A Ripped Oil Painting in Los Angeles – Pets and Art, Antiques and Collectibles Do Not Mix

It’s one thing to teach your kids not to play rough around your favorite painting hanging in your house, but it would probably be a lot harder to teach your pets the same thing. Even the most well-behaved dog doesn’t know the value of a painting, and accidents can happen.

Just look at this painting below. As a man and a woman were redoing the inside of their home, they took down their painting and set it on the ground for a second. In that second that the painting was lying on the ground, their dog walked by, and not knowing what it was, stepped on the painting, creating this huge tear!

The poor dog didn’t know any better, but this unfortunate accident could have been prevented. With any type of pet around the house (cats, dogs, birds) you always want to be extra cautious! Here are just a few tips to follow to avoid a similar sort of disaster from happening in your home.

Think ahead! Placed in a spot that exposes the art, antique, collectible or heirloom to danger is a bad bet.

Pets, skateboards, balls… while you are standing there, maybe its guarded but when the phone rings and you are distracted?

Use a piece of cardboard, or in some way create a temporary barrier of protection.

One of the big mistakes that this couple made was placing their painting on the ground. When setting aside a painting, you never want to just leave it lying on the ground- vulnerable to people’s feet, furniture sliding around, or dogs walking by. If you’re just setting your piece to the side for a short amount of time, make sure to prop it up against something sturdy. It’s a good idea to lean it on a piece of cardboard and to put another piece of cardboard against the back as well. This will help prevent any feet from kicking into and tearing the canvas. Even with these precautions however, you want to keep your painting in a low traffic area, just to be safe.

Accidental stepping or kicking into isn’t the only cause of rips and tears in paintings. Another thing to be cautious about is the way you hang your painting! If not hung properly and sturdily, your kid or your dog or even you could run into the wall and cause a disaster. If your wires aren’t properly placed, they can tear the painting as well. Here are some things to remember when hanging a painting from a wall:

-Quality and large eye hangers that hold the wire.

-Thick wire, preferable plastic coated

-Nail in wall hits a stud. If not, use a multi nail hanger made for drywall.

-Use the largest hanger possible

-Use Museum Wax in the lower two corners to anchor the painting against the wall and so it won’t “jump” off the hook when things start to shake.

Following these tips won’t guarantee that your painting won’t rip in any situation, but following them will greatly reduce the chances that a similar accident will happen. Accidents happen at any moment in the most random ways, that’s why they’re called accidents! While you can’t always prevent them from happening, being cautious will help the amount of damage and cost resulting from them.

To check out more ways you can Save Your Stuff, search YouTube channel.

How we repair a ripped fine art painting: search for “Repair a Ripped Painting, Los Angeles,

P. S. Birds can get rowdy too!

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Scott Haskins

Museum Ireland – Irish Museum of Modern Art

The Museum’s mission is to foster within society an awareness, understanding and involvement in the visual arts through policies and programmes which are excellent, innovative and inclusive. One of the leading museums in Ireland, IMMA presents a wide variety of art in a dynamic programme of exhibitions, which regularly includes bodies of work from its own collection and its award-winning Education and Community Department. It also creates more widespread access to art and artists through its Studio and National programmes. The current director is Enrique Juncosa, who was previously Deputy Director of the Reina Sofia National Museum Arts Centre (MNCARS) in Madrid.

Museum Ireland: How was the Irish Museum of Modern Art established?

The Irish Museum of Modern Art was established by the Government of Ireland in 1990 as Ireland’s first national institution for the presentation and collection of modern and contemporary art. The Museum was officially opened on 25 May 1991 by the, then Taoiseach Charles J Haughey. Since its opening the Museum has rapidly established itself as a significant and dynamic presence in the Irish and international arts arena. It is widely admired by its peers throughout the world for the range and relevance of its exhibitions, for its innovative use of its growing Collection, for its award-winning education and community programme and for its visitor-centered ethos and facilities.

The Irish Museum of Modern Art Today

IMMA has proved to be a valuable and popular addition to the country’s cultural infrastructure, attracting more than 400,000 Irish and overseas visitors from diverse social backgrounds each year, both to the Museum itself and to events organised throughout Ireland by our National Programme.

Irish Museum of Modern Art’s Exhibitions

The Museum’s temporary exhibition programme regularly juxtaposes the work of leading, well-established figures with that of younger-generation artists to create a debate about the nature and function of art and its connection with the future. Exhibitions presented at IMMA include – Francis Alÿs, Alexander Calder, James Coleman, Dorothy Cross, Lucian Freud, Ann Hamilton, Howard Hodgkin, Juan Miró, Hughie O’Donoghue and Elizabeth Peyton. IMMA originates many of its exhibitions but also works closely with a network of international galleries and museums.

The Collection

The Collection of the Irish Museum of Modern Art, which comprises some 4,500 works, has been developed since 1990 through purchase, donations and long-term loans, as well as by the commissioning of new works. The Museum purchases contemporary art but accepts donations and loans of more historical art objects with a particular emphasis on work from the 1940s onwards.

The permanent collection reflects some of the most exciting trends in Irish and international art with lens-based work by Gilbert and George, Marina Abramovic, Willie Doherty and Paul Seawright, installations by llya and Ameila Kabakov, Rebecca Horn and sculpture by Dorothy Cross, Kathy Prendergast, Damien Hirst and Stephan Balkenhol; also paintings by Francesco Clemente, Tony O’Malley, Peter Doig, and Peter Halley. Major donations include a wide variety of modern and contemporary art, including a number of 1930s works by Picasso, paintings by Sean Scully, a large sculpture by Barry Flanagan and a film by Neil Jordan.

Education and Community Programmes

An extensive range of programmes has been developed at the Museum with the intention of creating and increasing access to the visual arts, as well as engagement in their meaning and practice. The programme operates on many levels – with research projects, with community-based programmes within the local catchment area and with the general public in a gallery-based initiative through the provision of Explorer.

A number of programmes have been developed for groups who wish to have contact with specific exhibitions or artists, including gallery discussions and practical studio work. The ongoing primary school programme creates access for individual teachers, staff groups and children.

The Museum’s Artists Work Programme, a studio/residency programme, is open to artists in all disciplines and of all nationalities. Artists participating in the Programme make themselves as available as possible to meet with visitors to the Museum, providing access to the process of making art and giving the public an additional layer of experience to that available in the Museum’s galleries. A series of slide talks, studio visits, panel discussions and open days are organized around the residencies, all of which are free and open to the public.

The National Programme is designed to make the Museum’s assets, skills and resources available to centers outside Dublin. Through the lending of exhibitions and individual works, and the development of collaborative projects with other organizations, the National Programme establishes the Museum as inclusive, accessible and national.

The presentation of such a wide range of activities offers a richly diverse experience to both general visitors and to those interacting with the Museum on a more long-term basis.

Museum Ireland: The home of the Irish Museum of Modern Art

As one of the leading museums in Ireland IMMA’s activities are greatly enhanced by its magnificent building and grounds. The Royal Hospital Kilmainham, the finest 17th-century building in Ireland, was built in 1684 as a home for retired soldiers and continued in that use for almost 250 years. Its style is based on Les Invalides in Paris with a formal facade and large elegant courtyard. The Museum site also includes a formal garden, meadow and medieval burial grounds. In addition to its striking setting, the Museum also has an excellent cafe and bookshop.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Monica Cullinane

Art Collecting Tips for Profit and Pleasure (A Six-Part Series): Part 1-Why Buy Art?

A SIX-PART SERIES ON SUCCESSFUL ART COLLECTING

PART 1: WHY BUY ART?

WHY BUY ART? To answer this question, ask yourself what your reasons are for

thinking of acquiring a piece of art. An artwork can cost a considerable sum, but if it

meets your needs, it’s worth every penny. Anyone can buy art, and for almost any

reason. Many people buy an artwork simply because they like it, even if the artwork

may be by an unknown artist. Art, as long as you enjoy it, is never a waste of

money. As John Keats puts it in Book 1 of Endymion:


“A thing of beauty is a joy forever:

Its loveliness increases”

Art Is For Enjoyment

Art is meant to be displayed, unlike shares or bonds. Don’t ever feel pressured to

buy something you won’t appreciate looking at day after day, no matter what other

people may say. Don’t buy something that doesn’t appeal to you just because it is

trendy, because the artist is famous, or because you have been advised that the

artwork will make a good investment. If you don’t like the artwork at all, don’t buy

it!An artwork should touch your soul, stimulate your thoughts and bring a smile to

your lips. It should bring you pleasure, and even joy.There are only 365 days to a

year (366 on leap years). Be selective about how you live those days. Avoid wasting

them on something you dislike.

Art Enhances Your Environment

Have you ever noticed that all beautiful homes have art as an integral part of the

decor? Art lends life and color to otherwise plain and ordinary walls, nooks and

crannies, and mantelpieces. A well thought-out art collection will help create a

unique ambience in your home and make it more attractive. For similar reasons, art

often graces commercial premises, such as office lobbies and the offices of top

executives.

Art Makes a Statement

The kind of art you surround yourself with says much about your personality, tastes

and values. Edna Hibel art, for instance, is associated with strong family values and

humanitarianism. See why at: [http://www.cherishcollectibles.com/site/

1256072/page/459196][http://www.cherishcollectibles.com/site/]

1256072/page/459196

Art truly is a mirror of the soul. It’s an expression of who you are. Be true to

yourself, and choose art which is meaningful to you.

Art Can Be An Investment

Art can pay handsome returns, but this very rarely happens overnight. If you’re

hoping to make a fast buck, art may not be the right avenue for you. There are

investors, of course, who like to put their money in art. They do this for two main

reasons: emotional as well as financial benefits.

Art is one of those peculiar investments which you can actually admire and enjoy.

And researching and hunting down a desired piece of art can be as much fun as

owning it! Many art collectors enjoy combing galleries, websites, auctions and even

flea markets in pursuit of their passion. Profiting eventually from the sale of a find

becomes a bonus.The promise of both pleasure and profit from art certainly adds to

the appeal of art collecting.

Art Enriches Your Life

At a conference on health and ageing, held in Brisbane, Australia, the founding

professor of complementary medicine at Melbourne’s RMIT University shared his

findings that love – even the love of an activity or an inanimate object, such as a

work of art – contributes to healthier living and a longer lifespan. Art should enrich

your life. Otherwise, why spend precious time and resources on it?

Art Makes An Impression

When you need to give a gift which will make a lasting impression, a delectable

piece of artwork is hard to beat. Any beneficiary will appreciate receiving such an

exclusive gift, and be honored that you valued her enough to give her something so

unique and precious.Just remember to select something which will appeal to your

recipient’s tastes, and keep to a sensible budget. Good art needn’t cost an arm and

a leg.Before you part with your money, there are several golden rules of art

collecting to consider. Look out for them in Part 2 of this series, titled

“SIX GOLDEN RULES OF ART COLLECTING”.

Happy art collecting!

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Carol Chua

The Biggest Danger for Earth – The Hercolubus (Planet X) Inbound

Insiders from NASA, DoD national military intelligence, SETI, and the CIA speculate 2/3 of the population of the planet could perish during the coming pole-shift caused by the passage of Hercolubus (Planet X). Another 2/3 of those that survive initially could pass away to starvation and exposure to the elements within 6 months.

Most every secretive government agency in the USA is fully aware of what is expected and are readying themselves. The Vatican is fully abreast of what is expected. The public is not being warned and given their chance to prepare.

The volume of leaks from insiders, observatories, and the Vatican is bursting the dam of this disclosure wide open. The most important story on earth in over 3000 years is fast breaking loose from being held back by the controllers of the financial markets and major media for fear of panic and financial collapse.

These controllers put money in higher regard than people. The public can be given a chance to prepare by being informed. Our planet could very well be about to go through massive regular earth changes once again as a result of the passage of Hercolubus through our immediate solar system.

Many areas are now getting a minor preview of these events now because of the plasmatic electromagnetic connection between the planets. They are experiencing unusual weather, storms, volcanism, and seismic activity.

Hercolubus orbits between our sun and its dark twin. A diagram from the 1987-1989 NEW ILLUSTRATED SCIENCE & INVENTION ENCYCLOPEDIA in volume 18 under Space Probes shows our dead twin sun & the 10th planet.

It shows one of the more amusing pieces of evidence for the existence of Hercolubus is a picture from the 1987 New Science and Invention Encyclopedia. In a section on space probes, the encyclopedia shows the paths of the 2 Pioneer probes and illustrates how the probes were used in the search for more planets. It shows the Earth, the Sun, a dead star (at 50 billion miles or 538 AU) and a tenth planet (Hercolubus) (at 4.7 billion miles or 50 AU).

Zecharia Sitchin, the world renowned scholar and archaeologist, does indicate on occasion his knowledge of the return of Nibiru “AT THIS TIME”! To be too public about it, would perhaps prove dangerous because of his weight in the scientific community.

Sitchin also states absolutely & openly: “When Planet X (Hercolubus) returns, it would remove 90% of currently unsatisfactory human beings from the planet!”

A group of scientists in Russia, held several meetings in the year 2000 to discuss the inbound planet, discovered from one of their largest observatories. A 66 year old professor and physicist let it be known that he attended this meeting. This led to the infamous “2003 Problem” from a Reuters news service wire on Sept.13th, 2000. Top Russian government officials called for a commission to study the problem which was said to expect to cause “a string of calamities and a massive population shrinkage.” They openly wondered whether Russia would still even exist as a country afterward.

Andrei Shukshin, said: “What we do know is that Hercolubus (Planet X) is inbound now. Because of the comets tail drag, this factor keeps varying the speed and thus the time of passage can’t be calculated accurately”.

A large observatory in St. Petersburg, Russia admit they have been watching Hercolubus (Planet X) for 3 years and are worried about the substantial damage it may cause to Earth during its passage. The name they gave for Hercolubus was “Raja Sun” or “Great Star”.

A local observatory on Victoria Island, Canada, admits that they have seen Hercolubus but they do not want to speak about the damage it could cause with its passage.

Insiders in NASA & the military privately confirm that many of them are quietly contracting out the building of dome-homes (strongest structure known to man) in the upper USA (one of the said safest areas). These domes can withstand hurricane force winds and earthquakes. If these domes are built in the rolling hills or foothills, well away from the shorelines, major population centers, and flat plains (that are expected to flood with the constant rain and melting poles), they think the chances of survival are good.

But really that is not a safe shelter; the only possibility to survive to the arrival of Hercolubus (Planet X) is to have a minimum conscience level that allows you to pass to the next mankind without contaminate them.

Trusting the pentagon and the government to guard itself & relay needed information to protect you is clearly illogical. Hercolubus is Planet X, Nibiru, Wormwood, or THE MOST REVERED HEAVENLY BODY IN ALL ANTIQUITY. After 3660 years on its regular orbit, our 10th planet will pass again. Hercolubus’s effects on Earth, from prior passings, are recorded in ancient texts and in THE SCIENCE OF GEOLOGY & ARCHEOLOGY.

There are 50 names for Planet X. “The Destroyer” is the latest name from New Zealand.

“WHAT IS APPROACHING US?”

Father Malachi Martin worked in and around the highest echelons of the Catholic Church, had an ear to the pope, and held 3 doctorates. He explained in 1997 that the celestial body approaching us will cause millions to perish during its passage in 5-10 years. He said to look to the skies for a sign of impending doom. The sign will be in the form of a cross and everyone will see it. (Hercolubus is said to look like a red cross in the sky when it first appears)

Also, Malachi Martin has read the “Third Secret of Fatima”, which he would not talk about it with Art Bell on the air. Art did ask him, “Would millions of people perish?” Malachi replied, “It is worse than that, it is worse than you can imagine”.

The Vatican actually owns its’ own telescope named VATT (Vatican Advanced Technology Telescope) which is operated out of the Mt. Graham Observatory, located in SE Arizona.

The purpose for Mt. Graham International Observatory is explained in an interview with Art Bell. The actual time of the clip is April 5th, 1997 at 4:30AM PST. The complete broadcast begins Friday, April 4th, 1997 at 10 PM PST.

Father Malachi Martin’s background: Eminent theologian, expert on the Catholic Church, former Jesuit and professor at the Vatican’s Pontifical Biblical Institute. He was trained in theology at Louvain. There he received his doctorates in Semitic Languages, Archaeology and Oriental History. He subsequently studied at Oxford and at Hebrew University in Jerusalem.

From 1958 to 1964 he served in Rome, where he was a close associate of the renowned Jesuit Cardinal Augustin Bea and Pope John XXIII. Martin passed away late 1999. Some believe his death was a result of his open disclosures of the inbound planet and that the Vatican did not want to reveal that Wormwood (Biblical name for Hercolubus) was also tied to the “Third Secret of Fatima”.

It seems that the Catholic Church sponsors and engages in scientific studies and not just to prove biblical history.

As of late there’s been a rash of observatories that have closed their doors for various reasons or have been destroyed. Many will simply not point their equipment for anyone in the direction of the Orion constellation if they do remain open. Some will give an excuse that there is some sort of obstruction in the way or equipment failure.

All at once, renovations are their favorite excuse. Griffith Observatory is the latest of a handful of the nation’s oldest planetariums to undergo major renovations in recent years. Others include the Adler Planetarium & Astronomy Museum in Chicago and the Hayden Planetarium at the Rose Center for Earth and Space in New York. Coincidental or not, there are other observatories in various countries doing the same thing at this time.

Hercolubus (Planet X) has INTENTIONALLY BEEN MADE TO SOUND RIDICULOUS and confusing for several reasons. One of which is to avoid causing panic among the world’s population.

Many websites and articles continue to be written about Hercolubus (Planet X) that spread lies and disinformation.

1.) They say Hercolubus (Planet X) only MAY exist or there’s no evidence for its existence or it comes around only once every few million years if it does exist. This first level of disinformation is widespread.

2.) The second layer of disinformation is for people that have done their homework and absolutely know that Hercolubus (Planet X) does exist. For them, the disinformation artists are saying it will not arrive in our lifetime.

3.) Lastly, for the observatories that are completely aware of Hercolubus (Planet X) and its approximate arrival time, they are saying “keep quiet and don’t worry, nothing will happen during the passage.”

Hercolubus’s MASS, HIGH-PLASMA-CHARGED MAGNETISM, and DENSITY are such that it DISRUPTS the surface of EVERY PLANET IT PASSES. In fact, history shows a few YEARS PRIOR to its passage that its far reaching electromagnetic influence changes Earth’s core flows, TRIGGERING MAJOR WEATHER CHANGES.

VOLCANIC and SEISMIC ACTIVITY start to change 3-4 decades prior to each passage. Since 1996 traditional WEATHER has CHANGED DRAMATICALLY, breaking all time records regularly. The up-tick of QUAKES, VOLCANIC INCIDENTS and changes in ELECTROMAGNETICS are being kept out of the media as much as possible.

Weather alone can falsely be blamed on global warming & sun cycles but not earth’s rumblings and solar system wide changes at the same time.

99% of the universe is made up of charged-plasma at the atomic level. Planets are densely charged plasma spheres. The approach of Hercolubus (Planet X) back into our immediate solar system is sending a tremendous amount of electrically charged plasmatic energy particles in waves to all the planets in our solar system via the filamentary magnetic field lines that criss-cross the universe. The entire Universe is a connected web of electricity and plasma is the conductor.

The media would have you believe that the pollution of our industrial civilization is the cause of the weather changes or has caused global warming over the last few years. Since all planets in our solar system are experiencing dramatic changes, how can any of this be blamed on our irresponsible actions here Earth.

Why do they fail to mention the seismic and volcanic changes occurring simultaneously?

Why would ice cores show regular and dramatic changes in Earths climate from the past?

When you understand how our sun and every other planet in our solar system are being affected by Hercolubus’s approach, you’ll see how ridiculous the media cover-up becomes.

This is the Russian perspective on earth changes. Volcanic and seismic activities have increased 400-500 percent since 1975. All planets are changing, Earth is not singled out. Basically, everything in the solar system is experiencing unusual phenomena, increased activity and unusual weather. Hard facts are going unreported by western media. Dr. Dmitriev’s work shows that the planets themselves are changing.

They are undergoing variations in their atmospheres. For example, the Martian atmosphere is getting sizably thicker and Earth’s moon is growing an atmosphere and according to Dmitriev, there is a 6,000 kilometer deep layer of Natrium that wasn’t there previously. He says that we’re having this kind of change in the upper levels of Earth’s atmosphere where HO gas is forming that wasn’t there before; it simply did not exist in the quantity that it does now. It’s not related to global warming and it’s not related to CFCs or fluorocarbon emissions or any of that stuff. It’s just showing up.

Magnetic fields and brightness of the planets are changing. The planets are experiencing sizable increases in their overall luminosity. Venus for example, is showing us marked elevations in its overall brightness. Jupiter has such a high energetic charge now that there is actually a visible tube of ionizing radiation that has formed between it and its moon. You can actually see the luminous energy tube in photographs that have been taken recently. In addition, the magnetic field strength of each planet has increased.

Uranus and Neptune appear to have had recent pole shifts. When the Voyager 2 space probe flew past Uranus and Neptune, the apparent north and south magnetic poles were sizably offset from where the rotational pole was. In one case, it was 50 degrees off and in the other case the difference was around 40 degrees, both of which are pretty big changes.

The overall changes could essentially be broken down into three categories:

• Energy field changes

• Luminosity changes

• Atmospheric changes

Natural disasters increased 410 percent between 1963 and 1993. This does not take into account the largest increases that have taken place in the last 8-9 years since then! Dr. Dmitriev did a very elaborate calculation of natural disasters, to come up with these figures. Even the Sun’s magnetic field increased by 230 percent since 1901.

So, all in all, what we’re seeing is a lot more than just what they call Earth Changes. Very, very few people are aware of the work that is being done in the Russian National Academy of Sciences in Siberia, specifically in Novosibirsk, where they are doing this research.

Part of Dr. Dmitriev’s research shows that the glowing plasma at the edge of our Solar System has recently increased 1000 percent. Higher-charged energy is in turn exciting the plasma and causing more of it to form, so you see more luminosity, more brightness. This energy is then flowing into the Sun, which in turn emits the energy and spreads it out along its equatorial plane, which is called the Ecliptic.

All this is happening all at the same time and it’s all working up to a crescendo where there is going to be a sudden shift.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Luis Fredas

Fine Arts Reproductions – Best Example Of Dedication Towards Art

There is a common belief with respect to art that genuine things get better with the passage of the time. World famous artists are immortal through their creations. To name a few Leonardo Vinci, Van Gogh, Raphael, Monet etc. The artifice did not confine with their ages, but this field has always been in progress since time immemorial. Every individual who has been in deeply in love with this passion has definitely made some other kind of contribution in this field. And this sheer hard work and dedication can now be witnessed in the form of fine art reproductions.

Some of the most advanced form of fine art reproductions is described below. Canvas art print can be considered to be a popular means of conserving an original piece. This technique uses a superior quality ink jet printer for printing individual copies of any original piece. This medium is efficient in delivering identical copies of any genuine work even including works of world famous artists. This photo chemical process is now a days a hit among the customers due to its effective service at affordable rates. Even artists are seen using this particular technology in order to multiply their limited creations.

Another popular feature of fine art reproductions is oil painting reproductions. This technique includes a different procedure. The produced picture is not absolutely identical of the original work, as it is totally done manually. The expert team is hired, who then create a close replica of the order placed. Oil paints are used and this pass muster team delivers a hand painted piece which truly looks alike the picture assigned. People, who are into art world and have a fair knowledge in this field, can surely spot the difference. But still then such kinds of oil paintings reproductions are worth purchasing as one can get a similar painting at much lower price. Anybody can own a virtual image or work of world famous artist including Van Gogh and Da Vinci.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Hemank Sharma

What Are Giclee Art Prints and How Do They Differ From Regular Art Prints and Posters?

What Are “Giclee” Art Prints?

“Giclee” art prints are high quality pieces of fine art that are often found in museums. Artists and gallery owners use the term “giclee” to refer to this type of artwork, which is richer and more eye-appealing than regular art prints or posters.

The term “Giclee” [pronounced zhee-clay] comes from a French word meaning “to squirt”, which is exactly what an ink jet printer does when it creates an image onto paper. High resolution images on photographic paper created by an ink jet printer is called a digital pigment print.

To simplify this technical jargon and distinguish these high end reproductions from regular prints and posters, the term “Giclee” was coined to describe them. Since giclee prints are found in many museums of art, the terms “giclee art prints” and “museum art prints” are often used interchangeably.

What Is The Difference Between Giclee and Regular Prints and Posters?

Giclee prints are created on top quality archival or photographic paper using a high-end premium ink jet printer. They are produced one at a time producing a rich, refined image of museum quality that lasts for 100 years under glass.

Regular prints and posters that you see online and in some retail stores use much cheaper paper and are produced in mass quantities. They are “stamped out”, usually in quantities of 10,000 or more pieces per run. Many of these prints are made in China and last for about 5 years, after which they start to turn yellow and their colors fade away.

As you get into larger sizes of 16″ x 20″ or greater, you can really see the difference in quality between giclee and regular prints and posters. At a distance, our eyes compensate for this, however, when you move closer and compare them side by side, you can instantly see the magnificent superiority of a giclee. In fact, when you look closely at a regular print or poster, you will see that the image is blurred and detail is lost. Whereas a giclee print reveals a captivating level of detail, similar to that of a high resolution photograph.

Why Do Giclee Prints Cost More Than Regular Prints and Posters?

Giclee prints cost more than regular prints and posters because of the way they are made. Giclee prints are produced one at a time by hand, using the finest ink jet printers and quality high resolution photographic paper. Regular art prints and posters are mass produced using machines that stamp out image after image on cheap paper that begins to deteriorate in 5 years or less.

Who Are Giclee Prints For?

Giclee prints are for people with a discerning eye who value fine art and museum quality craftsmanship. They offer vibrance and enchantment for a lifetime, whether placed in your beautiful home or professional office. Those who own giclee art prints revel in their exquisite beauty and rich detail.

While Giclee art prints offer uncompromising quality, their prices remain affordable. A beautiful custom 16″ x 20″ giclee art print costs only between $100-$150, unframed and may be purchased online by a trustworthy company like Art Prints America.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Vitaly Geyman

Sponsoring the Study of Art: Learning From The Renaissance Age

One of the enterprising, most important and breathtaking professions and area of study is Art. The great impacts exerted by art in our lives as humans are very severe such that scholars in the field synonymously interchange life with art and vice versa. This is true because from personal adornment through to the enhancement of our societies and the carrying out of our everyday activities pivots on art. It is, however, sad to realize how people rate and value art today. Art receives low patronage and recognition in the pool of other disciplines. Students who would want to pursue the study of art due to their awe-inspiring talents in sculpture, graphics, leatherwork, basketry, ceramics and the other vibrant fields of art do not receive the due sponsorship. These young enterprising artists end up shattering their great talents and resort to engaging in petty chores like cleaning, helping in construction works, housekeeping, and trading. The situation is escalated even in developing countries in Africa. The patronage of art is so low such that students from affluent homes who would want to pursue art are discouraged by their parents and even mocked at by their mates as timid students. The few who courageously take up the cross of art lack funding from funding agencies who prioritize the sponsorship of the so-called sciences and maths! Yet, the multi-million question we must ask ourselves is that ‘Are the other disciplines better than art?

Some argue that health sciences, economics, mathematics, and geography are enterprising because their industries have been established already and those professions are well paid and as such highly respected. Moreover, they are pursued by academically giants and gurus who had higher grading points. Though somehow true, these professions are no better than the arts. A retrospection into the renaissance age stresses this assertion.

Staunch scholars who were well versed theoretically and practically in various fields of human endeavor like Science, Mathematics and Engineering pursued art in the renaissance age. For instance, Leonardo da Vinci who was a leading figure in art, particularly painting and sculpture, was a scientist and engineer at the same time. He reckoned that art played quintessential roles in the society that either surpassed or equaled the sciences and maths. Michelangelo, Brunelleschi, Donatello and the other great artists in that era were brilliant scholars! Even today, great scholars and students who attain high grading points study art. This clears the wrong notion that art is pursued by the academically weak and as such receives low patronage and sponsorship.

In addition, art received great sponsorship in the renaissance period. The Medici family from Florence in Italy sponsored art programs, seminars, workshops and competitions that were to hunt for talents in art. Projects in art received high sponsorships from governmental authorities, famous personage and wealthy businessmen in the society. This great support raised the patronage of art and its recognition was commonplace. The situation is different today. Art programs and workshops aimed to raise the standards of art receive low or no sponsorship from funding agencies, institutions and wealthy well-meaning persons in the society. This situation must cease if we want to realize the advancement in our societal, national and global development.

Art must be associated with respect and status in our societies due to the great impact it wields on societal events and activities like its counterparts in other disciplines. In fact, the so-called successful fields of study like architecture, engineering, mathematics, and the health sciences depend on art in the discharge of their duties.

The time is now for scholars, governments, funding agencies and well-meaning personage in the societies to support and fund art programs, education and other activities that would assist in its development. The accolade of art is still true today that ‘art is life’. Sponsorship of art is greatly needed and it must be attended to with all seriousness to facilitate and speed up the grooming of young talents, arrest the unemployment crisis of the numerous young persons and unemployed in societies to make our world a better place. Indeed life is art, and art is life!

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Dickson Adom

Making the Connection: Customer Relationships That Build Your Business

Have you ever wondered why you often find a coupon tucked inside your cereal box, or get invited to a customer preview sale at your favorite department store? Those companies know that their existing customers are the best – and most profitable – customers they’ll ever have. So it’s not surprising that they’ll do whatever they can to keep these customers happy and coming back again and again.

Believe it or not, the same concept holds true for your art career. While you don’t want to ignore potential customers, you’ll find that when you pay a little more attention to the customers and collectors you already have, it will really pay off – in increased sales and profits for your art business. The following 10 practical strategies will get you started.

1 – Understand how and why your customers buy art

Put yourself in your customers’ shoes. What’s in it for them when they purchase your art? Maybe they feel great about owning a piece of original artwork. Or they’re happy to support an emerging artist. Perhaps they’re looking forward to showing their new painting to friends. Start listening to your customers and asking questions, and you’ll learn a lot – fast.

Don’t underestimate the power of being an art collector yourself. You’ll know firsthand how your collectors feel when they purchase your work, and you’ll be a great role model for them. Even better, you’ll be supporting other artists.

2 – Make the first purchase a fabulous experience

When you sell a piece of artwork, remember that it’s also an exciting event for your customers. So let them be excited about their purchase. Accept any compliments graciously. Then share something personal that lets them know that you’re excited about the sale, too. Tell them how the sale is meaningful to you: It’s your first; your first to someone in New Jersey; your first in this series, or your last one like this. A positive connection now can pay off for years to come.

3 – Be businesslike in everything you do

Treat your art as a business, and treat your customers in a businesslike manner. Be meticulous about meeting deadlines and keeping appointments. Always provide the materials or information you promised – complete, and on time. And remember to thank your collectors personally when they attend one of your shows or support you in any way. A quick note or an e-mail will be appreciated, and remembered.

In addition, be businesslike when you price your artwork. Keep your pricing consistent: from the gallery to your studio, and from city to city. And stick to your prices no matter what; never discount your work.

Naturally, it makes sense to present yourself in a professional manner every time you show someone your work. That said, never try to be someone you’re not. Let your personality come through, and you’ll be the best businessperson you can be: you.

4 – Make it easy for your customers to purchase more of your work

I was at a friend’s house recently and admired a beautiful hand-made journal she’d purchased at a local craft fair. Thinking it would make a perfect gift for another friend, I asked for the artist’s name. When she didn’t remember, we looked inside the journal and discovered the artist’s name and phone number were nowhere to be found. The result? He or she lost a sale.

Put your contact information on everything that leaves your studio: letterhead, invitations, show announcements, note cards, etc. Affix a personalized label on the back of each painting that includes your name, plus your e-mail address or Web site.

And send your new collectors home with an “Artist Pack”: a professional-looking folder with your business card, resume, artist statement, bio, articles about you and by you, and so on. Youíll be amazed at how often your customers will share it with their friends and associates.

5 – Ask for another sale

When liquid shampoo first came out, it gave consumers a convenient and easy way to wash their hair. “Lather and rinse,” the label said. But shampoo sales really took off when just one word was added. Your shampoo bottle now says, “Lather, rinse, and repeat if desired.”

Repeat sales can revolutionize your business, too. So display your work in your home and studio where visitors will see it. And when customers are making a purchase, be bold: Ask them if they’d like to purchase a second (or third) piece. Ask your collectors for referrals to another collector, or to a shop or gallery where they think your work might fit in. Or suggest a commissioned piece you’d like to do for them. The key here is to ask for the sale.

6 – Upgrade your customers

Another way to increase your income is to upgrade your customers to a more profitable product (“deluxe” shampoo for color treated hair, for example). It’s really pretty easy, once you get the hang of it. Here are some upgrade ideas that have worked well for my clients:

o Encourage your customers who ordinarily buy giclee reproductions to purchase an original painting.

o Introduce your existing customers to some of your more expensive or larger pieces of art.

o If you have collectors who so far have bought only your sketches or drawings, suggest they purchase one of your paintings next time.

7 – Cross-sell your customers

Cross-selling is simply selling your customers something different from – but related to – what they’re already buying. Think back to the shampoo example. Wouldn’t it be relatively easy to cross-sell hair conditioner to someone who already uses shampoo?

Now take a look at your own artwork. Cross-selling might mean selling a piece of your pottery to one of your painting customers, selling a painting to one of your sculpture collectors, or suggesting your art note cards as an add-on sale when a customer stops by to pick up his pet portrait. Be imaginative, and you can increase both sales and profits.

8 – Get to know your customers and collectors

Remember that your customers are people first, customers second. Take your relationships beyond “business” and build personal relationships, as well. If appropriate, invite them to social gatherings, send a holiday card or drop them a postcard from your favorite vacation spot.

When you’re chatting with your collectors, make it a habit to listen for important dates and occasions. Then remember their very special occasions with an artwork gift. Imagine having a small piece of your artwork forever connected in your collectors’ minds with their 50th anniversary, the birth of their first child or grandchild, or their son’s graduation from medical school. Sometimes a little goes a very long way.

9 – Let your customers get to know you – and your art

Don’t you just love it when you get to watch another artist at work and see for yourself how they do what they do? You’re not alone.

Almost all art collectors are curious about how you create. So it makes good business sense to find ways to share your process with them. You might invite them to an informal demo. Show them photographs of the location that inspired you. Or even let them try the process themselves. Take the time to show your customers what makes you and your art unique.

Customers who understand how you apply your paint, why you use those strange-looking long brushes, or how you get so many layers of color onto your canvas are not only educated about what you do – they’re interested in what you do. And that will translate into more sales, and more referrals.

10 – Build strong, ongoing relationships with your collectors

Don’t be shy about asking your customers for advice and input, whether it’s on how you showcase or hang your work, or on new projects or techniques you’re trying out. Do it one-on-one, or host a studio open house (notice I did not say “studio sale”) to find out what they think.

And when you’ve just finished a new series or collection, or you’re ready to hang a new gallery show, invite your best customers to your studio for a special preview of your new work. They’ll love it.

Most importantly, be yourself with your customers and collectors. Yes, you may meet a collector or two who wants to be dazzled by art double-talk and rhetoric. Most collectors, however, will want to get to know the real you. They’ll love hearing about your feelings about your artwork, some of your artistic quirks – and even some of the mistake youíve made.

Once customers and collectors really connect with you and your work, they’ll be back for more. And that’s good for every artist’s business.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Kathy Gulrich

Fashion and Culture in Tokyo’s Shibuya

The Shibuya district of Japan’s capital city, Tokyo, is the epitome of modernity, high fashion and fast-paced living. Travelers heading here for the first time from their Tokyo hostels, however, should be warned that it’s not for the faint-hearted.

But once visitors get used to the business feel of Shibuya which is characterized by the bustling, five-way scramble crossing at Hachiko Square, they will be able to see just why this neighborhood is so popular.

Shopping

Tokyo’s fashion trends are a rare (and often shocking) departure from the ordinary and for those keen on exploring the current heights of this fast-moving obsession, Shibuya’s Centre-Gai road is the place to start.

This narrow, busy street is located near the giant video screen in Hachiko Square and is difficult to miss. Lined with shops that are stocked with the latest fashion outfits and some bizarre designs, it’s a popular youth hangout and an excellent place to soak up the local atmosphere.

Museums

Continuing with the theme of the ‘unusual,’ Shibuya is also home to some quirky exhibitions. Arguably the most prominent on the list of these strange attractions is the Tobacco and Salt Museum, which (as you’d expect) specializes in the collection and study of all things related to these substances.

Bizarre as it may seem, this is actually a quite fascinating examination of the history of two cultural staples across the world. The contrasting development of Latin American smoking and Japanese tobacco habits is of particular interest.

Another museum (although with some marketing overtones) is provided care of the TEPCO Electric Energy Museum – TEPCO standing for the Tokyo Electric Power Company which has some interesting interactive displays.

Monuments

Amongst the throng of Shibuya’s fast-paced shopping and lifestyle, there are also some unlikely spots of tranquility which provide a peaceful departure from the lively city and packed Tokyo hostels.

Highlights include the forested Meiji Shrine, which is dedicated to the souls of past emperors, and the Shinjuku Gyoen Imperial Gardens.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Paul Scottyn

Japanese Gambaru – Literal Meaning and Cultural Impact

The word Gambaru in Japanese means doing one’s best and hanging on to the bitter end. This means that students gambaru study hard to pass exams, athletes gambaru practice hard to wins games, and company workers gambaru work hard to increase sales. It also means to work hard or patiently, to insist on having one’s way, and to occupy one place and never leave, as in relation to working on a job or at a place of employment. Gambaru is also rooted in the following proverb, “The monk who does not work should not eat.”

There is an imperative form of “gambaru, which is Gambare or Gambette. The imperative term connotes high achievement, motivation, and orientation to group harmony. The term is also used among members to encourage others in group activity.

The Japanese people use the term gambare quite often and for various reasons. They normally use the term at least once per day with saying good-bye and also at the ending of a letter. The Japanese also use this expression to encourage one another with the implication of “Please keep up your hard work until your goal is achieved.”

The term is also used in many situations as a form of expression. The Japanese may use the expression in the initial states of a project. For example:

a) After the earthquake in Kobe, Japan, the slogan Gambare Kobe was used to encourage the people of Kobe to reconstruct their city and rebuild their lives.

b) Japanese people also use the expression among group members to encourage one another in cooperative activities. For example, during track and field days at school, children can be heard shouting “gambare” or “gambatte” to encourage their friends in the race.

c) Japanese people also use the expression as spectators to cheer on their team. For example, in the 1998 World Cup soccer match held in France, the Japanese spectators cheered the slogan Gambare Nippon! During the championship, the slogan was used on TV programs and commercials every day.

The literal meaning of gambaru is “to adhere to something with tenacity.” It is a very popular term used when encouraging someone undertaking a very difficult task. Additional meanings are: Hang in there, Don’t give up, Do your best, and Give it your all! The term also means work hard and patiently. Additionally, it exhorts enthusiasm and hard work from others.

Gamburu also has some additional meaning, some of which could be considered as negative connotations. Based on the denotation form of the word, it also means “to insist on having one’s ways,” and “to occupy one place and never leave.” Additionally, the word is derived from ga-o-haru, which means “to be self-willed.” This expression originally had a negative connotation of asserting oneself against group decisions and norms.

One may ask if other languages have the equivalent of gambari. According to Amanuma (1987, pp. 51-53), gambari, which is derived from gambaru, does not have any exact equivalent in non-Japanese languages. Additionally, Amanuma states, “Even though both Chinese and Korean have the characters that make up gambaru (gambari is derived from gambaru), they do not have expressions that possess the same nuances. This suggests that gambaru is an expression that is unique to Japan and expresses certain qualities of the Japanese character.

There are various proverbs that may show a difference between Japanese culture and American culture as it relates to the virtues of Gambaru. One proverb based on Japanese culture states, “The monk who does not work should not eat.” This speaks to the fact that one must work and that through working one is able to live. The Japanese did not take into account play or free time in this proverb, unlike Americas in the following proverb.

Alternatively, an American proverb states, “All work and no play make Jack a dull boy.” This implies that one does not have to work but rest and play. It places play and work in the same category, and on the same level which equate to virtue. The account of play in this proverb gives the Japanese a feeling of uneasiness regarding the virtues of Gambaru in American terms.

© Joseph S. Spence, Sr., 8/16/09

© All Rights Reserved

Submitted by “Epulaeryu Master.”

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Joseph Spence, Sr.

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