34 Bubblegums and Candies – Book Review

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34 Bubblegums and Candies, written by the Indian author Preeti Shenoy, is a collection of 34 real life narratives and incidents based on the author’s life. Although a non-fiction book, this book is a really interesting read and because of this reason, 34 Bubblegums and Candies has gone on to become a national best-seller with hundreds of thousands of copies sold to date.

The author of 34 Bubblegums and Candies, Preeti Shenoy, was earlier a blogger who wrote regularly for some of the major newspapers. In 2007 she decided to take her hobby to the next level and thus was launched her debut book which soon climbed aboard all the major best-seller lists in India.

34 Bubblegums and Candies is essentially a collection of 34 anecdotes and experiences that the author has had throughout her life. Some of them are humorous while the others are a little sad but essentially each of these stories has an underlying message for the reader. It is through these short stories that the author has tried to capture a glimpse of the various facets of human life.

For example, the book starts off with the narration of events that lead to the death of the author’s father and how she manages to cope up with the tragedy. It is not a sad story or a dull one, rather it shows how everyone must encounter these tragic events and learn to live with them. The author beautifully captures each emotion with the beauty of her words.

The book reminded me of the movie Forest Gump. The author gets it spot on when she says that life is a little bit like candies and bubblegum. One must keep chewing to savor the taste that lies within. Sometimes the bubblegum may burst unexpectedly and one may be left with a sticky mess. These are the problems and unhappy times in one’s life.

At other times, life is like a candy stick. One must lick it slowly and relish what it has to offer. Sometimes we greedily bite off more than we can chew and this we must learn to avoid. Sometimes we encounter a rare moment when the balance seems right and a feeling of contentment reigns supreme in all of us. All in all, 34 Bubblegums and Candies is a must read book for everyone. It is available at all leading bookstores although online retailers offer a better discount on the same.

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Non-Figurative Abstract Art – Past and Future

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Non-figurative abstraction begins with the imaginative power of humans. Clearly distinguishable from fantasy art, the form reflects reality in non-figurative expressions. In simpler words, non-figurative abstract art depicts real forms in rather a different way. Abstract art is not an outcome of the 20th century thinkers, contrary to popular belief. It also does not have a sudden origin. If we go back to the Islamic and Jewish religions, where depiction of human bodies was a definite no-no, then we can find a lot of calligraphy and non-figurative art forms. Let us even date back to the prehistoric times, where humans used symbols for fire, water or thunder, which are hard for a modern man to interpret. However, those prehistoric creations have an eternal appeal to the modern men, because of the intrinsic aesthetics. Therefore, we can take those depictions of our ancestors as work of abstraction.

What history says?

People regard Wassily Kandinsky as the father of abstract art. Though started with figurative work in 1910, he gradually moved out of it and concentrated on non-figurative forms. Painters like Kasimir Malewich followed his path and took the art form to another level. His paintings were mostly on simple geometric forms. Other artists following Kandinsky’s path were Paul Klee, Raoul Dufy, and Piet Mondrian. Piet Mondrian pioneered the first non-figurative abstract paintings.

In the middle of the 20th century, some landmark events totally changed the normal course of abstraction. The Jewish persecution by Hitler, the World War II, and admonition of modern art by the Nazis resulted in immigrant ultramodern European artists into the United States of America, in hundreds of numbers. This brought forward a fresh wave in the American art scenario, resulting in the birth of Abstract Expressionism.

Abstract Expressionism – What it is

Abstraction actually removes the reality in an object. The degree of removal varies from partial to complete. The image becomes a replica of the reality in its subtle form.

The term does not depict any style. It is rather a concept of performing art. The movement, consisting of famous artists like Mark Rothko, Willem de Kooning, and Jackson Pollock, pushed all the traditional boundaries beyond every limit. Mark Rothko introduced one segment of abstraction with unified blocks of color, popularly known as “Color Field Abstract Art”. The other segment included multiple genres like Cubism, Expressionism, Action painting, and Surrealism. However, the core of abstract work remains in depicting the subconscious of the artist on canvas.

Phenomenal wave created by the masters

Pablo Picasso, in the first decade of the twentieth century, created a new wave in the world of abstraction. It drastically changed the presentation, forms, and styles of creations and created a ripple of movements; affecting the works of poets, musicians, and authors all across the globe. Practice of Cubism by George Barque in his emotionally charged paintings with altered forms, colors, and shapes of Expressionism laid the plinth of abstraction. The form also gathered its inspiration from post-Impressionism artists like Gauguin, Vincent Van Gogh, and Cezanne. During the early twentieth century, Henry Matisse, along with his followers, introduced Fauvism. It concerned usage of raw colors.

What makes abstract art different?

The basic characteristic that differentiates abstract art from realism is the fluidity. This form represents things that lie beyond the visionary perception of human beings, like sound, emotion or spiritual experience. To quote Kandinsky, “of all arts, abstract painting is the most difficult. It demands that you know to draw well, that you have a heightened sensitivity for composition and of colors, and that you are a true poet; this last is essential.

The future of abstract painting

With advent of newer tools and methodologies, there is a shift in style from the traditional ones like color field painting and action painting. Forms take different shapes, ideas become modern, and fresh thoughts arise. However, the basic idea behind abstraction remains the same. Non-figurative abstract art definitely has a colorful and bright future.

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Why is Abstract Art So Popular?

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Abstract art is popular because it has a purpose in this world both for the artist and the viewer. Many people collect abstract paintings to beautify their surroundings, as an investment, or to update their lives with contemporary culture. They often feel a connection with the colors, the forms, texture, or energy that the artwork gives off. The artwork changes their living space and creates an atmosphere worth living in.

For the artist, creating the artwork can be an expressive means to channel creative energy and emotion. The action of painting is actually considered therapy and very meditative for many abstract artists. The evidence of this has been documented to be especially true in today’s modern fast pace world.

Abstract art also covers a broad spectrum of painting styles. The general understanding is that this type of art does not depict anything in the natural world and the subject is simply a visual language of color and form. While this is true of non-representational works (which I love to create), this is simply not true for all abstract art out there. The word “abstract” means a departure from reality, but this departure can sometimes be only a slight one. This in-turn leaves room for partially abstract landscapes, figures, seascapes, etc. to be categorized as abstract art.

The beauty of abstract art, both for the artist and the viewer, is that anyone can take what they see and interpret it however they want. Of course this is true of any type of artwork, but considering the nature of abstract artwork, the creative mind has even more freedom to roam and interpret what is appearing before the senses. Abstract artwork is a non-traditional free art form that resonates with the feelings and emotions of today’s contemporary artists and art collectors. As long as this is true abstract art will continue to be so popular.

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The Rich Culture And History Of Japanese Tetsubin

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The exact date when the Japanese tetsubin first appeared in Japan remains unclear, but much evidence suggests a strong relationship between the rise of the sencha (tea drinking using tea leaves), and the early tetsubins.

With this hypothesis, it is suggested that Japanese tetsubin was developed in Japan with the rise of Sencha, which was introduced to Japan from China in 17th century. During this period, Sencha was not considered a formal ceremony but tea was already acknowledged as a drink that is closely associated with medicinal herbs.

During the 18th century, as more and more Japanese adopted tea drinking, Sencha increasingly became an informal setting for sharing a cup of tea with family and friends. As Chinese tea utensils used in Sencha were too rare and expensive, the Japanese developed a new Japanese style teapot to replace the expensive Chinese ones – leading to the creation of the first tetsubins.

Most likely the early tetsubin was not created just out of imagination, but shaped by the design of other Japanese kettles already in existing that time. But why did they need to develop a tetsubin when they already have a usable kettle? One good reason might be the common belief by a lot of tea enthusiasts that water boiled in an iron kettle really tastes better than water boiled in regular kettles.

Throughout the 18th Century, the Japanese tetsubin remained to be an ordinary household utensil used to heat water, prepare tea, and provide warmth. However, it underwent ornamental design changes along with the Japanese art in general.

When Japanese art was gradually being influenced by the Chinese mainland 19th century, the styles and design of Japanese tetsubins became more elaborate. Not long enough, a wide range of Tetsubin teapots were available, from the simplest kettle style, to flamboyantly designed works of art. Japanese tetsubin then gradually evolved into a cultural status symbol for its owner.

Although tetsubins were originally influenced by Sencha drinking and remained to be a household item, it has a significant role within the tea ceremony. It is used in chanoyu, during ryakubon. This teapot is also often used in place of the cha-gama when chanoyu is held outdoors. Another Japanese ceremony that uses tetsubin, is kaiseki, which is a light meal before chanoyu.

The decoration and shapes of Japanese tetsubin are beautiful in their simplicity and practicality. Tea enthusiasts these days can enjoy tea in the comfort of their homes with such easy-to-use teapots.

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Japanese Tattoos- Way Beyond Flash

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While the art of Japanese tattooing, or irezumi, is said have continued for a hundred centuries, the introduction of the Buddhist faith to Japan discouraged its widespread use. The Chinese, who brought Buddhism to Japan, abhorred the art of tattooing, and their influence made its way to the upper classes of Japan.

From the early seventeenth to late nineteenth centuries, during Japan’s Edo Period, Japanese tattoos were most often seen on Japanese prostitutes, who used them to entice customers; Japanese firemen were known for their remarkable horimono, or full body tattoos which were quite unlike any other tattoos in the world. The firefighters regarded their tattoos as signs of brotherhood and masculinity.

The other class of Japanese regularly tattooed during this period were criminals who for one hundred and fifty years were marked either with a tattooed ring, or tattooed character on the forehead, on the arm for each crime They may have resented being permanently marked, but prior to the introduction of tattooing, the usually means of identifying criminals was to amputate their noses or ears.

Japanese tattoos regained their popularity when a woodblock printed Chinese novel, “Suikoden,” illustrated with warriors bearing horimono of tigers, dragons, and flowers. The book was wildly successful with Japan’s lower classes, who began demanding similar tattoos.

But the only tattoo artists available were the woodblock printers themselves. Because the printers had no tools except the gouges and chisels with which they created their woodblocks, they used them and their special black ink which will change its color to a bluish green when it reacts with human skin.

All authentic Japanese tattoos are still applied by hand with “tebori”, groups of handmade needles attached to wooden or metal handles; it takes a great deal of practice to master the art of tattooing by hand. Having a “suit” of Japanese tattoos applied with tebori, as everyone who was tattooed in the mid-1800s did, was a time-intensive experience; an entire tattoo could take up to five years of weekly sessions to finish. As tebori are more likely to cause bruising than the tattoo machines widely used today, they were in many cases very painful years.

Japanese tattoos are rich in symbolism; one of the most popular is the koi fish, or carp, which can outlive many humans and represent endurance and wisdom. Dragons bring luck, and are often depicted with clouds or rivers and lakes, so necessary for the rice crops which have sustained the Japanese for thousands of years. Snakes add a negatic4e element to Japanese tattoos, and are included only when the artist can add peonies, cherry blossoms, or other flowers which bloom at the same time that snakes become active after the winter.

You may have to travel far and wide to find a tebori master to apply your Japanese tattoos, but you can find tattoos of traditional Japanese subjects at every tattoo parlor!

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4 Benefits Of Painting Landscapes

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1. Heightened appreciation

Painting landscapes gives you a heightened appreciation of the natural world. It enables you to see the world more closely and to understand it finer points and intricacies. Many people don’t fully appreciate the beauty of the natural world around them because they don’t take the time to look at it more closely. When you paint a landscape, you’re challenging yourself to inspect part of the natural world so you can effectively depict it in your painting. You have to see what the world around you is made up of.

2. Getting outdoors

Many landscape painters choose to practice plein air painting. This is simply the act of going outdoors and painting the world as you see it. Plein air painters explore the world around them to find a beautiful spot to paint. One of the reasons why so many artists enjoy plein air painting is because they get to be in the great outdoors surrounded by nature, as opposed to stuck in a stuffy studio. There are some artists who just explore their local region for great places to paint and there are others who will save up and travel to different countries to find the subject for their next painting.

3. Exploring colours

Nature is full of all sorts of colours – the colours that make up the natural world are seemingly endless in number. If that’s not enough to contend with, there’s the fact that light constantly changes throughout the day. You can paint the same scene loads of different times, each set at a different time of day and each using an abundance of different and unique colours. One of the best things about landscape painting is that it opens up a whole new range of colours for you to work with, many of which you may not have seen before.

4. Emotional connection

Many people believe that looking at landscape paintings is good for them. They find landscape paintings to be soothing and calming. One of the main benefits of landscape paintings is that your paintings can make others feel good. Paintings in general can have a captivating quality; landscape paintings have the ability to trigger emotional responses from people. They can help people get in touch with not only their feelings, but also their past experiences as well. Landscapes can help people remember and relive particular times of their lives that they’re especially fond of.

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What Are the Three Laws of the Dialectic Method?

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Dialectic philosophy was made popular by Plato’ “Socratic dialogues.” The dialectical method is simply a set of rules applied together to understand more clearly our real interdependent world.

“Dialectics is nothing more than the science of the general laws of motion and development of nature, human society and thought.” (Engels)

Hegel assembled inside his idealistic philosophy the three laws of dialectics:

  1. The law of the unity and conflict of opposites (Heraclitus);
  2. The law of the passage of quantitative changes into qualitative changes (Aristotle);
  3. The law of the negation of the negation (Hegel).

The point here is the humanity used the dialectic method to investigate the surrounding world since 3000 years ago.

The unity and conflict of opposites

The law of contradiction in things is the basic law of materialist dialectics.

The world in which we live is a unity of contradictions or a unity of opposites: cold-heat, light-darkness, Capital-Labor, birth-death, riches-poverty, positive-negative, boom-slump, thinking-being, finite-infinite, repulsion-attraction, left-right, above-below, evolution-revolution, chance-necessity, sale-purchase, and so on.

To understand something, its essence, it is necessary to seek out the internal contradictions. Under certain circumstances, the universal is the individual, and the individual is the universal. That things turn into their opposites, – cause can become effect and effect can become cause – is because they are merely links in the never-ending chain in the development of matter.

More example to illustrate the universality of contradiction:

  • In mathematics: + and–. Differential and integral.
  • In mechanics: action and reaction.
  • In physics: positive and negative electricity.
  • In chemistry: the combination and dissociation of atoms.
  • In social science: the class struggle.
  • In war: offense and defense, advance and retreat, victory and defeat.(Mao Zedong)
  • In humans; divine spark inside and material body (visit Gnosticism on my site)
  • In eastern philosophy: Yin and Yang aspects.

The quantitative changes into qualitative changes

This is the cornerstone of understanding change. Change or evolution does not take place gradually in a straight smooth line. There are long periods of evolution where no apparent changes are taking place, then suddenly, a new life form or forms emerged. The development is characterized by breaks in continuity, leaps, catastrophes and revolutions.

The negation of the negation

The whole process can be best pictured as a spiral, where the movement comes back to the position it started, but at a higher level. In other words, historical progress is achieved through a series of contradictions. Where the previous stage is negated, this does not represent its total elimination. It does not wipe out completely the stage that it supplants.

Engels explains a whole series of examples to illustrate the negation of the negation: “Let us take a grain of barley. Millions of such grains of barley are milled, boiled and brewed and then consumed. But if such a grain of barley meets with conditions which for it are normal, if it falls on suitable soil, then under the influence of heat and moisture a specific change takes place, it germinates; the grain as such ceases to exist, it is negated, and in its place appears the plant which has arisen from it, the negation of the grain.

But what is the normal life-process of this plant? It grows, flowers, is fertilized and finally once more produces grains of barley, and, as soon as these have ripened, the stalk dies, is in its turn negated. As a result of this negation of the negation we have once again the original grain of barley, but not as a single unit, but ten, twenty or thirty fold.

A grasp of dialectical philosophy is an essential prerequisite in understanding the doctrine of contradictions.  See my next article about social contradictions.

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Source by Ernest Ionescu

Do Men Like Poetry?

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Whether or not men like poetry seems to be a trivial question at first. And also highly dependent on the character of each individual. I want to point out right away that this is not meant to be a generalisation of things that are clearly a matter of personality. However, there are some key features that – generally, not always – tend to be very specific to one gender and we’re going to take a closer look at those concerning the interest in poetry.

Women love words. I know this is a cliché, but any woman who is honest to herself will admit, that communication via language is as important to her to create intimacy as nothing else. Talking makes women feel a strong bond to the person she’s talking to and through words she can express and experience herself.

Poetry is the art of adding up words in a way that they form emotions. So at first it would appear only natural that women are especially drawn to this form of art.

Men to not usually connect emotions as much with words as they do with actions. Yet, man of the greatest writers of poems in history were men.

So, how do we explain men’s interest in poetry even though it does not usually move them emotionally as much as it does women?

The answer to that may lie in another feature that distincts poetry from other forms of writing. Poetry is also highly loyal to structure. While poems are very much directed towards feelings, expressions and emotions they also follow – sometimes very strict – patterns. This is something that has a large appeal to the male brain.

Poems capture something in a structure that otherwise might even appear to be inexplicable or hard to capture in writing. The clarity of poetry allows for a deep understanding of situations, feelings or things that otherwise would be hard to grasp.

Considering this, I believe that men and women can enjoy poetry equally but for very different reasons.

While women admire the feelings poetry brings out in them and makes them feel, men like poems for the exact opposite reason: Because they capture and tame something that to them would otherwise feel like too much of a chaotic collection of sensations.

Poems trigger an experience for women while they offer a point of view that is a great starting point for analyses for men. Again, I’m not saying that both of those things can’t be experienced by both genders equally, but this is a general observation based on the average of what I’ve encountered.

So to sum up my argument and answer the question: Yes, men do enjoy poetry, but not for the same reasons as women do.

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Egyptian Art

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If you’re looking for a travel destination where you can view a very different form of art than anything you are used to, Egypt just may be the place. With their pyramids, architecture, statues, paintings, pottery, jewelry, and more you really can’t go wrong.

The art found in Egypt is known to be highly stylized as well as very symbolic. A lot of the ancient Egyptian art has come from tombs and monuments. Geometric shapes and nature play a key role in Egyptian art.

One of the most well-known art galleries in Egypt resides in Cairo. This is the Egyptian Modern Art Museum. It is a very common destination for art enthusiasts. This museum houses the works of many artists such as Mohamed Owasis, Bab Zuweila, Zakana El Zieny, Mahmoud Afify, Shafig Shaborream, Mohamed Hussan, Marguerite Nakhla, Hussein Fawzy, Mohamed Nagy, Ragheb Ayad, Mohamed Raief, Fatheya Zouhny, and many more. All of the artists houses in the Egyptian Modern Art Museum are all very talented. Many of which are also very well-known among Egypt and even around the world.

Another art gallery available to view in Egypt is the Cairo-Berlin Art Gallery Exhibits. It is a much smaller gallery than the Egyptian Modern Art Museum. However, it is still work taking a peak. The gallery features both local and regional artists. There are mostly sketches, paintings, and watercolors.

As you can see, Egypt has a lot to offer as far as the display of their ancient Egyptian art. Egypt is a beautiful country with a lot to offer. So, if you are an art lover, put Egypt on your list of desired destinations.

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A Brief History of Cuban Art

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Throughout history, Cuban art has been influenced by the rich history of the island itself and can be divided into several distinctive periods.

There is not much evidence of Pre-colonial Cuban art. A handful of cave paintings that have survived to this day do not give us a lot of insight when it comes to the artistic expressions of Taino Indians, the first inhabitants of Cuba.

In the earlier period of colonial rule, especially in the 15th and 16th century, there was almost no art created on the island, instead, paintings and other decorative objects adorning churches and palaces of the wealthy Spaniards were brought from Spain and other European countries. The first Cuban artists adopted Spanish style and it was not until the 1800s that a distinctive Cuban style started to emerge. The leaders of this new movement were José Nicolás de la Escalera and Vincente Escobar who were both self-taught.

Neo-classical style from the Italian and French schools was introduced by the French artist Jean Baptiste Vermay, who, in 1818 opened the first art school in Cuba-Escuela de Pintura y Escultura de San Alejandro. The most acclaimed painter in the second half of the 19th century was Esteban Chartrand, who created beautiful landscapes for wealthy landowners.

At the beginning of the 20th century, Cuban painters were influenced by the European avant-garde and many traveled to Europe to immerse themselves in the vibrant European art scene. Some of the most talented artists from this period, who adopted postimpressionist styles, created art using recognizable Cuban themes-local farmers, mulato girls and lush tropical landscapes. One of the most talented painters from this period was Victor Manuel García who was greatly influenced by Gauguin. His contemporary, Wilfredo Lam, Cuba’s most famous painter, was primarily influenced by Picasso’s surrealism, but at the same time, embraced his Afro-Cuban heritage in the timeless and magical art he created.

In the 1970s, a new generation of artists started to emerge. New times brought new mediums: serigraphy, sketches and graphic art. Some artists embraced pop art, some painted in deliberate primitivism style and others created photorealistic landscapes. The group of the most notable artists from this period includes Roberto Fabelo, Pedro Pablo Oliva, Zaida del Río, Nelson Domínguez and Eduardo Roca.

In the 80s, Cuban art started opening up to the world and many artists were exhibited in North America and Europe. The first Havana Art Biennial was held in 1984 and to this day remains one the most important showcases of Latin American art.

The contemporary Cuban art scene is more vibrant and alive than ever with many talented artists yet to be discovered by a worldwide audience.

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