An Analysis of the Creation and Marketing of Art Prints

The mass marketing of fine art reproductions and art prints directed at multiple collectors has been a heavily debated topic since its inception in the late Nineteenth Century. The development of lithography in 1798 by Alois Senefelder created the potential for making duplicate art creations; however, it took another one hundred years of extensive technical developments before quality reproductions could be produced.

These advancements in lithography merged with a growing awareness by art dealers that an untapped (and highly profitable) new art market had opened up, whereas a piece of fine art could be sold over and over, exponentially inflating both dealer & artist profits and exposure, which drew in even more collectors from across America and Europe.

The intrinsic value of an art print, and its subsequent appreciation in financial value, was a happenstance occurrence that came with the almost immediate induction of limited edition prints: I am sure the dealers would have been tickled to create endless runs of art prints based on each popular original in their possession, but technical limitations (the copper and zinc printing plates gradually wore down) forced a production limit, as eventually the quality of each print deteriorated.

Except in rare cases, an art print never has and never will have the high collectible value of an original painting and the use of limited editions (typically a run of 1,000 prints or less and each individually numbered) offsets this problem to a degree by creating inflated value using the age-old marketing strategy of supply versus demand. There is a segment of the population who will buy an art print simply because they enjoy the look of that particular piece and want to hang it on their wall for personal enjoyment. The rest consider themselves modest or serious art collectors and desire a piece that they not only visually appreciate, but has investment potential.

It is human nature to strive to possess something your neighbors do not, and this desire can only be filled by offering your clients objects of exclusivity and scarcity: In this case, ending a print run at a certain point and selling those numbered prints as limited editions. It should go without saying that the smaller the edition, the more valuable the series: Less is more in this case. It is up to the individual artist to weigh potential financial gain against distribution numbers and decide on a reasonable & appealing total number of prints to release in each edition.

Modern Twenty-First Century technology has muddied the waters a bit, merging the once distinct lithographic quality art print into the realm of art reproduction. Originally balked at by purists, artwork recreated using high-end ink-jet printers has finally come into its own, now widely accepted by both the public and art dealers because of its understood practicality and the extreme level of artistic detail rendered. Again, to maintain its appeal and create intrinsic value & investment potential, the artists rely on the practice of limited editions.

The modern world offers a bright future for the advancement and distribution of art prints, something that previous generations could never have predicted. Telecommunications is the artist’s best friend, opening up wide international consumer markets previously unavailable to their predecessors in the late Nineteenth Century.

Following non-traditional routes, there is an ever-increasing market for limited edition art prints in public areas such as lobbies & executive offices and as high-end gifts, where the gift-giver wants to make an impression at specific milestone events, passing on their sophisticated taste & knowledge of viability for investment growth to the receiver.

This may all seem appealing to the fledgling artist, but it must be stressed that, when dealing with limited edition prints, the artwork does not stand alone to be judged strictly on its own merit. The artist is just as important (maybe more-so) than the art print, as an art print is only as valuable as the reputation that precedes the name scrawled in the corner of the canvas.

A limited edition art print produced by a highly regarded & successful artist is vastly more valuable than an original painting by an obscure talent or up-and-comer. You may have great potential as a painter, but in this day and age, marketing yourself successfully is the key to adding long-term value to your work and creating the opportunity for your limited edition pieces to be sought after, not only for their obvious beauty & the technical application rendered by the artist, but for consumer investment opportunities presented years into the future.

You need to develop an attitude of full disclosure, exposing your process and thereby enabling art buyers and dealers to understand you are completely involved in the preparation of each piece (the more hands-on the better) and enmeshed in the final artistic result. Being privy to the technical involvement of the artist gives the art buyer the confidence to invest his time and money in you, with the added advantage that an ongoing artist/collector relationship will develop and spread to other parties in the buyer’s circles.

If you, as an artist, are seriously considering making artwork a self-sustaining and long-term occupation, you will need to reflect on the advantages of art print creation and then cement a plan of action that will enable you to compete on both a national and global scale. You are an artist, but also a salesperson. Gone are the days of the tortured & penniless painter, creating great artworks in obscurity and lamenting a cold, cruel world which does not yet fully comprehend his/her genius. You have the tools and opportunities: Time to get to work.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by RJ Wattenhofer

Artist Vs Craftsman Vs Artisan

Do you need an academic education for an art or crafts career?

The answer is yes and no. Your specialty choice, natural skills and talents, and tool skills guide your decision for academic or informal learning.

Are you an artist, craftsman or artisan?

Artist: A human being who designs and makes original works of art using their God-given gifts of creativity, insight, and wisdom. Examples of classic arts include paintings, sculpture, and music.

A college or university degree helps improve artistic talents, employment networking, and exposure to a variety of art categories. Professional art educators, photography, movie and theater business, and art director are examples of special careers that need a degree.

Craftsman: This person has hand-crafting skills making crafts that are mass- produced for the public. Examples include cabinet construction, auto parts, and producing cookware. Craftsmen work with a variety of tools.

Read and study textbooks, trade magazines, and videos. Other options of learning include online instructions, trade or vocational schools, and on-the-job training. You may serve an apprenticeship or internship within a family business or with another business associate. These Informal learning outlets are great for hobbyists, craft workers, or experimentation.

Artisan: An artisan is an artist and craftsman. This person creates an object from an imaginative idea, designs it, and makes the piece with their hands. Their original or one-of-a-kind handicraft products are aesthetic and practical. Examples include ceramics, leather goods, and jewelry.

Artisans and artists advance their knowledge attending specialty arts and crafts schools, colleges, or universities. American government statistics show more job opportunities are available to those with college or university degrees than self-taught.

Another educational choice is to learn a specific occupational course resulting in certification. They may give points for taking a certified course and apply them to future college credits.

Additional skills:

Regardless of the art or craft education, other skills are necessary to not become “a starving artist”.

These include:

  1. Advertising, marketing, and selling techniques
  2. General business knowledge
  3. Bookkeeping and accounting
  4. Tool knowledge and experience for their art or craft interests
  5. Skills: communication, technical, organizational, management
  6. Research

Job Ideas:

  1. Visual effects in video games, movies, television, and smartphones
  2. Creating websites and other media platforms
  3. 3-D Model makers
  4. Welder
  5. Cake decorator
  6. Photographer
  7. Museum curator
  8. Cabinet maker
  9. Event coordinator
  10. Hair stylist

There are thousands of employment opportunities for artists and craftsmen. The arts and crafts list is lengthy and for this reason, it is helpful to know your first, second, and third choices in selecting a career.

USA.gov, Occupational Outlook Handbook indicate 37,000 new arts and crafts jobs are being added.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Tricia Deed

Van Gogh Prints – The Red Vineyard

Vincent Van Gogh painted “The Red Vineyard” in November of 1888. It was supposedly his only painting that he sold during his lifetime. It was sold to Anna Boch, who was an impressionist painter and art collector, at the annual exhibition of the artist group called “Les XX”. The group was composed of 20 Belgian artists who are now considered some of the world’s greatest artists in history. Included in the group, in addition to Vincent Van Gogh, was the likes of Claude Monet, Georges Seurat, Paul Gauguin and Paul Cezanne.

The painting was sold for about 400 francs in 1890, which is equivalent to about $1,000 today. The painting is now stored at the Pushkin Museum of Fine Arts in Moscow. Although the painting has never been put up for sale and it would be difficult to estimate its value, Van Gogh’s paintings have sold from $60 to $140 million.

Interpretation of The Red Vineyard

Van Gogh was living in Arles, France in 1888 with Paul Gauguin. He had written a letter to his brother Theo, who was an art dealer in Paris, stating that he was working on a vineyard painting that he had painted from memory after an evening stroll,

a red vineyard, all red like red wine. In the distance it turned to yellow and then a green sky with the sun, the earth after the rain violet, sparkling here and there where it caught the reflection of the setting sun.

The low evening sun to the west and the shadow of the man standing on the road suggests that the vineyard is north facing. The shimmering road and the bright yellow reflection of the sun on the road suggests that the road is very wet and that there might have been a heavy rain recently. The muddy areas in the foreground also hint at the wet conditions.

All the women that are in the foreground picking the grapes are bent over from the hip, suggesting an air of hard work and that perhaps it was demanded of them from the figure on the road standing watch over them. Bending over from the hip would have been extremely difficult on the lower back and the women would have been exhausted after a day picking.

While the yellow, orange and reds of the painting captured a beautiful and vibrant natural setting, it also contrasts with the toiling of the women. This is consistent with most of Van Gogh’s paintings in that there was always a sense of melancholy, whether subtle or obvious.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Isabella Cerruti

Drifting and the Popular Culture of Drift Racing

Drifting is a style of car racing, indigenous to Japan, where the racer intentionally loses traction of the car in order to maintain a high speed during a turn. The car continues traveling forward at high speeds, and ideally will be facing the correct direction at the end of the turn. Drift Racing is extremely dangerous due to the lack of control during a turn, which can easily result in a crash, or flipping of a vehicle. Drifting is also very crippling to the tires of a car, causing the need to be replaced regularly with excessive misuse.

In addition to the dangers of drifting, it is also very hard to perform, requiring extreme skill from the driver. It is vital the driver can maintain calm while having no control over the cars trajectory. It takes both precision in predicting where your car will slide, and commitment entering the turn.

Despite the dangers of drifting, it has become a prominent hobby and style of racing around the world. Notorious for their drifting skills Japan has been the Country of choice for drifting; featured in films such as “The Fast and the Furious: Tokyo Drift.” Drifting has become popular because it is stunning that drivers are so talented they are able to enter this moment of complete lack of control, and still arise unharmed. Drifting has increased the danger and adrenaline of an already exciting sport; attracting a new audience of fans worldwide.

Because of the demands of drift racing, it is often necessary to modify or build cars for the sole purpose of drifting. In Japan, many have taken a liking to certain car models whose overall weight, and engines powers are ideal for the sport. It is important to have the proper weight, height, tires and suspension on a drifting car in order to prevent injuries from turnovers or other accidents.

In order to successfully drift, the driver must be entering extremely high and dangerous speeds that some cars simply could not safely handle. Many styles of cars have arisen from the sport drifting. The media of course has shown the more elegant side of drifting, featuring cars with millions of dollars invested in them. All equipped with the best engines and tires for safety, and we cannot forget the best paint jobs for appeal. On the other hand, drifting has been made more affordable by various styles of cars such as “bosozoku cars.” Sometimes used only for visual appeal, bosozoku cars are extremely radically designed often having protruding body kits for extra appeal.

Drifting has become an apparent hobby and even lifestyle for daring drivers around the world. Despite the excessive fines and dangers of drifting, it continues to strike appeal, and therefore has a demand in both organized sports, as well as street racing. Drifting will continue to thrive as the drivers continue to risk their lives in a search for adrenaline and fame.

Would you like to experience the thrill of drift racing without leaving your computer chair? There are several drift racing games you can play online via your web browser and flash media player. A few that are recommended to play are Drift Racer, Drift Revolution and Super Drift 3D. All games are easily found using your favorite search engine!

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Jason C Slater

Japanese Bamboo Fountain – Discover the Cultural Secrets of Japanese Bamboo Fountains

Japanese culture places special significance on water fountains. There are two main types of Japanese fountains: Tsukubai fountain, Shishi-Odoshi Fountain. Both of these fountains have rich cultural history.

Tsukubai is a Japanese term which translates as “To squat or crouch” in English. Tsukubai fountain is a Japanese fountain usually found outside the Buddhist temples and Japanese tea gardens. Visitors are needed to “squat or crouch” i.e. to bend down, and go through the cleansing ritual before entering the temple. This cleansing ritual is conceptually similar to the ablutions ritual performed in Christian churches. This Tsukubai cleansing ritual involves hand washing and mouth rinsing. This cleansing ritual is performed prior to entering the Buddhist temples for tea ceremonies.

A Tsukubai fountain is usually made out of stone basin, known as chozubachi. The most prominent element of Tsukubai is a bamboo pipe also known as kakei. A small bamboo scoop is placed on top of the basin, ready to use for performing the cleansing ritual. Tsukubai fountains are usually found outside the Japanese tea gardens or in Japanese themed homes.

A stone lantern, also known as ishidoro, is placed near the tsukubai to provide light during the evening tea ceremonies. Arrangement of stones around the Tsukubai is critically important when it is designed. Green floras and bamboo plants make a great compliment to the area surrounding Tsukubai.

Simplistic in design, a tsukubai is beautiful addition to your garden or tea-house to increase it’s Zen-appeal and add cultural history to intrigue your guests and visitors.

Shishi Odoshi is another Japanese fountain that is very well known for its peculiar style and antique beauty. Shishi Odoshi literally translates into Deer-Scarer. Japanese farmers used the shishi-odoshi fountain to scare away the deer’s and pests that were destroying their agriculture.

As the Japanese culture progressed, Shishi-Odoshi was used more as a meditative element. It’s ability to create calm serenity in its surrounding is really appealing to the Zen Monks. Shishi-Odoshi is famous for the rocking motion of bamboo and its “clacking” sound. The bamboo rocks back and forth with water being filled and emptied from the spout. When the bamboo spout gently hits the surface of basin, it makes a “clacking” sound that is soft and refreshing. People performing meditation are especially fond of this soft clacking sound to focus and concentrate.

A shishi odoshi has become a classic garden water feature in recent years because of its cultural history and unmatched beauty.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Amy C.

Finding The Highest Quality Anime and Manga Books

With the growing popularity of anime and manga, an abundance of new books are being written and published on the subjects each and every day. Regardless of whether your interest in these topics is purely hobby oriented or whether you are conducting research for an essay or article, having a number of different books at your disposal can be extremely beneficial. Unfortunately, not all books live up to the same standards. Some are written purely for entertainment purposes rather than to inform or educate. Because of this, you may run into books that have too much filler to be useful research tools. The following suggestions should help you learn how to identify the best scholastic books on these subjects.

Research The Author

As with all other types of books, the quality of the content comes down to the expertise of the author. By learning more about the author, you can determine whether or not the content of the book will be of any use to you without even having to read it. A good place to start is by looking at what makes the author an expert. Have they worked extensively in the field of manga or anime in the past? Do they give lectures or teach classes on the subjects? This background information should help you identify whether the subject of the book will be solid enough to base your research on. Likewise, it will also help you avoid fluff pieces that were written by hobbyists or other casual enthusiasts.

Look For Books That Have More Text Than Pictures

While anime and manga both rely heavily on imagery, a book that is filled with nothing but pictures won’t be very useful in terms of conducting research. Instead, you should look for books that are either entirely text-based, or that are a good mix of text and images. These books tend to have more valuable and usable content than those that are filled with nothing but pictures.

You can ignore the above rule, however, if you are looking at encyclopedias. Certain specialty encyclopedias are geared toward fans of anime and manga. These guides often provide in-depth analysis along with beautiful pictures. Although these books don’t usually go into great detail on one particular subject or another, they do help give a broad overview of interesting subtopics within the larger genres. You can always look at the citations on any references that interest you to find out where to learn more about those particular topics. this will allow you to continue your research if you so desire. Just be sure to look for encyclopedias that specifically target manga, otaku and anime.

Read Japanese Books On The Topic

Depending on how good you are at reading and understanding Japanese, you may find it beneficial to look at anime and manga books that are written in Japanese. Because these books are usually written by people who are extremely familiar with anime and manga trends in Japan, it is a great way to get deeper insight into the culture. Not only that, but adding these Japanese books to your references can make your work seem far more credible and well-researched than just using Western books.

In closing, if you are looking for well-written anime and manga books to use for academic research, it is important to choose books that were not only written by well-respected authors, but that also use liberal citations to other sources. Whether you opt for anime and manga based encyclopedias to get a general overview of the topic, or for books that take a more in-depth look at these subjects, as long as you choose your research material wisely, you should be able to write a compelling essay.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Kevin CK Lee

What Makes Anime So Popular?

Anime has become a phenomena. More and more Anime series and movies come out each year and the population of Anime fans around the world keeps on increasing as well. Also, the popularity of a particular Anime title that became a hit TV series usually lasts for years. Eventhough the show has ended on the TV station where it was aired, fans will search for their own copies of the series and watch it over and over. One might be wondering: What’s the secret behind Anime’s success? What does Anime have that often cannot be found in its Western counterparts? In this article, I’ll try to point out some of the key factors behind the success of Anime.

Exciting action and complexity draws out a wider range of viewers.

While cartoons, that were made in Western countries mainly targets children as its main audience, Anime, on the other hand, targets a wider range of viewers. As a matter of fact, a big part of the die-hard Anime fan population are teenagers and people in their early to mid 20’s. In most cases, while children enjoy the spectacular actions and fight scenes, adults and young adults appreciate the complexity of the story and its emotional content. Most Anime series are mixes of comedy, action, and drama.

Main characters grow and develop their abilities as the story progress.

Unlike in most western cartoons, wherein once the hero has established its character there’s a little room (often none) for improvement, Anime characters grow as the story goes along. A good example would be the “Dragonball Z” characters where they even use “power levels” to show the improvement in a character’s fighting skill. In the sports Anime titles “Slam Dunk: Team Shohoku” and “Hajime No Ippo”, the main characters learn different techniques in every match. Often, the most exciting moment in an episode of an Anime series, is when the villain and the other characters are surprised by the hero’s new ability.

Making the viewers watch out for the episodes to come.

Most Anime series manage to get the viewers “hooked”. By purposely keeping the story hanging at the end of every episode, viewers tend to watch out for the next and they would never want to miss out and episode. On most action Anime series, the battle between the hero and the villain lasts for several episodes while keeping each episode different from the other.

Although there are more reasons why fans keep going after their favorite Anime titles, we’ve pointed out three of the most common factors. (1) It can attract more viewers because it purposely targets a wider range of audiences. (2) The way the Anime characters grow and improve provides more excitement to the viewers. This is also one of the key factors behind the success of Role-Playing Games (RPG). And finally, (3) viewers are attached to their favorite series because of the way Anime writers intentionally ends every episode by not giving a definite conclusion to the story.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Darren Pangan

Commercial Advertising Photography – The Art Of Fooling The Eye

The first thing you notice about commercial advertising photography is the product, and how fantastic it looks. Successful and effective commercial advertising photographers will be able to create an image which stands out for all the right reasons, grabs the attention of the target audience and communicates the right message almost instantly.

But whilst it’s easy to admire the look of the product and the skill of the photographer, in most cases commercial advertising photography is not about what you see, but about what you don’t see. You might think that when you look at an advertising image what you’re seeing is what the photographer saw, but that is invariably not the case.

Of course, we all know that there are tricks of the trade and many people will immediately assume that any image will have been doctored using a graphics tool such as Adobe’s Photoshop, and whilst this may be the case, there’s far more going on than meets the eye. One of the first things to appreciate in commercial advertising is that what you see is almost certainly not quite what you would see if you were looking at the product yourself in a shop.

Lighting, the environment and many little known tricks of the trade all come into play, helping to create an illusion which doesn’t just look real, it actually looks more real in some cases than it would in real life. For example, if you were looking at a television in a shop then you’d probably either see a whole lot of distracting reflections in the screen, or the television would be on and you’d be watching a picture. In a product image though you’re either going to see a screen that doesn’t have any distracting reflections in it, or it will look as though it’s switched on and displaying a picture.

The trouble is that if you take a photograph of a television, either switched on or off, neither result will look very realistic. So how do product photographers make their images appear to be so realistic, whilst still being entirely different to how a normal photograph of a television would look?

In order to take a photograph of a television switched off commercial advertising photographers will either have a studio which includes a 360 degree backcloth to remove any potentially distracting reflections, or they will edit the image afterwards, replacing the screen with a shaded black rectangle which looks realistic, yet which doesn’t even exist as part of the screen in real life. But how about taking a photograph of a television that’s switched on?

If you’ve ever tried this you’ll know that the result will look terrible- very fuzzy and half missing. This is because the camera lens sees what your eyes and brain can’t see – the fact that the image on the screen is only an illusion created by rapidly flickering lights. So professional photographers will usually take a screen grab from a computer and then superimpose that onto the photograph of the screen to improve the quality. The final image will look just as you expect it to, even though you know that that’s not how it would really look if you took a photograph of it.

Effective commercial advertising photography allows us to be fooled, even when we know that what we are looking at can’t be real, despite looking very real. The art of illusion and of fooling the eye is a subtle one, because consumers will not be interested in a picture which has been obviously doctored, yet will be enticed by an image which they know can’t be completely real. If you’re not sure how to achieve the right balance then it’s far safer to leave it in the hands of the experts.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Justin Arnold

A Ripped Oil Painting in Los Angeles – Pets and Art, Antiques and Collectibles Do Not Mix

It’s one thing to teach your kids not to play rough around your favorite painting hanging in your house, but it would probably be a lot harder to teach your pets the same thing. Even the most well-behaved dog doesn’t know the value of a painting, and accidents can happen.

Just look at this painting below. As a man and a woman were redoing the inside of their home, they took down their painting and set it on the ground for a second. In that second that the painting was lying on the ground, their dog walked by, and not knowing what it was, stepped on the painting, creating this huge tear!

The poor dog didn’t know any better, but this unfortunate accident could have been prevented. With any type of pet around the house (cats, dogs, birds) you always want to be extra cautious! Here are just a few tips to follow to avoid a similar sort of disaster from happening in your home.

Think ahead! Placed in a spot that exposes the art, antique, collectible or heirloom to danger is a bad bet.

Pets, skateboards, balls… while you are standing there, maybe its guarded but when the phone rings and you are distracted?

Use a piece of cardboard, or in some way create a temporary barrier of protection.

One of the big mistakes that this couple made was placing their painting on the ground. When setting aside a painting, you never want to just leave it lying on the ground- vulnerable to people’s feet, furniture sliding around, or dogs walking by. If you’re just setting your piece to the side for a short amount of time, make sure to prop it up against something sturdy. It’s a good idea to lean it on a piece of cardboard and to put another piece of cardboard against the back as well. This will help prevent any feet from kicking into and tearing the canvas. Even with these precautions however, you want to keep your painting in a low traffic area, just to be safe.

Accidental stepping or kicking into isn’t the only cause of rips and tears in paintings. Another thing to be cautious about is the way you hang your painting! If not hung properly and sturdily, your kid or your dog or even you could run into the wall and cause a disaster. If your wires aren’t properly placed, they can tear the painting as well. Here are some things to remember when hanging a painting from a wall:

-Quality and large eye hangers that hold the wire.

-Thick wire, preferable plastic coated

-Nail in wall hits a stud. If not, use a multi nail hanger made for drywall.

-Use the largest hanger possible

-Use Museum Wax in the lower two corners to anchor the painting against the wall and so it won’t “jump” off the hook when things start to shake.

Following these tips won’t guarantee that your painting won’t rip in any situation, but following them will greatly reduce the chances that a similar accident will happen. Accidents happen at any moment in the most random ways, that’s why they’re called accidents! While you can’t always prevent them from happening, being cautious will help the amount of damage and cost resulting from them.

To check out more ways you can Save Your Stuff, search YouTube channel.

How we repair a ripped fine art painting: search for “Repair a Ripped Painting, Los Angeles,

P. S. Birds can get rowdy too!

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Scott Haskins

Museum Ireland – Irish Museum of Modern Art

The Museum’s mission is to foster within society an awareness, understanding and involvement in the visual arts through policies and programmes which are excellent, innovative and inclusive. One of the leading museums in Ireland, IMMA presents a wide variety of art in a dynamic programme of exhibitions, which regularly includes bodies of work from its own collection and its award-winning Education and Community Department. It also creates more widespread access to art and artists through its Studio and National programmes. The current director is Enrique Juncosa, who was previously Deputy Director of the Reina Sofia National Museum Arts Centre (MNCARS) in Madrid.

Museum Ireland: How was the Irish Museum of Modern Art established?

The Irish Museum of Modern Art was established by the Government of Ireland in 1990 as Ireland’s first national institution for the presentation and collection of modern and contemporary art. The Museum was officially opened on 25 May 1991 by the, then Taoiseach Charles J Haughey. Since its opening the Museum has rapidly established itself as a significant and dynamic presence in the Irish and international arts arena. It is widely admired by its peers throughout the world for the range and relevance of its exhibitions, for its innovative use of its growing Collection, for its award-winning education and community programme and for its visitor-centered ethos and facilities.

The Irish Museum of Modern Art Today

IMMA has proved to be a valuable and popular addition to the country’s cultural infrastructure, attracting more than 400,000 Irish and overseas visitors from diverse social backgrounds each year, both to the Museum itself and to events organised throughout Ireland by our National Programme.

Irish Museum of Modern Art’s Exhibitions

The Museum’s temporary exhibition programme regularly juxtaposes the work of leading, well-established figures with that of younger-generation artists to create a debate about the nature and function of art and its connection with the future. Exhibitions presented at IMMA include – Francis Alÿs, Alexander Calder, James Coleman, Dorothy Cross, Lucian Freud, Ann Hamilton, Howard Hodgkin, Juan Miró, Hughie O’Donoghue and Elizabeth Peyton. IMMA originates many of its exhibitions but also works closely with a network of international galleries and museums.

The Collection

The Collection of the Irish Museum of Modern Art, which comprises some 4,500 works, has been developed since 1990 through purchase, donations and long-term loans, as well as by the commissioning of new works. The Museum purchases contemporary art but accepts donations and loans of more historical art objects with a particular emphasis on work from the 1940s onwards.

The permanent collection reflects some of the most exciting trends in Irish and international art with lens-based work by Gilbert and George, Marina Abramovic, Willie Doherty and Paul Seawright, installations by llya and Ameila Kabakov, Rebecca Horn and sculpture by Dorothy Cross, Kathy Prendergast, Damien Hirst and Stephan Balkenhol; also paintings by Francesco Clemente, Tony O’Malley, Peter Doig, and Peter Halley. Major donations include a wide variety of modern and contemporary art, including a number of 1930s works by Picasso, paintings by Sean Scully, a large sculpture by Barry Flanagan and a film by Neil Jordan.

Education and Community Programmes

An extensive range of programmes has been developed at the Museum with the intention of creating and increasing access to the visual arts, as well as engagement in their meaning and practice. The programme operates on many levels – with research projects, with community-based programmes within the local catchment area and with the general public in a gallery-based initiative through the provision of Explorer.

A number of programmes have been developed for groups who wish to have contact with specific exhibitions or artists, including gallery discussions and practical studio work. The ongoing primary school programme creates access for individual teachers, staff groups and children.

The Museum’s Artists Work Programme, a studio/residency programme, is open to artists in all disciplines and of all nationalities. Artists participating in the Programme make themselves as available as possible to meet with visitors to the Museum, providing access to the process of making art and giving the public an additional layer of experience to that available in the Museum’s galleries. A series of slide talks, studio visits, panel discussions and open days are organized around the residencies, all of which are free and open to the public.

The National Programme is designed to make the Museum’s assets, skills and resources available to centers outside Dublin. Through the lending of exhibitions and individual works, and the development of collaborative projects with other organizations, the National Programme establishes the Museum as inclusive, accessible and national.

The presentation of such a wide range of activities offers a richly diverse experience to both general visitors and to those interacting with the Museum on a more long-term basis.

Museum Ireland: The home of the Irish Museum of Modern Art

As one of the leading museums in Ireland IMMA’s activities are greatly enhanced by its magnificent building and grounds. The Royal Hospital Kilmainham, the finest 17th-century building in Ireland, was built in 1684 as a home for retired soldiers and continued in that use for almost 250 years. Its style is based on Les Invalides in Paris with a formal facade and large elegant courtyard. The Museum site also includes a formal garden, meadow and medieval burial grounds. In addition to its striking setting, the Museum also has an excellent cafe and bookshop.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Monica Cullinane

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