What Are the Most Popular Tattoo Languages You Can Use? Find Out Inside!

A popular trend over the years has been different wordings and language designs for those looking to get a tattoo. Some people like to have a tattoo in memory of someone, or often times there are those that love to have a saying on their body that only they know the meaning too because of the foreign origin of the language. Let’s go over a few of the most popular wordings and languages for tattoo design.

Greek Wording

A new popular trend is Greek wording. The letters look really neat and it generally looks good in ink. A common place for these are on the bottom part of the forearm or the calf or shin. Definitely ask your tattoo artist if they can translate your favorite name, quote, or saying in Greek and see what it will look like on you, you may like it!

Japanese Wording

Obviously this is most popular in Japan, but here in America these is becoming more and more used because of the intricate Japanese wordings and designs. A lot of this language is drawn in what looks like wording pictures so they usually end up look pretty cool. Most things can be translated so research a little and check it out!

Chinese Wording

One of the most popular yet is the Chinese style of writing. Much like Japanese, this language when written, looks great! Most Chinese images tell a story, so there’s much to be told by getting one of these works of art ink’d on your skin!

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Marc Sumner

5 Benefits Of Joining A Painting Group

1. Honing your skills

Joining a painting group is a great way to hone your skills. Not only do you get time to hone and develop your skills, you also get to learn from like-minded people. You’re obviously going to learn from the group’s leader, but you can learn from the other members of the group as well. Everyone’s there to learn and to share experiences, hints and tips, so you’re bound to learn lots of new things. Even if the group’s just for beginners, you can still learn things from other people in the group, because beginners ask questions you might not have thought of and they make mistakes you can learn from.

2. Meeting likeminded people

It’s always great when you meet people with similar interests. When you join a painting group, everyone in that group has one thing in common: a love of painting. Whatever your level of experience, you can enjoy getting to know people and their experience with painting. People bond over common interests. Joining a painting group can be a great way not only to meet people in general, but to make new friends.

3. Time to paint

One benefit of joining a painting group people don’t appreciate is that you’re given time to paint. So many people have busy lives and want to paint, but can’t seem to find any time in their schedule. Join a painting group and you’ll be giving yourself a set slot of time dedicated just to painting. During this time, the focus is on painting and nothing else. You can just relax, forget about everything else that’s going on, and concentrate on painting.

4. Gathering opinions

Art is one of those subjects that people always have different opinions on. Join a painting group and you’ve got a group of people who will give you feedback, both positive and negative, on your work. People can offer you advice on your work and you can form your own opinions to offer to others about their work. Receiving a bit of criticism can do wonders for your painting because it can point out what you can do to improve your work. If you don’t join a painting group, you might not get these opinions to take into account and learn from.

5. Establishing your brand

If you’re thinking about becoming a professional painter, joining a painting group can be really beneficial. It can help you build up your artistic identity and establish your brand as an artist and painter. Another thing it can do is help you promote yourself and your paintings. Use people at painting groups to your advantage; get any contacts you can and discuss with others how they plan to establish their own brand. Learn from others and get your own brand ideas across to them. You can use the group not only to establish your brand, but to establish and grow potential customer base.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Joanne Perkins

Artwork Analysis: ‘Nude, Green Leaves and Bust’ by Pablo Picasso

Pablo Picasso’s complete name is Pablo Ruiz Picasso. He was of Spanish origin and was born in 1881 and died in 1972 at the age of 91. Picasso is regarded as one the greats in the field of modern art. He is credited with being the co-founder of the Cubist movement which is an early 20th century avant-garde movement. Picasso shares credit for this movement along with Georges Braque. Later other notable artists like Jean Metzinger, Albert, Robert Delaunay Henri and Juan Gris joined this movement and revolutionised European art.

Love with Marie Therese Walter

Pablo Picasso was an emotional man. In 1927 he met 17-year-old Marie-Thérèse Walter who was then only 17 and fell in love with her, though he was already married. He fathered one daughter from her, but never divorced his wife.

Marie Therese and her Effect “Nude, Green Leaves and Bust”

During the period Picasso had his affair with Marie-Therese, she exerted a deep influence on him, though this did not deter him from having affairs with other women, some of them nearly four decades younger than him. During the period Marie was his muse and love he painted a series of paintings with her as his center piece. The first of these paintings titled ‘Nude, Green Leaves and Bust’ was painted in 1932. Marie was the inspiration behind these paintings. The painting is fairly large and stands over five feet. It is painted in blue and lilac colors and brings out Picasso’s deep passion for Marie who was 29 years younger than him.

The War Years

Around this time Picasso had become friends with a French-Jewish art dealer named Paul Rosenberg. Picasso was staying in France at this time. War clouds were gathering over Europe and Rosenberg took an excuse of exhibiting the work in New York and shipped the painting out of France in 1939. This was a sane step as Picasso was not in favor with the Nazi’s who had occupied France. Picasso remained in France during the war years, while his painting remained in the United States.

History of the Painting after the war

Rosenberg put the painting on display at his gallery on East 57th street. The painting was bought by Francis Brody in 1951 and after that went out of public display. It was displayed only once in 1961 on the 80th birthday of Picasso. Francis Brody died in 2009. After his death the painting was put on auction in 2010 by Christies in New York City. The painting was auctioned for $106 million which was a record price at that time.

Analysis of the Painting

Nude, Green leaves and Bust‘ is Picasso’s deep passion for his blonde mistress Marie. The girl it appears was infatuated with Picasso despite his many affairs. She committed suicide after his death. A tragic end to a tale of love. There is no doubt that the painting which is now displayed on loan at Tate gallery was inspired by the young mistress of Picasso.

Picasso greatly liked philodendron leaves. He represented them in his painting of Marie by showing they emanated from her side.

The painting of Marie is one of Picasso’s finest works and in it he has left an endearing image of a girl who gave everything up for him.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Madan G Singh

So Near, Yet Sonar – Barcelona’s City Festival

Every June, for three nights and three days, the bars, clubs, pubs and streets of Barcelona become even more busy than normal, as people from all over Spain, Europe, and the rest of the world descend upon the city to experience Sónar, an Advanced Music and Multimedia Art festival. The official website describes the festival as “the essential meeting point for an alert public, cutting-edge artists and the most influential professionals from the sectors of music and modern arts.”

Sonar has been running for the last 15 years, and now attracts 80,000 people to the city annually. Unlike many other music festivals that have popped up over the last decade, Sónar is completely city based, meaning no mud, no portaloos and no camping. For those that prefer their festivals to be situated in a civilised, urban environment, rather than out in the not-so-great outdoors, Sónar is the festival for you.

Though Sonar embraces many forms of music, the emphasis is definitely on electronic styles; artists that have appeared in the last few years include: Aphex Twin, Cut Chemist, DJ Yoda, Kraftwerk and The Chemical Brothers.

The festival has two distinct components; “Sonar by Day” takes place in the centre of contemporary culture and the Museum of contemporary art, which is very close to the La Rambla. Here, visitors will find live music performances, DJs, multimedia art, record and clothes fairs, technology demonstrations, cinemas and other activities, split into a number of official areas known as SonarVillage, SonarCinema and Sonarama amongst others.

At around about 10pm each day, as the heat of the day starts to give way to slightly cooler night air, “Sonar by Night” begins. This takes place outside of the city centre and special coaches are laid on to transport festival goers to the main arena, which is split into four areas.

As Britain’s biggest festivals such as Glastonbury and Reading become increasingly more difficult to get tickets for, more people are looking further a-field to get their festival fix. Foreign festivals make ideal short breaks, offering music fans the chance to see their favourite artists, and also enjoy a cultural adventure, not to mention warmer, dryer weather!

The are now hundreds of big music festivals throughout the world, including Fuji Rock Festival in Japan, Exit Festival in Serbia, Mera Luna in Germany, Southbound Festival in Australia and EuroSonic Festival in Holland, to mention just a few, so maybe you should head further a field this summer and explore the wide world of festivals outside of the UK.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Andrew Regan

The New Study of Sumi-E Photography – The Art of Modern Ink Style Photography

Sumi-e photography is photography in the style of the Japanese ink brush painters – not only in the colours and textures, but in the subject matter as well. Neither filters nor digital manipulation are used. Rather, the natural light is captured from certain angles with a specific aperture and shutter speed to create an effect which is somewhere between a painting and a photo. The backgrounds emulate washi, or Japanese hand made paper, and ’empty space’ is left for calligraphy.

As the photos are printed onto an appropriate medium (water-colour paper, canvas), the calligraphy can be painted directly onto the photos – every print retains its individual character.

Similar to the masters of the traditional art form, it requires dedication, passion, concentration and above all clarity of the mind and heart to find truth and love in the new art.

The History of Sumi-e

The traditional style of ink painting in Japan has a rich and vivid history that spans over centuries. The “sumi-e” style was introduced Japan in mid-14th century by Korean missionaries. Trained in the art of concentration, clarity and simplicity, Sumi-e’s earliest practitioners were the highly disciplined monks. The masters dedicated themselves to the art form through years of reflection and strict discipline. In preparation they would make ink by grinding a solid ink stick (formed from the soot of pine branches) on stone and mixing it with water. Loading the brush (fude) they composed poems, stories, and characters in unique handwritten fonts on the delicate rice paper or silk scroll.

Prominent masters of the style are Sesshu Toyo, Tensho Shubun and Josetsu.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Marcel Rawady

Speed Tufting Is Both An Art and a Science – Book Review

Many people are quilters, and it takes a long time to learn all the different kinds of stitches, and how to put together complex patterns. People make all kinds of things out of quilting material. Many people are quite accomplished artists in this medium. Still, making a really nice rug for the floor or for a wall can be much more difficult until you learn how to do it correctly. They’re all kinds of things you need to learn if you choose to take up this new sport. Let’s talk about that for a second shall we?

The reason I say this is because I own a very good book that talks about tufting, and the other day when I was going through my bookshelves determining which books I should donate to friends or to the local library I came across this book. I decided to take it with me to the local coffee shop and read through it. I’m very glad I did. It’s an extremely interesting book, and I’d like to recommend it to you as well. The name of the book is;

“The Art of Speed Tufting” by Joseph Montell, published by RC – Rug Crafters, Santa Ana, California, 1973, 63 pages.

In this book you will learn about all of the tools needed for speed tufting. You will learn how to use a tongue and steel shuttle, and a needle and wooden handle tool. You will learn why tufting weavers prefer spring brass tongues, and how to use the adjusting screw to get the tufting tool to walk. It is my belief that if you put in a good 20 hours of practice, you can learn to be a speed tufting artist. If you doubt that, perhaps you might also read the book “The First 20 Hours,” which suggests that you can learn a new skill quite easily if you put your mind to it and use the right methodology to learn.

Okay, back to the tufting book; in this book you will learn how to thread the tufting tool and why there is a bend in the tufting tongue and how to gauge and adjust the loop length as well as the distance between stitches. You will learn about the stretching pattern, preparing the yarn and how to use a yarn reeler. I had no idea about how to latex the back once you are completed, or why the hemming of the pattern and the hemming of a round rug were different.

This book takes you through creating custom patterns from start to finish. Lastly, the book tells you how to wash your creation without ruining it. Please consider all this and think on it – and perhaps, buy this book if you are interested.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Lance Winslow

Kakejiku (Japanese Hanging Scroll)

Since ancient times, Japan has been considered one of the most mysterious countries in the world. The kakejiku is an ultimate tool for learning about Japan.

The Japanese people have long set a high value on aesthetic senses since ancient times. As a result, the peculiar culture which is not seen in other countries blossomed and many aspects of the modern Japanese culture come from it. Parts of Japanese culture has been introduced to people in other countries recently, so the number of people from other countries who are interested in Japanese culture has been increasing.

However the Japanese aesthetic senses, which are the bases of Japanese culture, have been nurtured through a long history. Besides, they are intertwining various elements intricately such as climate, geographical features, religion, customs. Therefore, they are very difficult to understand not only for people from other countries, but even for the Japanese people. I think the best tool which conveys these difficult senses understandably is a kakejiku.

The kakejiku (a hanging scroll; a work of calligraphy or a painting which is mounted and hung in an alcove or on a wall) is a traditional Japanese art. It’s no exaggeration to say that paintings are what express aesthetic senses at all times and places. The kakejiku is an art which expresses the Japanese aesthetic senses. The kakejiku has long been used in traditional Japanese events, daily life and so on since ancient times. As a result, there are various customs of kakejiku in Japan; kakejiku and the life of the Japanese are closely related. We can see Japanese values through kakejiku.

What Is the Kakejiku?

The “kakejiku” is a Japanese hanging scroll; it is a work of painting or calligraphy, which is usually mounted with silk fabric edges on flexible backings. The kakejiku can be rolled for storage.

The kakejiku is intended to be hung against a wall as part of the interior decoration of a room. It is traditionally displayed in the “tokonoma” alcove of a room, which is especially designed to exhibit prized objects. It can also be displayed in the most important room of the house, where a tea ceremony, or other traditional activities are performed. The kakejiku is also often hung in martial arts rooms called “doujou” (training rooms). Near the kakejiku, there are often other objects (“okimono”), such as swords (“katana”), dolls, “bonsai,” or flower arrangements (“ikebana”).

An essential aspect of the kakejiku is that it is not intended to be hung permanently; making it versatile in its placement. This means that it can be changed at frequent intervals. One of the pleasures of the kakejiku lies in selecting a suitable one, depending on occasions, guests, and seasons.

History of the Kakejiku

The kakejiku was introduced to Japan during the Heian period (794-1185), primarily for displaying Buddhist images for religious worship, or as a way to display calligraphy or poetry.

The original architecture of Japanese housing had developed considerably since the Muromachi period (1336-1573). In this newly developed architectural style, the Japanese-style room (called “washitsu”) became a room on whose floor tatami mats are laid, and it contains one special space that is called the tokonoma alcove. The most important feature of the tokonoma is the display of kakejiku. The tokonoma was regarded as a space which connects art and daily life; so landscapes, paintings of flowers and birds, portraits, and poetry became favorite themes.

During the Momoyama period (1573-1600) two great sovereigns were represented: Nobunaga Oda, and Hideyoshi Toyotomi. They liked “chanoyu” (tea ceremonies) very much. Tea ceremonies were usually performed in the room with the tokonoma alcove. The tokonoma architectural style was developed and established in this period. Accompanied with the development of tokonoma style, the techniques of painting and mounting were also developed, because the kakejiku was always displayed in the tokonoma. Moreover, Sen no Rikyuu mentioned the importance of the kakejiku, so it became extremely popular among people who were fascinated with tea ceremonies.

There were only a few big wars during the Edo period (1603-1868) in Japan. The peacefulness of the Edo period allowed Japanese culture to reach full maturity. Many famous painters flourished and competed with each other. The kakejiku also became popular among the public.

After the Meiji period (1868-), many more painters competed with each other with their techniques, because people became absolutely free to choose their own occupations during this period. Before World War 2, and for a while after that war, most Japanese-style paintings were designed to be decorated on kakejiku.

Why Is the Kakejiku Replaced?

Why is the kakejiku replaced? The spirit of the tea ceremony, a traditional Japanese art, affects this Japanese custom deeply. There is a heart of hospitality called “omotenashi” in a tea ceremony. When Japanese people think about the mood of a tea ceremony, they take it a lot into consideration. More specifically, they think about the various techniques they could use to make the mood the best. The kakejiku is displayed to express respect for guests indirectly, and is considered the most important tool in a tea ceremony. Therefore, the kakejiku is replaced depending on the occasions or seasons. The omotenashi heart makes them change the kakejiku.

The kakejiku developed during the Muromachi era (1336-1573) along with the development of tea ceremonies. As a result, people began to think that it was important to express the formality of the occasions to guests by displaying various kinds of kakejiku. Many customs of the kakejiku were derived from this type of thought in Japan.

Of course, many owners have their kakejiku for the purpose of enjoying themselves, and it is also part of fun to show their lovable kakejiku to their guests.

Functionality of the Kakejiku

There is a tokonoma alcove in a washitsu (traditional Japanese-style room), where a kakejiku is displayed. However there is very little furniture inside the room other than the kakejiku. The Japanese people don’t have a custom of hanging many paintings on the walls inside the room; they usually display a kakejiku only in the tokonoma, and replace it by another depending on the occasions, guests, and seasons.

It is said that this style of display contrasts with the Western style. Many paintings are often displayed on the walls of Western buildings, such as old European buildings or palaces. For example, if there are 100 paintings, it would be the Western style to display all 100 paintings on the walls. However, the Japanese people put all 100 paintings in a closet, and choose only one to display for a short term in its fixed place (tokonoma). Therefore, there is a clear difference in functions demanded from a painting between the West and Japan. In the West, painting needs a frame for durability because it is displayed for a long time. In Japan, however, a painting does not need so much protection because it is displayed only for a short time. Handiness and convenience are very important elements for a painting, because the Japanese people will change it frequently. It is also necessary not to take up the storage space. That is to say, the style, which satisfies the above conditions, is a kakejiku-style.

The kakejiku is rolled up when putting it away, and is opened while displaying it. As a result, flexibility and strength are needed to endure the process of displaying and putting it away. Therefore, the “honshi” (main work) is reinforced by backing it with another piece of paper, and cloths are attached around the honshi, and they are combined. This is a rough mounting process for the kakejiku. If the kakejiku is rolled up, this style prevents the honshi from creasing, tearing, and getting dirty. Even if the honshi is damaged or becomes dirty, the lifetime of the honshi and its aesthetic value can be kept for several hundred years by remounting the kakejiku.

The kakejiku is an ideal style; it enables the Japanese people to enjoy their paintings at their best.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Yuuichi Nomura

Painting Aluminum Venetian Blinds in a Few Easy Steps

All the Colors of the Rainbow…

Painting aluminum Venetian blinds can be fun and fulfilling, especially when you take a step back and look at what you’ve done. You could add some sunshine, a few colors of the rainbow, and the infinity of the sea and the sky by simply changing the color of your aluminum Venetians in a few easy steps. When you chose this type of window treatment you were probably guided by their durability and easy maintenance. However, as it usually is the case, people tend to get bored of looking at the same window scene over and over again. That is probably the right time to start a remodeling project which includes repainting your aluminum Venetian blinds which is a more cheap option to buying new ones. Since you are probably looking for a budget solution, I herewith offer some tips on painting aluminum Venetian blinds in a few easy steps.

If you have decided to paint your metal Venetian blinds, this is what you should do.

1. The first thing you will need to do is to remove the blinds. Do not worry, it is not as hard as it may seem at first. Simply use a screwdriver to take off the end caps from the bottom of the blinds. Then untie the string connecting the blinds and remove the slats. If you have previously installed your Venetians, this should be a piece of cake for you. On the other hand, if everything looks to complicated or you are simply not that crafty, simply follow the manufacturers instructions that you received when purchasing the blinds or ultimately ask someone to help you.

2. The next step involves cleaning the blinds. Your aluminum Venetians need to be properly cleaned and all the dust, dirt and debris properly removed, since paint should be applied only to clean and smooth surfaces, otherwise your painting job will be hindered and you could face some inconsistencies. Cleaning aluminum blinds is very easy. For a more thorough cleaning, you could soak them into water (bath tub for instance), wash them using some mild soap or detergent and rinse them with shower. You could also use a cloth or a sponge and a bucket of clean, cold water. Simply add some soap to the cloth, apply it to each slat and rinse it with another clean, wet cloth. That is it. Note that your blinds need to be completely dry before adding paint, so use a dry towel to collect the remaining water or better yet leave them outside to dry.

3. Now let’s move on to painting your aluminum Venetian blinds. It is best done outside, since it involves using spray paint which could spray and damage surrounding objects. If you decide to paint the blinds inside, always take some precautions, that is properly protect your floors, walls and furniture. Before adding the paint you will need to add a bonding primer. The primer especially designed for metal will allow the paint to stick to your metal blind surface and also cover any existing stains. Apply the primer on each slat of the blind and make sure to cover entire surface equally. The primer will have to be left to dry (for about an hour) when you can apply it to the other side of the blind.

4. When the primer is completely dry, you can start painting your aluminum Venetian window blinds. Choose spray paint for metal surfaces. You should add the paint in more than one layer in order of getting the color intensity you probably want and preventing the paint from pealing off or fading in time. Add two or three layers of paint to each slat and leave them to dry (again for optimally one hour, but this may depend on the paint). Repeat the process on the other side of the blind. When the paint is dry, you can reassemble and attach your Venetians. Consider your job done.

Always bear in mind that you are not limited by using only one color for the blinds. You could mix colors, make some patterns, paint each slat a different color. It is entirely up to you. However if you think that painting your metal Venetians is a tedious and boring job, you could always get the real deal, that is some colorful, new aluminum blinds in a whole diapason of colors.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Mark Row

Eyebrow Piercing – The Most Popular Types

Our eyes are among the most significant areas on the human body. Of course, an excellent means to underline the eyes is through various kinds of piercings. Whereas other types of face piercings are getting more accepted, eyebrow piercing is already a leader and still originating new styles in body piercing

According to the position it has got, eyebrow piercing can be classified into several types.

• Horizontal eyebrow piercing is horizontally located above the eyebrow, following its line. The extraordinary look of this piercing can add to the shape of your eyebrow. Jewelry options that will suit this kind of piercing include barbells, curved barbells, banana bells as well as bio-plast barbells.

• Bridge piercing represents an alternative to nose piercing. It’s the portion of skin between the top of your nose and your eyes which is pierced. Yet, this is not the best variant if you’ve got a tight skin in the area because it will dry and flake away.

• Anti-eyebrow piercing is performed slightly below the inferior eye orbit, right on the upper cheekbone. As well as the two preceding types, this one is executed exactly underneath your skin, without even touching your facial muscles or bones.

• A variant of the common eyebrow piercing is the spiral eyebrow. The difference between them is the spiral eyebrow type consists of two or three successive holes. Afterward, a spiral-shaped piece jewel is passed through all these holes.

• The T eyebrow piercing represents a typical vertical and a horizontal piercing. These are executed in immediate closeness to one another so as to create the shape of the letter “T”.

• When two or more types of piercing are combined, this is labeled as combination or multiple eyebrow piercing.

How to Choose Eyebrow Body Jewelry

It’s your personal choice as for what angle of your brow you’d like to have pierced. The truth is any puncture requires the same efforts for healing. The eyebrow body piercing is normally made according to the marks, upper and lower. It’s a known fact that horizontal piercings are usually difficult to deal with, but an expert is able to perform this kind of operation. As soon as you decide on what type of eyebrow body piercing you will have, tell the master about your choice. An experienced specialist who has got a clear notion of the brow anatomy will correctly select the position so as to avoid grazing your nerve-endings.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Garry J

Art Jewellery

Art jewellery has always been admired for its unique aesthetic appeal.

The material for creating such jewelleries vary dramatically. They range from precious metals and gems to acrylic, glass and wood and so on. The artist develops techniques for using these materials to maximise effect.

In many countries the local culture, art and craft is depicted through their jewellery.

Traditional forms are sublimed with contemporary designs, to suit the tastes of modern art lovers. Thewa, jadau and pacchikkam are symbolic of such art forms in India.

Thewa

Thewa is a traditional art of fusing 23K gold with multicoloured glass. The glass is heated by a special process to have a glittering effect, which in turn highlights the intricate gold work presented in the form of motifs. They depict the day-to-day life, legends, battlefields, nature, royal weddings, and hunting scenes. Each of these pieces are then ornamented with gemstones which add an exotic flavour of creative imagination spreading the fragrance of distinct poetry in each design.

Jadau

It is a form of embedded art. Usually different semi precious stones, gems, crystals and beads are embedded in gold/silver, by melting it a bit. Once the gold becomes pliable, the stones are set on it with great precision and artistry. On cooling the gems get fixed automatically i.e. without the use of any adhesive or carving.

Pacchikam

It is one of the most exemplifying forms of modern art jewellery, depicting style, colour and fine craftsmanship.

The process of making pacchikam is based on an intricate setting of gemstones usually made in a silver casing, because of the metal being highly malleable and closely resembling platinum, a precious metal.

Many contemporary designers are today inspired by this art form and are leading the way for further development in it.

Immobilienmakler Heidelberg

Makler Heidelberg



Source by Shveta Kumar

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