guide to Southern Vermont

Kostenlose Immobilienbewertung

1. Introduction:

Easily accessible from lower New England, Southern Vermont is a rolling carpet of Green Mountain foothills and valleys that offer an extensive array of seasonal sports, yet maintain all of the state's characteristics, including picture postcard villages, covered bridges, maple farms, and cheese producers .

2. Orientation:

Brattleboro, gateway to the area, is "home to an eclectic mix of native Vermonters and transplants from all over the country," according to the "Greater Brattleboro" guide published by the Brattleboro Area Chamber of Commerce. "This cosmopolitan town is eastern Vermont's undisputed economic, recreational, and cultural center."

Accessed by Interstate 91, it is both the first major Vermont city north of the Massachusetts state line and the only one served by three exits-in this case, Exit 1 leads to Canal street, Exit 2 to Main Street and the historic downtown area, and Exit 3 to Route 5 / Putney Road, which offers a commercial concentration of hotels and restaurants. The Comfort and Hampton Inns and the Holiday Inn Express, for example, are located here, while the art deco Latchis Hotel, complete with its own movie theater, is located downtown.

3. Brattleboro:

Situated at the confluence of the Connecticut and West rivers, Brattleboro was originally occupied by the Abenaki tribes, but protection against them took form as Fort Drummer, constructed by and named after, Governor William Drummer of the Massachusetts Bay Colony, in 1724.

Siding with the French in the French and Indian War, they migrated to Quebec the following year, at which time the structure was transformed into a trading post for the friendly few who remained behind. Neverheless, peace, often fleeting during this period, dissolved between 1744 and 1748, prompting its troop re-occupation.

Becoming a New Hampshire grant, the area surrounding it, designed Brattleborough after Colonel William Brattle, Jr. of Boston, was chartered as Vermont's first town the day after Christmas in 1753.

From the fort sprouted a settlement, giving rise to the area's first store in 1771, first post office in 1784, and first Connecticut-spanning bridge in 1804. Becoming increasingly industrialized for the period due to the power provided by the Whetstone Brook's waterfalls, it soon boosted paper, flour, and woolen textile mills, paper making machinery and carriage manufacturers, two machine shops, and four printers. It has been home to the Estey Organ Company for more than a century. The Massachusetts and Vermont Valley railroads subcontractedly facilitated commerce, trade, and travel with and to the rest of New England.

The current "Brattleboro" spelling was adopted in 1888.

Today, more than anything, the city is synonymous with art. Aside from its numerous avenues, it exclusively features its Gallery Walk program, in which exhibits are displayed at some 50 locations throughout town on the first Friday of every month, some accompanied by live music and others by the artists themselves. Numbered, each display corresponds to the description, location, and route of the guide published monthly.

Maintaining the town's raison d'être is the more permanent Brattleboro Museum and Art Center, located downtown, across from the Marlboro College Graduate School in the former Union Station and offering views of the river paralleling tracks outside and retaining the original ticket windows inside, behind which is the appropriately titled "Ticket Gallery."

"Founded in 1972," according to its own description, "the Brattleboro Museum and Art Center presents rotating exhibits of contemporary art and a wide array of cultural events, including lectures, workshops, performances, film screenings, (and) family activities."

"Close to Home: New Pastels by Ray Ruseckas," one recent exhibit, offered, as its title suggests, an artistic perspective of the area.

"The hillsides, forests, and glades of the Connecticut River Valley," said Mara Williams, museum curator, "are Ray Ruseckas' stomping grounds and inspiration. as the rhythms and proportions of place … through refined tonal shifts or contrast between light and dark, (he) produces an effect of psychological apprehension, a fission between what is seen and what is implied or felt. "

"Threaded Dances," by Debra Birmingham, another recent exhibit, equally featured surreal effects.

"(Her) paintings are elusive and mysterious as a landscape enveloped in mist," Williams wrote. "Images emerge slowly, sensibly from delicately layered surfaces. Veils of blue-gray to pearl-white shroud empty or barely populated space. are unmoored from time and space. "

Other recent exhibits including "People, Places, and Things" by Jim Dine, "Art + Computer / Time" from the Anne and Michael Spater Digital Art Collection, and the three-dimensional, inflated sculpture "Expanded Forms" by Rodrigo Nava.

Art, at least in literary form, may be interpretable through architecture-in this case, of Rudyard Kipling's Naulakha home-Hindi for "jewel beyond price" -in nearby Dummerston. One of Vermont's 17 National Historic Landmarks, it served as his home in 1892, because his grandson was native to the area, and he wrote his famous "Captain's Courageous" and "Jungle Book" novels here.

As a living house that can be rented for varying places from the UK's Landmark Trust, it features its original furniture, while the carriage house, which had once been Kipling's barn, sports a living room fireplace and accommodates four.

Although it is not open for museum visits, one recent patron who had partaken of its "hotel" status, found that a determined advantage, writing in Naulakha's guest book, "It is fascinating to visit the house of writers and artists, but all you usually get is an hour's tour with an absolute prohibition 'not to touch.' How wonderful then to sit at his desk and soak up Mr. Kipling's bath. "

Aside from art, Southern Vermont is often equated with its covered bridges and Brattleboro is no exception. Constructed in 1879 and located on Guilford Street off of Route 9, the 80-foot-long by 19-foot-wide Creamery Covered Bridge, for instance, spans The Whetstone Brook. Made of spruce lumber, with timber lattice trusses and either-end stone slab supporting abutments, it features a 5.5-foot wide, evenly covered sidewalk that was added in the 1920s. It is the only such structure visible from Route 9 and the only one of Brattleboro's symbolic structures to survive.

4. Grafton:

As a preserved village, Grafton, located north of Brattleboro, could serve as the quintessential image of Vermont and grace any postcard, with its church, crafts shops, galleries, museums, and historic inns lining Main Street (Route 121) and maple syrup taping and cheese making venues located just up the road.

With four general stores and a half dozen mills and schools during the mid-1800s, it was a hub for farmers, tradesmen, and travelers, producing shoes, sleighs, and butter churns. Retaining, a century and a half later, its blacksmith and cabinet making shops, it offers the visitor an opportunity to step back in time and sample true New England ambiance.

"Grafton's uniqueness," according to its own description, "comes from being a real town, not a museum-like recreation, with its citizens being its most valuable resource. wonderfully diverse population of 600 people. "

Surrounded by a kaleidoscope of color in the fall and covered with a blanket of white in the winter, it offers numerous recreational opportunities, but the latter season, particularly, "is a magic time in Vermont, making you believe that you are living in a holiday card. Cross-country ski, snowshoe, (or) stroll through the village.

Cornerstone of the town is the Grafton Inn. Tracing its origins to the two-floor private home of Enos Lowell, who converted it to an inn to serve travelers seeking good food and lodging in 1801, it grew in size and prosperity with that of the village and counted several owners-from Hyman Burgess to the Phelps Brothers, who added a third floor after purchasing the property for $ 1,700 in 1865. That overall appearance remains to the present day.

Although it fulfilled its originally intent purpose of serving commercial travelers, several notable people have stayed there over the years, including Rudyard Kipling, Daniel Webster, Oliver Wendell Holmes, Theodore Roosevelt, Woodrow Wilson, and Ralph Waldo Emerson.

After Depression era stagnation, disrepair, and competition from emerging modernized motels, it was admitted by the Windham Foundation in 1965 and elevated to more expected standards with plumbing, heating, hot-and-cold running water, and private bathrooms. Yet its 45 guest rooms retain their country character.

Its dining venues include the Old Tavern Restaurant and the Phelps Barn Pub.

Aside from the inn, there are several attractions in Grafton, including the Native Museum, the Grafton History Museum, and the Vermont Museum of Mining and Minerals.

Behind the inn is the Grafton Village Retail Store, which offers a wide selection of cheese, maple products, wine, and Vermont indicative souvenirs, but cheese is handmade a half mile up the road at the Grafton Village Cheese Company.

Established in 1892 as the Grafton Cooperative Cheese Company, it continues to produce handcrafted aged cheddar, a process visible through a glass window, although its production plant and a significantly sized retail store is located in Brattleboro. Behind the Grafton facility is a short covered bridge.

Another Vermont associated experience can be enjoyed at Plummer's Sugar House. Owned by third generation syrup producers, it sports 4,000 maple trees, which are snapped between February and April. Informal tours are conducted and syrup can be purchased in its barn-like gift shop.

5. Molly Stark Trail:

Designated the Molly Stark Trail by the Vermont Legislature in 1936, the 48-mile, officially numbered Route 9 zigzags through the Southern Green Mountains, lowland valleys, lakes, streams, waterfalls, and historic villages from Brattleboro in the east to Bennington in the west . It was named after the wife of Brigadier General John Stark, who led the Colonial militia of Vermont and New Hampshire troops to victory in the 1777 Battle of Bennington, during which he proclaimed, "There they are boys! We beat them today or Molly Stark sleeps a widow tonight. "

In the event, she had no need to, but also never stepped foot on the scenic byway that bears her name and is associated with several others of Vermont fame, such as Ethan Allen, Grandma Moses, and Robert Frost.

It serves as the threshold to the Green Mountain National Forest. Established itself in 1932 to control rampant logging, flooding, and fires, its 399,151-acre New England and Acadian forest ecoregion is located in Bennington, Addison, Rutland, Windham, Windsor, and Washington counties.

Three nationally designed trails-Long Trail, Robert Moses National Recreation Trail, and portions of the Appalachian Trail-along with 900 miles of lesser-known paths offer a wide range of related sports activities, from hiking to bicycling, horseback riding, cross country skiing , and snowmobiling, in three Alpine and seven Nordic ski areas.

Abundant wildlife includes bears, moose, coyotes, white tailed deer, black bears, wild turkeys, and numerous bird species.

The town of Wilmington marks both the Molly Stark Trail's halfway point between Brattleboro and Bennington and the crossroads with northbound Route 100.

Chartered on April 29, 1751 by Benning Wentworth, Colonial Governor of New Hampshire, and named after Spencer Compton, First Earl of Wilmington, the town itself was actually fed by what its surrounding land provided, including grass, oats, corn, vegetables, potatoes , and the spruce, hemlock, birch, beech, and maple trees that were transformed into lumber. Haystack Mountain offered skiing.

Town and population growth were sparked by a series of precipitating events, such as the introduction of river-located sawmills in the 1830s, the establishment of a rail link at the end of that century, and the dedication of the Molly Stark Trail in the 1930s .

Threading through town, Main Street (Route 9 and the trail itself) offers views of another quintessential Vermont village, with quilt, craft, and antique shops, restaurants, and church steeples.

"Wilmington," according to the "Southern Vermont Deerfield Valley Visitors' Guide" published by the Chamber of Commerce in Wilmington itself, "contains superb examples of 18th and 19th century architecture in as many as eight distinct styles. From Late Colonial (1750- 1788) to Colonial Revival (1880-1900), the architecture is so well-preserved, that the major part of the village has been placed on the Vermont Register of Historic Places. "

A right turn at the traffic light (coming from Brattleboro) on to Route 100 leads to the Old Red Mill Inn, "a wayside tavern, inn, and restaurant at the river's edge," as it bills itself.

Rustic in character, the inn, a converted sawmill dating back to 1828, retains much of its original construction and is itself listed on the National Register of Historic Places. Its dining venues include Jerry's Deck Bar and Grill, with outdoor seating overlooking the Deerfield River, and the Old Red Mill Restaurant, which "hearty food and drink are specialties of the house," it proclals.

"Prime steaks and rib roasts, along with fresh New England seafood, are menu favorites, all preceded by crisp garden salads and warm, fresh-baked breads."

6. Route 100:

A short drive on Route 100 leads to West Dover, gateway to the Mount Snow ski resort, as evidenced by the Alpine-themed Austrian Haus Lodge, one of the first buildings encountered.

Settled by Captain Abner Perry, of Holliston, Massachusetts, in 1779, and granted a charter signed by Governor Thomas Chittenden, head of the newly formed Vermont Republic, the following year, West Dover and its easterly Dover counterpart began as the township of Wardsborough. After a successful petition to divide it, however, it evolved into Wardsborough itself and Dover after the passage of an 1810 Legislative Assembly act.

Although the summer initially served as the season of attraction for vacationers drawn to area farms during the early-1900s, its winter opponent took center stage mid-century when Walter Schoenknecht, of East Haddam, Connecticut, acquitted the Ruben Snow farm, transforming it into the present and popular Mount Snow Ski Resort.

Demand soon turned the talented of lodges into the many of today, along with the coincident shops, restaurants, and motels necessary to support the influx of sports enthusiasts.

Literally paving the way to it all, Route 100 replaced the original dirt artery, which was plied by sleighs in its early days. Aside from automobiles, even the small Deerfield Valley Airport brings in winter tourists.

As a base town, West Dover's purpose becomes unexpectedly handsome as you approach the Mount Snow entrance, revealing buildings such as the Inn at Sawmill Farm, the West Dover Inn, the Snow Mountain Market, and the Lodge.

"West Dover (itself)," according to the "Southern Vermont Deerfield Valley Visitors' Guide," "stands as one of Vermont's most splendid examples of a homogenous historic district." Consisting of just 20 buildings dating from 1805 to 1885, the entire district is part of the National Register of Historic Places.

"The village showcases a number of well-preserved buildings. The West Dover Congregational Church, (for instance), was built as a meeting house 'in the modern style' of 1858 with money raised by selling pews at auctions. Office was originally the District # 6 schoolhouse, erected in 1857. Across the street, the Harris House, one of the oldest in the village, is now home to the Dover Historical Society. "

Tantamount to any Vermont village is an historic inn-in this case, it takes West Dover Inn form.

"Nestled within the serene Deerfield Valley of Vermont's Green Mountain National Forest," according to its own description, "and only two miles from the base of Mount Snow, our home continues an important American tradition of friendly hospitality over 150 years ago.

"Originally built in 1846 as a stage coach stop and tavern, the West Dover inn has been lovingly restored and now provides 12 quiet, luxury accommodations, as well as modern and memorable dining in the 1846 Tavern and Restaurant."

Its menu features pub fare and house specialties, such as rib eye steak, salmon, roasted duck, and pasta.

Mount Snow, the area's major attraction, is reached by its Northern and Southern Access roads off of Route 100. Considered the most accessible Green Mountain ski resort and located only nine miles from Wilmington, it encompasses 588 acres subdivided into the four mountain areas of Main Mountain, North Face, Sunbrook, and Carinthia, rising from a 1,900-foot base elevation to a 3,600-foot summit one. Its vertical drop is 1,700 feet.

Twenty lifts provide a 30,370-person hourly capacity.

During the summer and fall, the Bluebird Express offers scenic, six-person bubble lift rides to the summit, where views from the Bullwheel Restaurant encompass Little Equinox, Equinox, Mother Myriak, Dorset, Little Stratton, Stratton, and Glebe mountains, which collectively appear as if they were undulating, green-caraved waves interspersed with icy blue, mirror-resembling lakes. Cloud obstructions stamp the expanse with black patches.

"Mount Snow," according to its self-description, "offers long cruisers, black diamonds, and technical tree terrain. access the varying terrain … Advanced skiers and riders will enjoy the 12 trails and two lifts on the North Face. riding. "

Accommodations include the slopeside Grand Summit Resort Hotel and Snow Lake Lodge, a less expensive alternative on its namesaked lake. Complimentary shuttles take skiers to the mountain in season.

7. Bennington:

Bennington, on the western end of the Molly Stark Trail, is particularly rich in sights.

Awarded a town grant after it was chartered by New Hampshire Governor Benning Wentworth in 1749, it experienced initial growth when soil and hands, of the original 20 settlers, transformed the area from ground to town, by means of hand-hewn logs and hand- ground corn, while mechanization took form as grain mills on the east side of the Walloomsac River and sawmills on the west, facilitating the population swell, to 1,500, only four years after the settlement was established.

Nail cutting forges, foundries, blast furnaces, blacksmiths, and tanneries augmented this expansion.

Today, a drive past the town on Route 9 / Molly Stark Trail leads to several important attractions. The Bennington Museum is the first of them.

Incorporated in 1852 as the Bennington Historical Association, which itself was founded to commemorate the pivotal battle that raged a few miles across the New York state line, it is one of Vermont's few accredited museums, which missions is to "showcase and model the creativity of Vermont in all its forms and through its history, as well as serve as a venue for visual and performing arts that enrich our community and our world. "

Even the building that houses it is of historical importance. Constructed of native stone and originally serving as the first St.. Francis De Salas catholic church between 1855 and 1892, it was admitted by the Bennington Historical Museum in 1928. Subsequent expansions and intermittent name changes resolved in the present Bennington Museum, the largest art and history repository in Southern Vermont with diverse collections from the early- 18th century period to modern times. It features the most extensive public collection of paintings by American folk artist Grandma Moses.

Thirteen continuous and changing exhibitions have included "Gilded Age Vermont Reflects the Industrial Boom," "Bennington Modernism," "Works on Paper," and "Regional Artist Gallery."

The town, in many ways, was defined by the brief Bennington Battle that can be interpreted at the next attraction, the Bennington Battlefield State Historic Site, only a short drive away on Route 9.

Numerous, diverse reasons and circumstances have lit the spark of war through history. Supplies, or at least the pressing need for them, precipitated this one.

By the end of July 1777, the British invasion of New York, intended for the purpose of regaining control and led by General John Burgyne, had reached Fort Edward, east of Glens Falls. But the flow of necessary staples from Canada that would ensure the movement's advance through the Mohawk Valley and down to New York City, including draft animals, wagons, and beef, had been reduced to a trickle.

Because intelligence advised Lieutenant Colonel Friedrich Baum that Bennington-located stores were ill-protected, he elected to redirect his garrison to Vermont and New Hampshire instead. But Vermont's Council of Safety, receiving word of its pending onslaught, solicited aid from Vermont troops under Seth Warner and some 1,500 New Hampshire men under John Stark.

Threshold to the confrontation was a hill overlooking the Walloomsac River, five miles from Bennington and not in Vermont, to which Stark sent defensive forces on August 16, 1777, two days after the British had reached it.

Although initial musket fire prompted the immediate surrender of Indians, Canadians, and Tories, the British themselves held their ground and a two-hour clash with the Americans, which Stark later described as "one continuous clap of thunder," resolved in the capture of the hill and the death of Baum. When the last puff of gun power dissipated, 200 British had perished and 700 had been captured, as opposed to the 40 Americans killed and the 30 wounded.

The Bennington Battle monument, located at the supply storage site and the state's tallest structure, had its origins in 1873, when the Vermont General Assembly established the Bennington Battle Monument Association, itself an extension of the Bennington Historical Society, with $ 112,000 for land and the actual structure raised by private citizens, the three states of Vermont, New Hampshire, and Massachusetts, and Congress.

Designed by Boston architect John Phillipp Rinn and dedicated in 1891, the resulting monolith, constructed of blue-gray magnesian limestone questioned from Hudson Falls, New York, rises 306 feet, 4.5 inches from a 37-square-foot base and is elevator accessible to an observation level, which 20 11-foot slotted openings afford views of three states. Guided tours up the 421 steps are also periodically offered.

Tickets are purchasable from the gift shop, which occupations the precise site of the original storehouse, goal and catalyst of the battle, while a smaller monument honors Seth Warner, commander of the Green Mountain Boys who helped defeat the British during the second engagement.

Another important Bennington sight is the nearby Old First Church.

Influenced by the "great awakening" in Connecticut and Western Massachusetts, local separatists first gathered on its site on December 3, 1762 in a rudimentary pine structure on what is today the green in front of the church and the village's center.

Constructed in 1805 by architect Lavius ​​Filmore, cousin of the nation's 13th president, the church itself, of colonial architecture, features full pine tree trunks hand-planned into columns, wooden block exterior corner decorations that resemble the stone ones used by their European counterparts, and both lower and upper pews, the latter for visitors and young parishioners.

After a 1937 renovation, which restored the box pews and the high pulp, poet Robert Frost read "The Black Cottage" during the rededication ceremony, although a second, more extensive project, undertaken between 1994 and 1999, added the exterior of present white and gray coat of paint. The interior was also replastered and attention was given to the marble steps, the basement beams, the roof, and the bell tower.

Although Frost was not himself a member, he purchased two family burial plots in the adjacent cemetery, where he is separated, along with 75 Revolutionary War patriots.

Art can be appreciated in Bennington in the Bennington Center for the Arts, located a short distance from the Old First Church and built by local philanthropist Bruce Laumeister and his wife, Elizabeth Small, in 1994, initially to display pieces from their own collection. Since, it otherwise achieves its goal of bringing world-class art to residents and visitors of New England.

Paintings and bronzes of and by Native Americans, along with Navajo rugs, pots, and kachina dolls, have yielded, from its earliest days, to an increasing number of noticeable exhibits in the expanding, multiple-gallery venue, including those from the Society of Animal Artists, the Plein Air Painters of America, the American Watercolor Society, the New England Watercolor Society, the Allied Artists of America, the American Academy of Women Artists, the Pastel Society of America, and Arts for the Parks. It is the only East Coast museum to have rented the California Art Club.

Connected to the center is the bright red painted Covered Bridges Museum, which was completed in 2003 and is the world's first such venue dedicated to their preservation, understanding, and interpretation. They are, in essence, Vermont itself.

Exhibits focus on their design, engineering, construction, and history, and are augmented by films, computer work stations that enable the visitor to explore their building techniques, and a working model railroad layout depicting area covered bridges.

Connecting riverbanks and offering suspended passage for pedestrians, bicycles, horses, carriages, and motorized vehicles, they provide, according to Henry Wadsworth Longfellow, a "brief darkness leading from the light to light."

The real thing, as everywhere in Vermont, is not far from the museum. A northerly drive on Route 7, followed by left turns on to Northside Drive (which itself becomes 67A West) and Silk Road, leads to the 88-foot-long Silk Bridge, which spans the Walloomsac River.

After another left turn on to Murphy Road and a two-mile drive, the Paper Mill Village Bridge appears, a town lattice truss design, although it is a 2000 replacement for the original built by Charles F. Sears in 1889.

Finally, the Henry Bridge, located 1.3 miles further ahead of the intersection of Murphy and River roads, is another reconstruction, built in 1989 to replace the original hailing from 1840.

8. Shraftsbury:

A glimpse into a poet's life can be experienced in the Robert Frost Stone House Museum, built in 1769 of stone and timer and located on a seven-acre parcel of land in South Shraftsbury (Route 7's Exit 2).

A literary landmark, it was the home Frost lived in from 1920 to 1929 and in which he penned poems for his first Pulitzer Prize winning book, "New Hampshire," including "Stopping by Woods on a Snowy Evening," ironically written at his dining room table on a hot June 1922 morning after he had been wake all night, working on a different project. An entire room is devoted to this effort.

"The 'Stopping by Woods' room," according to the museum's guide, "is (entirely) devoted to this poem-the story of how it was written, a facsimile of the handwritten manuscript, a controversial comma, presentation of meter and rhyme , what the critics said about the poem, and what Frost said about it. An example of extreme poetic craftsmanship, this beloved poem is one of the central poetic achievements of American literature. "

Because the surroundings remain essentially unchartered since Frost lived there-from the birch and apple trees, fields, woods, stone walls, and the timbered barn to the red pine trees he himself planted-the visitor can absorb his inspiration.

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by Robert Waldvogel

Get Over Your Sleep Disorder With Orthomolecular Medicine

Kostenlose Immobilienbewertung

Treating and healing sleep disorders with ordinary amino acids is the basis for Orthomolecular Medicine. Large doses of naturally found proteins called amino acids can repair the imbalance in the brain and repair its malfunction. These amino acids are affordable and are used in therapeutic doses much larger than those levels normally found in food. The concept of orthomolecular medicine is based upon the use of very large doses of vitamins, minerals, amino acids, or botanical extracts for the cellular repair and enhancement of normal brain activities.

Are you not getting a promotion because you are tired at the office? Are you close to a divorce from fatigue and lack of sleep? Can you not handle your children because you are too tired? Sleep disorders can cause many problems and you may not be able to break the pattern on your own. Sleeping pills can help you fall asleep, but most cause you to sleep too much or wake up with fatigue. Modern orthomolecular medicine can help these problems disappear for many people within several weeks. There may be sleep habits that also need to be altered and dietary changes that should be made. Do not eat or watch television in the bedroom if you have sleeping problems. Stay out of bed until you are ready to fall asleep. Purchase a good mattress and cotton, silk, linen, hemp, or wool linens for the bedroom. Try to avoid caffeine and excess alcohol in the late afternoon and evening. Do not take over the counter sleeping aids.

Orthomolecular Medicine uses several supplements to improve and enhance sleep. These can be botanical products like Kava, Valerian, St John’s Wort, Passion Flower, Lemon Balm, and Chamomile. The botanicals should be taken on a daily basis for several months. This may take three to five weeks to make a noticeable change in sleep.

Melatonin and a combination of Vitamin D, calcium, and magnesium should be tried for very serious sleep problems. Melatonin does not always work and should be taken in levels of 1.5 to 3 mcg/day about thirty minutes prior to bedtime. You may want to take selenium along with the melatonin to enhance your immune system.

Chinese patent formulas to improve sleep include Amnien Pian, Bu Nao Wan, and Zhi Bai Di Huang Wan. There are at least twelve different patent formulas from China that can aid sleep. The correct formula is selected based upon your needs. Most Chinese patent formulas should be taken for at least six weeks or longer to address the underlying disorder causing the insomnia symptom.

Amino acids needed to enhance sleep include 5-HTP, theanine, and GABA. The addition of bio-identical hormones may be needed for men in andropause or women in menopause. Do not ever take any type of hormone without a blood test or saliva test to determine which hormones are low. Remember that the Chinese have avoided many sleep disorders and hormone imbalances by using food therapy and Chinese herbs. Consider these options with a healthcare provider.

© Dr R Stone, MD-India

Was ist meine Immobilie wert

Immobilienmakler Heidelberg

Makler Heidelberg

Immobilienmakler Heidelberg
Der Immoblienmakler für Heidelberg Mannheim und Karlsruhe
Wir verkaufen für Verkäufer zu 100% kostenfrei
Schnell, zuverlässig und zum Höchstpreis


Source by R Stone